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'Hitler': 'Megalomania turns into melodrama'<br />

By CIIIPSIIIKXDS<br />

Daily Illini Heviewer<br />

The skull of Hitler's aide Martin<br />

Bormann. exhumed earlier this<br />

year beneath a railroad bridge in<br />

Berlin seems by morbid coincidence<br />

to symbolize the revival of<br />

interest in Hitler , his personality<br />

and his circle. On the heels of<br />

Albert Speer's Memoirs, a smattering<br />

of films about Hitler have<br />

appeared, the most commercial<br />

being a remake of G.W. Pabst's<br />

1948 version of "Hitler : The Last<br />

Ten Days," this time with Alec<br />

Guiness in Der Fuhrer s shoes.<br />

Movie review<br />

Showjng at the Fox. Rated R.<br />

' CAST<br />

Alec Guiness . . ^<br />

Hitler<br />

Simon Ward<br />

Officer Hauptmann<br />

It's accurate, understandable<br />

and decently photographed ,<br />

though I doubt anyone will be able<br />

to take the film seriously.<br />

Why "Hitler : The Last Ten<br />

Days" comes off as melodrama is<br />

due, I think, to two intriguing<br />

things and one ordinary one: the<br />

film Is in color. Hitler's career is<br />

already on film and. as might have<br />

been predicted, undependable Alec<br />

Guiness hasn't the needed presen -<br />

ce or power .<br />

The psychological difference to<br />

an event between black and white<br />

and color photography was<br />

•cleverly used in the last two<br />

minutes of another film about<br />

World War II, "Is Paris Burning?"<br />

An aerial shot in black and white of<br />

Paris on the day of its liberation in<br />

1945 suddenly changes to color, instantly<br />

implying by our natural<br />

association with color that the<br />

scene is of Paris today.<br />

"Hitler : The Last Ten Days"<br />

also should have been done in<br />

black and white. At several places,<br />

the camera goes outside Hitler's<br />

bunker to devastated Berlin in<br />

black and white and the effect<br />

catapults us back to 1945, but when<br />

we return to Hitler and his<br />

mistress in color , blue-eyed and<br />

brightly dressed inside the bunker.<br />

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three decades are suddenly<br />

missing and we are obviously<br />

somewhere in Pinewood Studios.<br />

In spite of its being a re-enacted<br />

documentary, flesh tones on Hitler<br />

are disturbing and do the worst<br />

thing possible to a film of this sort,<br />

which is to remind us that it is<br />

"only a movie."<br />

Since films of Hitler do exist and<br />

¦<br />

even now home movies taken by<br />

Eva Braun recently found in the<br />

Washington Archives, it's difficult<br />

to accept anyone else iri the part of<br />

the leader of the Third Reich.<br />

We can accept Kirk Douglas as<br />

Spartacus or Charles Laughton as<br />

Captain Bligh, figures deep in an<br />

unseen past, but Alec Guiness stepping<br />

in for the murderer of six<br />

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