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Programmaboekje : Wonen in welvaart - deSingel

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5)<br />

Offi ce des Cités Africa<strong>in</strong>es (1952-1960)<br />

Modern hous<strong>in</strong>g <strong>in</strong> Congo<br />

There was never any <strong>in</strong>dustrial serial production of family houses<br />

on large scale <strong>in</strong> Flanders. What could not be realized <strong>in</strong> Flanders,<br />

was realized by the Offi ce des Cités Africa<strong>in</strong>es (OCA) <strong>in</strong> Congo.<br />

OCA was a semi-governmental <strong>in</strong>stitution that built, as part of the<br />

Ten-year-plan for the economic and social development of Belgian<br />

Congo, 35,000 modernistic homes, spread over districts for 8,000<br />

to 10,000 <strong>in</strong>habitants <strong>in</strong> the suburbs of big cities. OCA planned<br />

hous<strong>in</strong>g from a central po<strong>in</strong>t and used standard hous<strong>in</strong>g schemes.<br />

Because of the urgent hous<strong>in</strong>g shortage, the emphasis was put on<br />

build<strong>in</strong>g homes. But OCA also built churches, schools, community<br />

centres and was responsible for the entire equipment (electricity,<br />

sewerage) and organisation of the districts.<br />

The plans, draw<strong>in</strong>gs and photographs stored <strong>in</strong> the Africa-<br />

Archives illustrate one of the most impressive series of hous<strong>in</strong>g<br />

projects of Belgian architecture history. They show us a residential<br />

architecture that deliberately chooses the path of <strong>in</strong>dustrialization<br />

and standardization. In the struggle for <strong>in</strong>dependence the OCA<br />

build<strong>in</strong>gs were demolished. They were seen as a symbol of<br />

repression and as an <strong>in</strong>trusion <strong>in</strong> the people’s daily lives.<br />

(research: Bruno De Meulder)<br />

6)<br />

The Model district<br />

Collective hous<strong>in</strong>g <strong>in</strong> a park<br />

One of the most prestigious high-rise build<strong>in</strong>g projects <strong>in</strong> the<br />

era after World War II was the Model district (Modelwijk), that<br />

was designed for the world exhibition <strong>in</strong> 1958 <strong>in</strong> Brussels. It was<br />

to show the progressive image of public hous<strong>in</strong>g <strong>in</strong> Belgium. A<br />

team of architects, <strong>in</strong>clud<strong>in</strong>g Renaat Braem, designed a district for<br />

5000 <strong>in</strong>habitants as an island of order <strong>in</strong> the chaos of the suburb.<br />

The Model district was designed accord<strong>in</strong>g to the pr<strong>in</strong>ciples of<br />

CIAM (Congrès Internationaux d’Architecture Moderne): high-rise<br />

build<strong>in</strong>g, separat<strong>in</strong>g pedestrian and car traffi c, the emphasis on<br />

common facilities and a green environment.<br />

Renaat Braem had an important role <strong>in</strong> the design. His draw<strong>in</strong>gs<br />

and sketches, of which a selection is on display for the fi rst<br />

time, illustrate his vision that architecture can contribute to<br />

a new society. It goes beyond the utilitarian level of ‘hous<strong>in</strong>g<br />

12 13

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