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'Hitler': 'Megalomania turns into melodrama'<br />
By CIIIPSIIIKXDS<br />
Daily Illini Heviewer<br />
The skull of Hitler's aide Martin<br />
Bormann. exhumed earlier this<br />
year beneath a railroad bridge in<br />
Berlin seems by morbid coincidence<br />
to symbolize the revival of<br />
interest in Hitler , his personality<br />
and his circle. On the heels of<br />
Albert Speer's Memoirs, a smattering<br />
of films about Hitler have<br />
appeared, the most commercial<br />
being a remake of G.W. Pabst's<br />
1948 version of "Hitler : The Last<br />
Ten Days," this time with Alec<br />
Guiness in Der Fuhrer s shoes.<br />
Movie review<br />
Showjng at the Fox. Rated R.<br />
' CAST<br />
Alec Guiness . . ^<br />
Hitler<br />
Simon Ward<br />
Officer Hauptmann<br />
It's accurate, understandable<br />
and decently photographed ,<br />
though I doubt anyone will be able<br />
to take the film seriously.<br />
Why "Hitler : The Last Ten<br />
Days" comes off as melodrama is<br />
due, I think, to two intriguing<br />
things and one ordinary one: the<br />
film Is in color. Hitler's career is<br />
already on film and. as might have<br />
been predicted, undependable Alec<br />
Guiness hasn't the needed presen -<br />
ce or power .<br />
The psychological difference to<br />
an event between black and white<br />
and color photography was<br />
•cleverly used in the last two<br />
minutes of another film about<br />
World War II, "Is Paris Burning?"<br />
An aerial shot in black and white of<br />
Paris on the day of its liberation in<br />
1945 suddenly changes to color, instantly<br />
implying by our natural<br />
association with color that the<br />
scene is of Paris today.<br />
"Hitler : The Last Ten Days"<br />
also should have been done in<br />
black and white. At several places,<br />
the camera goes outside Hitler's<br />
bunker to devastated Berlin in<br />
black and white and the effect<br />
catapults us back to 1945, but when<br />
we return to Hitler and his<br />
mistress in color , blue-eyed and<br />
brightly dressed inside the bunker.<br />
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three decades are suddenly<br />
missing and we are obviously<br />
somewhere in Pinewood Studios.<br />
In spite of its being a re-enacted<br />
documentary, flesh tones on Hitler<br />
are disturbing and do the worst<br />
thing possible to a film of this sort,<br />
which is to remind us that it is<br />
"only a movie."<br />
Since films of Hitler do exist and<br />
¦<br />
even now home movies taken by<br />
Eva Braun recently found in the<br />
Washington Archives, it's difficult<br />
to accept anyone else iri the part of<br />
the leader of the Third Reich.<br />
We can accept Kirk Douglas as<br />
Spartacus or Charles Laughton as<br />
Captain Bligh, figures deep in an<br />
unseen past, but Alec Guiness stepping<br />
in for the murderer of six<br />
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