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T H E C Z E C H S o F C L E V E L A N D<br />
widow, Mrs. Musil, who is destitute and ill. Her three children, <strong>of</strong> whom the eldest is<br />
Marenka, are hungry and in tears. A kind neighbor, who is also poor, brings in a loaf <strong>of</strong><br />
bread, which is all she bas to <strong>of</strong>fer. <strong>The</strong>re is talk <strong>of</strong> a magic Bower in the garden <strong>of</strong><br />
Krakonos which would cure the mother. Marenka slips out to find the garden and the<br />
flower. As she goes through the dark forest,she is hindered on every band by the dwarves<br />
elves, fairies and crickets and finally by a very dreadful witch. She is feadullyfrightened<br />
but persists, and finally reaches the gard,en, but then does not know which flower is the<br />
magic one. Some are red, some are yellow, <strong>of</strong> pure gold, and in the center is one beautiful<br />
white flower. Krakonos appears while she is looking abolltj he is very tall and<br />
frightful, and in a terrible voice accuses her <strong>of</strong> trylllg to steal his gold. She tremblingly<br />
explains her real purpose, and he, not believing her, tells ber that the white flower wiU<br />
cure ber mother, but that the one who plucks it will die. Marenka plucks the flower, and<br />
is struck by lightning. KTakonos, horrified at the result <strong>of</strong> his threat, visits the llome<br />
<strong>of</strong> the widow, places the white .flowers on her breast, and scatters the golden flowers<br />
over the two children who are asleep 011 the bare floor. <strong>The</strong> mother begins to awaken.<br />
and rises recovered. <strong>The</strong> children waken, and exclaim at the shower <strong>of</strong> gold which had<br />
fallen upon them. A neighbor brings the dreadful news <strong>of</strong> Marenka's death, and soon<br />
two wood-cutters come in, carrying her body on a stretcher. <strong>The</strong> cottage is full <strong>of</strong> sorrow<br />
borne with courage and fortitude by the mother. Marenka's little form is composed [or<br />
her bUTial, and the children gather up the white flowers and place them in her arms [or<br />
adornment. To the surprise <strong>of</strong> aU, the flowers restore her, even as they bad restored<br />
the motherj the gold makes the future look fairer, and the final tableau indicates Lhe<br />
happiness which omes from family love and unselfish devotion.<br />
It is no doubt in part this childhood training which enables the<br />
adult Czech to appear in public entirely without self consciousness. While<br />
folk tales are the usual themes <strong>of</strong> the juvenile actors, the national history<br />
furnishes the background for most <strong>of</strong> the adult performances, although