gb - Englisches Seminar - Ruhr-Universität Bochum
gb - Englisches Seminar - Ruhr-Universität Bochum
gb - Englisches Seminar - Ruhr-Universität Bochum
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<strong>Seminar</strong>e<br />
050 632 Klawitter<br />
The First World War in Poetry, Fiction and Autobiography, 4 CP<br />
2 st. do 14-16 GB 6/137 Nord<br />
The First World War (1914-1918) was one of the great traumas of the twentieth<br />
century. The horrific experience of trench warfare elicited a great number of literary<br />
texts which were to exert a strong influence on the formation of collective memories.<br />
This is particularly true of Britain, where the ‘Great War’ still informs the official<br />
culture of war commemoration and indeed plays a considerable part in the<br />
reaffirmation of national identity.<br />
The seminar focusses on the early literary engagement with the war, namely the<br />
poetry produced by the so-called ‘War Poets’, but also narrative fiction and memoirs<br />
which were written in the decade after the war. We will begin our discussions with<br />
Edmund Blunden’s memoirs Undertones of War (1928) and Robert Graves’s<br />
autobiography Goodbye to All That (1929), which are regarded as classic accounts<br />
of the Western Front. At least five sessions of the seminar will be devoted to the<br />
reading of war poetry. This will include Charles Hamilton Sorley’s “All the Hills and<br />
Vales Along”, Siegfried Sassoon’s “They”, Wilfred Owen’s “Dulce et Decorum Est”<br />
and Isaac Rosenberg’s “Break of Day in the Trenches”. These poems as well as a<br />
number of short stories dealing with the experience of war will be made available as<br />
a reader at the beginning of term. While acknowledging the documentary dimension<br />
of all these texts, our investigation will be primarily geared towards a consideration of<br />
the expressive potential of each genre and its wider function within the cultural<br />
representation of war.<br />
Participants should purchase the Penguin editions of Undertones of War and<br />
Goodbye to All That.<br />
Requirement: research paper or written test.<br />
050 633 Niederhoff<br />
Doubles, 4 CP<br />
2 st. fr 14-16 GABF 04/614 Süd<br />
The subject of this seminar is a key element in 19th-century fiction: the motif of the<br />
double, or doppelgänger. We will analyse and compare two novels and three short<br />
stories, in all of which the motif plays an important part: R.L. Stevenson, Dr Jekyll