Annual Graduate Student Conductors - George Mason University ...
Annual Graduate Student Conductors - George Mason University ...
Annual Graduate Student Conductors - George Mason University ...
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Piccolo<br />
Yvonne LeFrancois<br />
Flute<br />
Caitlin Oliver<br />
Katie Baseman<br />
Megan Walsh<br />
Melissa Thompson<br />
Oboe<br />
Paul Chinen<br />
Sandy Ramani<br />
Clarinet<br />
Geoff Flolo<br />
Russell Gross<br />
Katrina Ambrose<br />
Courtney Leonard<br />
Giovonti Vick<br />
Christine Callaghan<br />
Hannah Donahue<br />
Jonathan Hilgendorf<br />
Courtney Tucker<br />
Lauren Ward<br />
Bass Clarinet<br />
Brennan McQuillen<br />
Bassoon<br />
Janet Lee<br />
Jacob Kohut<br />
<strong>George</strong> <strong>Mason</strong> <strong>University</strong> Wind Symphony<br />
Mark Camphouse, Conductor<br />
Alto Saxophone<br />
Aaron Morneau<br />
Rhea Tucker<br />
Tenor Saxophone<br />
Daniel Minogue<br />
Baritone Saxophone<br />
Sam Brady<br />
Trumpet<br />
Jeremy Yeagley<br />
Buddy Deshler<br />
Lisette Armstrong<br />
Sean Quaresima<br />
Marc Anthony<br />
Nicholas Sharbaf<br />
Horn<br />
Daniel Doyle<br />
Ilycia Silver<br />
Natalie Higgins<br />
Nicci Buzan<br />
Martha Blanks<br />
Trombone<br />
Tim Shows<br />
Amy Loudin<br />
Courtney Lawrence<br />
Andrew Comparin<br />
PROGRAM NOTES<br />
Euphonium<br />
Nathan Galloway<br />
Paul Damasco<br />
Jeff Augustine<br />
Mark Jenkins<br />
Tuba<br />
Daniel Edwards<br />
Andrew Dougherty<br />
Bryce Owen<br />
Eric Goode<br />
Percussion<br />
Dylan Barber, section leader<br />
Bethany Thomas<br />
Patrick Horner<br />
Matt Clevenger<br />
Max Fahland<br />
Rachael Smith<br />
Daniel Mears<br />
Ryan Jacobs<br />
Horn Concerto No. 1 in E-Flat Richard Strauss<br />
I. Allegro Trans. Charles Yeago<br />
Though mostly known for his operas and symphonic poems, Richard Strauss contributed to the<br />
repertoire of the natural horn early in his career with Concerto for Horn and Orchestra No. 1. This<br />
work, composed in 1882-3, received its world premiere on 4 March 1885 a few months prior to<br />
Strauss’s 21st birthday. Though some criticized the work as having a, “feeble lack of melody,” it has<br />
become a standard in the repertoire of horn virtuosos. Originally written for natural horn, this work<br />
gives the virtuosic player opportunity to display flexibility in range, dynamic, and technical facility.<br />
Mr. Franz Strauss, Royal Bavarian Chamber Musician and Richard Strauss’s father, was considered<br />
the greatest horn virtuoso of his time. In a fitting tribute, Richard Strauss dedicates this concerto to<br />
his father, Franz Strauss.<br />
~Jermie Arnold
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