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<strong>POP</strong> <strong>FICTION</strong><br />
tthhee ssoonngg iinn cciinneemmaa<br />
Pop Fiction’s unique essays individually<br />
consider one song within a cinematic context.<br />
Unlike previous collected volumes about pop<br />
music in film where a generalised approach<br />
has been adopted, it offers instead a close<br />
examination of these two most pervasive and<br />
significant mediums in contemporary culture.<br />
The collection introspects, assembling the pop<br />
song into various guises and documenting<br />
how individuals dissemble the multiple roles<br />
that the pop song plays in all and one audiovisual<br />
moment. The song as: ghost, role-play,<br />
memory trigger, narrator, marketing device,<br />
translator, alienator, membership rite, etc.<br />
Within this tight structure, an international<br />
range of authorities from<br />
• film<br />
• musicology<br />
• audio-visual design<br />
• contemporary art<br />
• cultural studies<br />
• sociology<br />
• marketing<br />
provide fresh insight into the film-song<br />
combination. Additionally the book’s form<br />
reduces the area of analysis to expose<br />
differences and similarities between these<br />
contrasting fields of study. [A postmodern<br />
gesture wherein, through the reader, the<br />
examiners become the examined.]<br />
Innovative yet accessible, this exciting<br />
document would appeal to students, lecturers<br />
and researchers offering a diverse set of<br />
models with which to investigate the<br />
'ideogram' of image/text/sound - a<br />
relationship which sits at the heart of most<br />
cultural production. The book provides<br />
beginners with comforting areas of familiarity<br />
(pop song and film) while exploring respective<br />
disciplines and inter-disciplinary practice in an<br />
original manner.<br />
Steve Lannin is senior lecturer in Graphic<br />
Design at the Southampton Institute,<br />
University College, and an audio-visual<br />
design consultant for Corporate Sound ag,<br />
Basel, Switzerland.<br />
Matthew Caley is senior lecturer in Graphic<br />
Communication at the University of<br />
Wolverhampton, and a poet.<br />
Contributors include: Anahid Kassabian, Jeff<br />
Smith, Phil Powrie, Ian Inglis, Robynn J.<br />
Stilwell, Morris B. Holbrook, Dave Beech,<br />
Miguel Mera, Elizabeth C. Hirschman, John<br />
Roberts, & David Toop.<br />
intellect<br />
PO Box 862<br />
Bristol BS99 1DE<br />
United Kingdom<br />
www.intellectbooks.com<br />
ISBN 1-84150-078-X<br />
9 781841 500782