Maude Southwell Wahlman - College of Arts and Sciences ...
Maude Southwell Wahlman - College of Arts and Sciences ...
Maude Southwell Wahlman - College of Arts and Sciences ...
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<strong>Wahlman</strong>, 7<br />
“Bill Traylor: Mysteries,” in Souls Grown Deep: African American Vernacular Art <strong>of</strong> The South, vol.<br />
I. New York City, NY: Schomburg Center for Research on Black Culture, a branch <strong>of</strong> the<br />
New York Public Library.<br />
1998 “African <strong>and</strong> African American Charm <strong>Arts</strong>” in Proceedings, Symposium on The African Impact on<br />
the Americas. (Sally Gant, Editor) Winston Salem, NC: Museum <strong>of</strong> Early Southern<br />
Decorative <strong>Arts</strong>.<br />
1989 “Religious Symbolism in African-American Quilts,” The Clarion, Vol. 14, No. 3, 36-43.<br />
“African-American Quilts: Tracing the Aesthetic Principles.” The Clarion, V. 14, No.2, 44 - 54.<br />
“Afro-American Quiltmaking” <strong>and</strong> “Pecolia Warner, Afro-American Quiltmaker” in The<br />
Encyclopedia <strong>of</strong> Southern Culture. University, MS: Center for the Study <strong>of</strong> Southern<br />
Culture. (International)<br />
1987 Contributor, Meso-American Art <strong>of</strong> Mexico <strong>and</strong> Central America (George Kubler, Ed.). New<br />
Haven: Yale University Art Gallery, pp. 164, 176, 183-184, 186-187.<br />
1986 “African Symbolism in Afro-American Quilts” in African <strong>Arts</strong>, vol. XX, 1: 68-76, 99.<br />
“Religious Symbols in Afro-American Folk <strong>Arts</strong>” in New York Folklore (Phillips Stevens, Ed.).<br />
Buffalo, NY: New York Folklore Society, Vol. XII, No 1–2, 1 - 24. (National)<br />
1983 “Aesthetic Principles in Afro-American Quilts” (John Scully, co-author) in Afro-American Folk <strong>Arts</strong><br />
<strong>and</strong> Crafts (William Ferris, Editor). Boston: G.K. Hall, 78-97.<br />
1979 “Sierra Leone Resist Dyed Textiles” (Enyinna Chuta, co-author) in Fabrics <strong>of</strong> Culture: The<br />
Anthropology <strong>of</strong> Clothing <strong>and</strong> Adornment. (Justine Cordwell <strong>and</strong> Ron Schwarz, Editors),<br />
World Anthropology Series. The Hague: Mouton, 448-466.<br />
1974 "A Festival <strong>of</strong> Contemporary African <strong>Arts</strong>," in African <strong>Arts</strong>, Vol. 7. No. 3, 16, 69-71.<br />
1972 “Techniques <strong>of</strong> Yoruba Pottery Making” in Bässler-Archiv. Vol. 20, 313–346.<br />
Invited Articles:<br />
1999 “Foreword” to Hidden in Plain View: African American Quilts <strong>and</strong> the Underground Railroad. NY:<br />
R<strong>and</strong>om House.<br />
1998 “Symbols in African American Quilts,” in The Scott Heffley Collection <strong>of</strong> African American Quilts,<br />
Albrecht-Kemper Museum <strong>of</strong> Art, St. Joseph, MO, 1998.<br />
“The Art <strong>of</strong> Thornton Dial”(with Suzanne Shawe). Fine <strong>Arts</strong>, NY.<br />
“African American Self-Taught Art in Kentucky” in African American Self-Taught Art in Kentucky.<br />
(Adrian Swain, Editor) Morehead, KY: Kentucky Folk Art Center, 1998,12-22.<br />
1996 “Einführung” (Introduction), to Angels <strong>of</strong> Our Time, by Walter Gaudnek (Exhibition catalog)<br />
Dachau, Germany: Schüle am Schloßberg.<br />
1991 “African-American Quilts: Current Status,” in Folk Art Finder, Vol. 12, No. 1, 7-9, 20-23.<br />
1987 “African Art," in The Appleton Collection. Ocala, FL: The Appleton Museum <strong>of</strong> Art, 111-139.<br />
1986 “Symbolic Dimensions in the Art <strong>of</strong> David Butler” in Shared Visions/ Separate Realities: David<br />
Butler / John Geldersma (Exhibition Catalog). Orl<strong>and</strong>o, FL: Valencia Community <strong>College</strong>.<br />
"Contemporary African Fabrics," in A Pr<strong>of</strong>ile <strong>of</strong> Cultures: An Exhibition <strong>of</strong> African Textiles <strong>and</strong><br />
Clothing. Greensboro, NC: The Witherspoon Art Gallery <strong>and</strong> Department <strong>of</strong> Clothing <strong>and</strong><br />
Textiles, The University <strong>of</strong> North Carolina Greensboro, 7-11.<br />
1985 “Continuities Between African Textiles <strong>and</strong> Afro-American Quilts” in Traditions in Cloth. Los<br />
Angeles: California Afro-American Museum, 8-15.<br />
“Religious Symbols in the Art <strong>of</strong> James Ford Thomas” in James “Son” Thomas. Las Cruces, NM:<br />
New Mexico State University Art Gallery, 10 pages.<br />
“Symbolic Dimensions in Afro-American Folk <strong>Arts</strong>” in A Report. San Francisco: The San<br />
Francisco Crafts <strong>and</strong> Folk <strong>Arts</strong> Museum, 4 pages (11 x 17 inches).<br />
1984 “Gifts <strong>of</strong> the Spirit: Religious Symbols in Afro-American Folk <strong>Arts</strong>” in Gifts <strong>of</strong> the Spirit (Exhibition<br />
Catalog). Asheville, NC: Southern Highl<strong>and</strong> H<strong>and</strong>icraft Guild, 14-17.<br />
1982 “Southern Quiltmaking” in The Mid-South Folklife Festival Catalog. Memphis, TN: The Center for<br />
Southern Folklore.