yearbook 2010/11 - The European Film College
yearbook 2010/11 - The European Film College
yearbook 2010/11 - The European Film College
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[ f oo t p rin t s a nd e x p e n s i v e green<br />
pa in t don’t go w e l l t oge t he r. ]<br />
#20<br />
fi n a lCu t 20<strong>11</strong>||th e b i r t h o f a g r e e n s C r e e n<br />
ThE BIrTh oF A GrEEN SCrEEN<br />
By Tuan Minh Tran, EFC <strong>2010</strong>/<strong>11</strong><br />
<strong>The</strong> story of <strong>European</strong> <strong>Film</strong> <strong>College</strong>’s brand new green screen is the story of two<br />
heroes, their craftsmanship and a lot of green paint.<br />
Last November, EFC rolled into motion as the school entered the music video<br />
production phase, in which students were assigned to make 15 music videos for artists<br />
from outside. Overall, the projects went through pretty well, in spite of some incidents<br />
that would undoubtedly become part of the EFC lore, particularly one that involves<br />
a certain diva.<br />
However, it also reveals the elephant in the room that many a director or cameraman<br />
has thought about but couldn’t figure out what to do with: EFC didn’t have a green<br />
screen. Yes, the famed and venerable <strong>European</strong> <strong>Film</strong> <strong>College</strong> didn’t have a proper<br />
green screen setup after 17 years of operation. It was about time; someone had to<br />
do something.<br />
So Peter Bruus and Jens Wulff entered the picture. A pair of smart and resourceful<br />
tinkerers who previously constructed a homemade camera crane using disco<br />
equipment, they managed to get official approval and funding from EFC after a