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preposterous to me that any reasonable person could argue otherwise.<br />

However, pornography has always sparked heated debate.<br />

Many differing points of view about pornography have been passionately<br />

discussed here at EIU as a result of Dines’s presentation.<br />

Many individuals argue that pornographers should have the right<br />

to produce and sell porn because to restrict them would infringe<br />

on their freedom of speech. Often, the people who make this argument<br />

are the same people who choose not to view pornography<br />

and are blissfully unaware of the content of many pornographic<br />

films, magazines, and internet sites. In order to develop an informed<br />

opinion on the subject, I believe that people need to be<br />

exposed to the material at the heart of the discussion. Dines was<br />

a dynamic, articulate speaker who analyzed the production and<br />

consumption of pornography with a keen feminist sensibility. She<br />

has her own firmly held convictions, but ultimately, she challenged<br />

her audience to develop an informed opinion for themselves about<br />

the consequences of pornography.<br />

Tiffany Swiderek, student, WST 2309:<br />

I left Gail Dines’s presentation on pornography with a whole new<br />

outlook on something I used to blow off as “boys will be boys.”<br />

Dines defined pornography as sexualizing abuse of women, and<br />

drove her point home with numerous images, explanations, and<br />

stories.<br />

I always knew Playboy, Playpen, and Hustler were three of the<br />

most popular “men’s” magazines. I never realized how explicit,<br />

demeaning, and abusive Hustler magazine was towards women.<br />

First of all, I can’t believe some of the images they print are even<br />

legal, and second of all, I can’t imagine what kind of sick male<br />

would actually get off looking at something so disgusting and<br />

unrealistic.<br />

Dines talked about abuse of women and children and how images<br />

of pornography act as “scripts” for men to act out. . . . I left the<br />

presentation shocked that pornography has such a huge impact<br />

on today’s society.<br />

Newsletter Staff<br />

Director of <strong>Women</strong>’s Studies: Diana Slaveiro<br />

Newsletter Editors: Ruth Hoberman and Lynanne Page<br />

Newsletter Design: Stacia Lynch<br />

Sace Elder, Assistant Professor, History:<br />

It is a testament to the merits of Gail Dines’s talk that there has<br />

been so much discussion of her presentation on campus since<br />

March 7. Graduate students in my modern European women’s history<br />

course, for example, spent a good hour debating the issue of<br />

pornography and making fruitful comparisons between contemporary<br />

debates about pornography and the late nineteenth-century<br />

feminist debates about prostitution. Dines’s powerful images and<br />

provocative language effectively conveyed the misogyny typical<br />

of the porn industry. Pornography that begins with the playful<br />

images of Playboy Playmates shades – inexorably, Dines argues<br />

– into the much more sexually explicit and misogynist Hustler<br />

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Dines<br />

and finally into the graphic sexual violence of snuff films and<br />

internet porn. Clearly the popularity of these representations of<br />

the sexualized female body (the porn industry grosses more than<br />

movies and video games, Dines tells us) as well as the conditions<br />

under which many of those real women work in producing those<br />

images reveal the persistence of male domination in our society (I<br />

would not call it “patriarchy” as Dines does) as well as an alarming<br />

disconnect between male and female sexuality. Pornography has<br />

consequences not just for women but for men as well: How is it<br />

possible, Dines asks us, for men and women to have truly intimate<br />

and human sexual relationships when the male sexual imagination<br />

is shaped by such violent and disturbing images?<br />

It would be difficult to argue that the disturbing images Dines<br />

presented were not exploitative of the women in them. In the<br />

end, it is the production of these images and the issues of labor<br />

that should be of the most immediate concern. The conditions<br />

of labor that place women, in particular, at risk and the alienation<br />

of these women from the enormous capital their labor generates<br />

are symptomatic of a capitalist society that is and has historically<br />

been dependent upon an abundant supply of cheap female labor.<br />

Such was also Dines’s self-professedly Marxist critique of the porn<br />

industry, although she spent little time discussing how these labor<br />

issues might be addressed.<br />

There are several aspects of the pornography problem I would<br />

have liked to hear Dines address more adequately. When asked,<br />

for example, if there might be an alternative eroticism that was<br />

affirming of women and promoted human intimacy, Dines had little<br />

to say. This issue seems to have been of particular concern to one<br />

remarkably frank young man in the audience, who wondered how<br />

he could imagine sex differently than how it is portrayed by the<br />

pornographers. Dines told the young man she was sorry his sexuality<br />

had been hijacked and that she didn’t know if he would ever<br />

be able to reclaim it. Not very encouraging, and yet alternatives<br />

are crucial if we hope to develop into fully realized sexual individuals.<br />

And it seems that in the case of this young man (and many like<br />

him) the problem isn’t just the pornography, but the sexual moralism<br />

that combats positive and public sex education and forces<br />

youths (primarily young boys) into the arms of pornographers to<br />

learn what they know of sex and female bodies.<br />

Of course, one of Dines’s main points was that young people<br />

don’t even have to visit a porn site or watch an X-rated film to be<br />

“educated” on exploitation. Vanity Fair, Cosmopolitan, Seventeen<br />

– one can find violent and sexually suggestive images of women<br />

everywhere in mainstream media. That there are certain continuities<br />

in the representations of the female form in mainstream media<br />

and pornography is clear (although not all of Dines’s examples<br />

served her well in this regard). What is less clear is why this is so.<br />

Dines seemed to suggest simultaneously that mainstream media<br />

are mimicking the porn industry’s repertoire for financial gain,<br />

and that both popular advertising and pornography operate in<br />

the same cultural register that dominates and exploits women.<br />

One of the key problems to be explained, it seems to me, is why<br />

the sexualized body is necessarily the female body. <strong>Women</strong>’s<br />

magazines feature images of sexy women because those are the<br />

images that suggest to us (men and women alike) sexual desire.<br />

In that sense, the pornographers tap into a hegemonic sexuality in<br />

which women are the objects of desire and the sexual gaze is the<br />

male gaze.<br />

Perhaps to combat pornography we must not only attack the<br />

exploitative ways in which it is produced, but also find alternative<br />

ways of imagining, thinking about, and talking about sexual bodies.<br />

Rich Foley, Assistant Professor, Philosophy:<br />

“I put my arms around him yes and drew him down to me so he<br />

could feel my breasts all perfume yes and his heart was going<br />

like mad and yes I said yes I will Yes.” Does reading this passage<br />

make heterosexual men desire to pluck Molly Bloom’s mountain<br />

flower? Undoubtedly it does, and such desires affect behavior as<br />

well. However, this uncontroversial claim is not sufficient to justify<br />

censorship in the way that Gail Dines suggests.<br />

Minimally, Dines requires the additional claim that the behavior<br />

resulting from enjoying pornography will mimic the behavior depicted<br />

by the pornography. If the aestheticization of rape changes<br />

male behavior, but in a way that is not in fact harmful to women,<br />

then there is no reason to censor it—abridging civil rights can be<br />

justified only by the harm that would result if the rights were not<br />

limited. Although most of Dines’s lecture was designed to support<br />

this claim, I do not believe that her argument was successful.<br />

Indeed, I think her talk was fundamentally inconsistent on this<br />

point given her frequent and often gratuitous use of pornographic<br />

images.<br />

Dines argued that pornography leads men to desire depictions<br />

of women in ever more demeaning sexual positions, and that<br />

ultimately men prefer images of gang-rape or of women depicted<br />

as children. Dines asserts that men will imitate these images,<br />

resulting in violence against women and children. This mimetic<br />

theory originates with Plato’s Republic, yet the refutation is almost<br />

as old, and was offered by Plato’s student, Aristotle. Aristotle<br />

argued (when faced with the violence depicted in Greek tragedy)<br />

that graphic violence enables the audience to purge themselves of<br />

their impure, anti-social drives. Which theory is correct is an empirical<br />

matter, but I suspect that the societies with severe restrictions<br />

on pornography tend to have the greatest repression and<br />

violence against women. It is obvious that pornography affects<br />

behavior, but if Aristotle’s theory of catharsis is correct, restriction<br />

of pornography would lead to an increase of the very behaviors<br />

Dines so justly condemns.<br />

Robin Murray, Associate Professor, English:<br />

A few years into my tenure here at <strong>Eastern</strong>, my colleague Linda<br />

Coleman passed along a quotation from Joanne Callahan that<br />

hangs on my office wall right beside a Georgia O’Keefe print:<br />

“Twenty years ago, I just didn’t understand the radicals’ ideas. But<br />

after seeing liberal feminism’s limitations, my philosophy is becoming<br />

more radical. To my dismay, the effect of all those crucial<br />

liberal feminist reforms was the modernization of patriarchy, not<br />

the abolition of it,” Callahan declares.<br />

The juxtaposition of the quotation with the print speaks well to my<br />

reading of Gloria Steinem’s essay “Body of Knowledge” and illustrates<br />

my discomfort with elements of the recent Gail Dines lecture<br />

on pornography. Like Callahan, I embrace some radical feminist<br />

philosophies, and like O’Keefe, I find the female body beautiful<br />

and erotic—and don’t feel as if I’m objectifying myself or other<br />

women by stating these beliefs. In “Body of Knowledge,” Steinem<br />

articulates for a broad general audience how much of “our sense<br />

of ourselves resides in our body.” While Steinem agrees that<br />

women need to encourage more powerful and positive images of<br />

women in media like film, she also recognizes the importance of<br />

nurturing the body and recognizing its fundamental connection<br />

with the mind. For example, she explains that “new techniques for<br />

tracking the development of the living brain suggest that touch is<br />

the primary source of neurochemical changes in infancy.”<br />

For Steinem, sexuality serves as an integral element of this mindbody<br />

connection and is an essential source for building strong<br />

self-esteem and self-concept. According to a text on the medical<br />

aspects of human sexuality, “Orgasm and other forms of sexual<br />

expression are such a source of self-affirmation that two thirds of<br />

psychiatrists believe people ‘nearly always or often’ lose self-esteem<br />

when deprived of a ‘regular outlet for sexual gratification.’”<br />

A long quote from Steinem will explain why I think Dines misrepresented<br />

women’s sexuality in her talk. For Steinem, orgasm<br />

is so central to our being that, as countless studies have shown,<br />

masturbation is instinctive from a very early age. In later life, sexuality<br />

and sensuality are also ways we express ourselves and ‘talk’<br />

to each other: unlike other animals, for whom sex seems to be<br />

focused in times of ‘heat’ or estrus when conception is most likely,<br />

human sexual pleasure exists independently of conception, and<br />

so is a way we communicate as well as procreate. Given gender<br />

politics, however, men may be so genitally focused that they miss<br />

whole-body sensuousness, while women may focus so much<br />

<strong>Women</strong>’s Studies News April/May 2005 Apruil/May 2005 <strong>Women</strong>’s Studies News

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