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gb - Englisches Seminar - Ruhr-Universität Bochum

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<strong>Seminar</strong>e<br />

050 632 Klawitter<br />

The First World War in Poetry, Fiction and Autobiography, 4 CP<br />

2 st. do 14-16 GB 6/137 Nord<br />

The First World War (1914-1918) was one of the great traumas of the twentieth<br />

century. The horrific experience of trench warfare elicited a great number of literary<br />

texts which were to exert a strong influence on the formation of collective memories.<br />

This is particularly true of Britain, where the ‘Great War’ still informs the official<br />

culture of war commemoration and indeed plays a considerable part in the<br />

reaffirmation of national identity.<br />

The seminar focusses on the early literary engagement with the war, namely the<br />

poetry produced by the so-called ‘War Poets’, but also narrative fiction and memoirs<br />

which were written in the decade after the war. We will begin our discussions with<br />

Edmund Blunden’s memoirs Undertones of War (1928) and Robert Graves’s<br />

autobiography Goodbye to All That (1929), which are regarded as classic accounts<br />

of the Western Front. At least five sessions of the seminar will be devoted to the<br />

reading of war poetry. This will include Charles Hamilton Sorley’s “All the Hills and<br />

Vales Along”, Siegfried Sassoon’s “They”, Wilfred Owen’s “Dulce et Decorum Est”<br />

and Isaac Rosenberg’s “Break of Day in the Trenches”. These poems as well as a<br />

number of short stories dealing with the experience of war will be made available as<br />

a reader at the beginning of term. While acknowledging the documentary dimension<br />

of all these texts, our investigation will be primarily geared towards a consideration of<br />

the expressive potential of each genre and its wider function within the cultural<br />

representation of war.<br />

Participants should purchase the Penguin editions of Undertones of War and<br />

Goodbye to All That.<br />

Requirement: research paper or written test.<br />

050 633 Niederhoff<br />

Doubles, 4 CP<br />

2 st. fr 14-16 GABF 04/614 Süd<br />

The subject of this seminar is a key element in 19th-century fiction: the motif of the<br />

double, or doppelgänger. We will analyse and compare two novels and three short<br />

stories, in all of which the motif plays an important part: R.L. Stevenson, Dr Jekyll

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