CREATIVE IMITATIONS AND APPROPRIATIONS - University of Otago

More documents

Recommendations

Info

themselves in these respects. This paper will introduce these differences. It will then argue whether the values “good,” “bad” and “indifferent” should be applied to these cinematic and televisual adaptations of classical texts. 15
Colloquium Participants Keynote Speaker Arthur Pomeroy, Professor of Classics, University of Victoria, Wellington Arthur.Pomeroy@vuw.ac.nz Presenters Dean Alexander, PhD candidate, Classics, University of Otago alede978@student.otago.ac.nz David Ciccoricco, Lecturer in English, University of Otago dave.ciccoricco@otago.ac.nz Clément Da Gama, PhD Candidate, Film and Media Studies, University of Otago and Histoire et esthétique, Université de Paris X clement.da.gama@gmail.com Alistair Fox, Professor of English, University of Otago alistair.fox@otago.ac.nz Constantin Grigorut, Senior Lecturer in French, University of Otago constantin.grigorut@otago.ac.nz Gabrielle Hine, PhD candidate, Film and Media Studies and Gender Studies, University of Otago hinga301@student.otago.ac.nz Lawrence Jones, Emeritus Professor of English, University of Otago hardzeal@callsouth.net.nz Kerri Kilner, PG Dip Arts, French, University of Otago kilke630@student.otago.ac.nz 16
Page 1 and 2: CREATIVE IMITATIONS AND APPROPRIATI
Page 4 and 5: Creative Imitations and Appropriati
Page 6 and 7: Creative Imitations and Appropriati
Page 8 and 9: Keynote Address 5.15-6.15pm: Quad 2
Page 10 and 11: ABSTRACTS Adapting Antony And Cleop
Page 12 and 13: into an expression of the epistemic
Page 14 and 15: A Crime Story? Harriet Margolis Mau
Page 16 and 17: past plays some role add to the int
Page 18 and 19: male-dominated industry in which fi
Page 22 and 23: Harriet Margolis, PhD, Comparative

CREATIVE IMITATIONS AND APPROPRIATIONS - University of Otago

Create successful ePaper yourself

Delete template?

Save as template?