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POP FICTION

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<strong>POP</strong> <strong>FICTION</strong><br />

tthhee ssoonngg iinn cciinneemmaa<br />

Pop Fiction’s unique essays individually<br />

consider one song within a cinematic context.<br />

Unlike previous collected volumes about pop<br />

music in film where a generalised approach<br />

has been adopted, it offers instead a close<br />

examination of these two most pervasive and<br />

significant mediums in contemporary culture.<br />

The collection introspects, assembling the pop<br />

song into various guises and documenting<br />

how individuals dissemble the multiple roles<br />

that the pop song plays in all and one audiovisual<br />

moment. The song as: ghost, role-play,<br />

memory trigger, narrator, marketing device,<br />

translator, alienator, membership rite, etc.<br />

Within this tight structure, an international<br />

range of authorities from<br />

• film<br />

• musicology<br />

• audio-visual design<br />

• contemporary art<br />

• cultural studies<br />

• sociology<br />

• marketing<br />

provide fresh insight into the film-song<br />

combination. Additionally the book’s form<br />

reduces the area of analysis to expose<br />

differences and similarities between these<br />

contrasting fields of study. [A postmodern<br />

gesture wherein, through the reader, the<br />

examiners become the examined.]<br />

Innovative yet accessible, this exciting<br />

document would appeal to students, lecturers<br />

and researchers offering a diverse set of<br />

models with which to investigate the<br />

'ideogram' of image/text/sound - a<br />

relationship which sits at the heart of most<br />

cultural production. The book provides<br />

beginners with comforting areas of familiarity<br />

(pop song and film) while exploring respective<br />

disciplines and inter-disciplinary practice in an<br />

original manner.<br />

Steve Lannin is senior lecturer in Graphic<br />

Design at the Southampton Institute,<br />

University College, and an audio-visual<br />

design consultant for Corporate Sound ag,<br />

Basel, Switzerland.<br />

Matthew Caley is senior lecturer in Graphic<br />

Communication at the University of<br />

Wolverhampton, and a poet.<br />

Contributors include: Anahid Kassabian, Jeff<br />

Smith, Phil Powrie, Ian Inglis, Robynn J.<br />

Stilwell, Morris B. Holbrook, Dave Beech,<br />

Miguel Mera, Elizabeth C. Hirschman, John<br />

Roberts, & David Toop.<br />

intellect<br />

PO Box 862<br />

Bristol BS99 1DE<br />

United Kingdom<br />

www.intellectbooks.com<br />

ISBN 1-84150-078-X<br />

9 781841 500782

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