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Maude Southwell Wahlman - College of Arts and Sciences ...

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<strong>Wahlman</strong>, 7<br />

“Bill Traylor: Mysteries,” in Souls Grown Deep: African American Vernacular Art <strong>of</strong> The South, vol.<br />

I. New York City, NY: Schomburg Center for Research on Black Culture, a branch <strong>of</strong> the<br />

New York Public Library.<br />

1998 “African <strong>and</strong> African American Charm <strong>Arts</strong>” in Proceedings, Symposium on The African Impact on<br />

the Americas. (Sally Gant, Editor) Winston Salem, NC: Museum <strong>of</strong> Early Southern<br />

Decorative <strong>Arts</strong>.<br />

1989 “Religious Symbolism in African-American Quilts,” The Clarion, Vol. 14, No. 3, 36-43.<br />

“African-American Quilts: Tracing the Aesthetic Principles.” The Clarion, V. 14, No.2, 44 - 54.<br />

“Afro-American Quiltmaking” <strong>and</strong> “Pecolia Warner, Afro-American Quiltmaker” in The<br />

Encyclopedia <strong>of</strong> Southern Culture. University, MS: Center for the Study <strong>of</strong> Southern<br />

Culture. (International)<br />

1987 Contributor, Meso-American Art <strong>of</strong> Mexico <strong>and</strong> Central America (George Kubler, Ed.). New<br />

Haven: Yale University Art Gallery, pp. 164, 176, 183-184, 186-187.<br />

1986 “African Symbolism in Afro-American Quilts” in African <strong>Arts</strong>, vol. XX, 1: 68-76, 99.<br />

“Religious Symbols in Afro-American Folk <strong>Arts</strong>” in New York Folklore (Phillips Stevens, Ed.).<br />

Buffalo, NY: New York Folklore Society, Vol. XII, No 1–2, 1 - 24. (National)<br />

1983 “Aesthetic Principles in Afro-American Quilts” (John Scully, co-author) in Afro-American Folk <strong>Arts</strong><br />

<strong>and</strong> Crafts (William Ferris, Editor). Boston: G.K. Hall, 78-97.<br />

1979 “Sierra Leone Resist Dyed Textiles” (Enyinna Chuta, co-author) in Fabrics <strong>of</strong> Culture: The<br />

Anthropology <strong>of</strong> Clothing <strong>and</strong> Adornment. (Justine Cordwell <strong>and</strong> Ron Schwarz, Editors),<br />

World Anthropology Series. The Hague: Mouton, 448-466.<br />

1974 "A Festival <strong>of</strong> Contemporary African <strong>Arts</strong>," in African <strong>Arts</strong>, Vol. 7. No. 3, 16, 69-71.<br />

1972 “Techniques <strong>of</strong> Yoruba Pottery Making” in Bässler-Archiv. Vol. 20, 313–346.<br />

Invited Articles:<br />

1999 “Foreword” to Hidden in Plain View: African American Quilts <strong>and</strong> the Underground Railroad. NY:<br />

R<strong>and</strong>om House.<br />

1998 “Symbols in African American Quilts,” in The Scott Heffley Collection <strong>of</strong> African American Quilts,<br />

Albrecht-Kemper Museum <strong>of</strong> Art, St. Joseph, MO, 1998.<br />

“The Art <strong>of</strong> Thornton Dial”(with Suzanne Shawe). Fine <strong>Arts</strong>, NY.<br />

“African American Self-Taught Art in Kentucky” in African American Self-Taught Art in Kentucky.<br />

(Adrian Swain, Editor) Morehead, KY: Kentucky Folk Art Center, 1998,12-22.<br />

1996 “Einführung” (Introduction), to Angels <strong>of</strong> Our Time, by Walter Gaudnek (Exhibition catalog)<br />

Dachau, Germany: Schüle am Schloßberg.<br />

1991 “African-American Quilts: Current Status,” in Folk Art Finder, Vol. 12, No. 1, 7-9, 20-23.<br />

1987 “African Art," in The Appleton Collection. Ocala, FL: The Appleton Museum <strong>of</strong> Art, 111-139.<br />

1986 “Symbolic Dimensions in the Art <strong>of</strong> David Butler” in Shared Visions/ Separate Realities: David<br />

Butler / John Geldersma (Exhibition Catalog). Orl<strong>and</strong>o, FL: Valencia Community <strong>College</strong>.<br />

"Contemporary African Fabrics," in A Pr<strong>of</strong>ile <strong>of</strong> Cultures: An Exhibition <strong>of</strong> African Textiles <strong>and</strong><br />

Clothing. Greensboro, NC: The Witherspoon Art Gallery <strong>and</strong> Department <strong>of</strong> Clothing <strong>and</strong><br />

Textiles, The University <strong>of</strong> North Carolina Greensboro, 7-11.<br />

1985 “Continuities Between African Textiles <strong>and</strong> Afro-American Quilts” in Traditions in Cloth. Los<br />

Angeles: California Afro-American Museum, 8-15.<br />

“Religious Symbols in the Art <strong>of</strong> James Ford Thomas” in James “Son” Thomas. Las Cruces, NM:<br />

New Mexico State University Art Gallery, 10 pages.<br />

“Symbolic Dimensions in Afro-American Folk <strong>Arts</strong>” in A Report. San Francisco: The San<br />

Francisco Crafts <strong>and</strong> Folk <strong>Arts</strong> Museum, 4 pages (11 x 17 inches).<br />

1984 “Gifts <strong>of</strong> the Spirit: Religious Symbols in Afro-American Folk <strong>Arts</strong>” in Gifts <strong>of</strong> the Spirit (Exhibition<br />

Catalog). Asheville, NC: Southern Highl<strong>and</strong> H<strong>and</strong>icraft Guild, 14-17.<br />

1982 “Southern Quiltmaking” in The Mid-South Folklife Festival Catalog. Memphis, TN: The Center for<br />

Southern Folklore.

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