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NL38 - Brussels International Map Collectors

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PICTURES AT AN EXHIBITION II<br />

La Mer à l'Encre – Trois siècles de cartes marines – XVI e – XVIII e siècles<br />

(The sea in ink – Three centuries of sea charts – 16 th-18 th centuries)<br />

Corderie Royale – Rochefort-sur-mer, until 31 December 2011<br />

The exhibition, on display until<br />

31 December 2011 in Rochefort<br />

(Charente Maritime, France) in the<br />

showrooms of the Royal Rope<br />

Factory 1 , was conceived and<br />

realised in collaboration with the<br />

Department of Defence history of<br />

Vincennes and its local branch of<br />

Rochefort.<br />

The exhibition focuses on three<br />

areas:<br />

• A p r e s e n t a t i o n o f t h e<br />

cartographic production in<br />

Normandy during the 16 th and<br />

17 th centuries;<br />

• A presentation dedicated<br />

entirely to the Neptune François<br />

(published in 1693), the general<br />

cartographic work completed on<br />

the initiative of Colbert, minister<br />

of Louis XIV;<br />

• Finally, through filmed theatre<br />

and projected video, the visitor<br />

is invited to attend a debate between a<br />

cartographer of the 18 th century engaged in<br />

calculations without end, and a captain focused on<br />

the avoidance of very real obstacles.<br />

Only the first two areas are reported here.<br />

The exhibition presents a rich iconography mostly<br />

provided by the Bibliothèque Nationale de France and<br />

the Naval department of the Service Historique de la<br />

Défense of Vincennes together with ancient<br />

navigational instruments.<br />

Cartographic production since the Middle Ages<br />

Before ‘Norman’ mapping, the exhibition presents:<br />

• The so-called ‘Pisan’ map, the oldest known<br />

western chart representing full details of the<br />

Mediterranean and more roughly the Atlantic coast<br />

and the Channel, probably drawn around 1290 in<br />

Genoa;<br />

• The Portolan Chart certainly executed in Palma de<br />

Mallorca in 1339 and signed by Angelino Dulcert,<br />

the first known Catalan map. This manuscript map<br />

on parchment includes a rich nomenclature of the<br />

hinterland together with the representation of<br />

mountain ranges, rivers and lakes, even Mansa<br />

Musa, emperor of Mali, appears;<br />

• The Travels or Book of Marvels (1410) of Jean de<br />

Mandeville.<br />

1 For practical details, see page 36<br />

6<br />

Other sumptuous images are also<br />

presented, such as:<br />

• An excerpt from the Catalan<br />

Atlas describing the Far East by<br />

A braham Cr esques, 1 3 75<br />

(reported in 1380 as being from<br />

the library of Charles V, king of<br />

France);<br />

• The ‘Planisphere’ or ‘Cantino<br />

World <strong>Map</strong>’ of Alberto Cantino<br />

(about 1502) that marks the end of<br />

the medieval era and represents<br />

the divide of the world between<br />

Spain and Portugal as a result of<br />

the Treaty of Tordesillas of 1494;<br />

• The <strong>Map</strong> of Atlantic from the<br />

Miller Atlas of Lopo Homem, 1519.<br />

The so-called Norman maps<br />

appeared later and their production<br />

is linked to economic development<br />

in Normandy. Norman mapping<br />

developed around the port of<br />

Dieppe under the leadership of major ship-owners<br />

from Dieppe, like Jean Ango (1480-1551). The Dieppe<br />

school is particularly active between 1540 and 1634,<br />

its golden age being between 1540 and 1580. This<br />

school is in fact the city school of hydrography where<br />

the art of navigation was taught. The school was<br />

mainly led by the priest Pierre Desceliers (1487-1553)<br />

and cartographers, from Nicolas Desliens to Jacques<br />

de Vau de Claye including Jean Rotz, Nicolas Vallard,<br />

Pierre Descelliers, Guillaume Le Testu and Jean<br />

Cosson. The reputation of Norman cartography<br />

continues until the 17 th century thanks to the pilots<br />

Pierre de Vaulx and Jean Guérard.<br />

The Universal Cosmography of 1556 by Guillaume<br />

Le Testu is an example of the persistence of a<br />

phantasmagorical representation of the world in<br />

opposition to an increasingly concrete awareness of<br />

the actual world.<br />

More modest, the Conquet School shines in<br />

Britanny through Guillaume Brouscou who in 1548<br />

published the Manual of navigation for the use of<br />

Breton sailors.<br />

The exhibition also addresses the complexity of<br />

the maps and their impact on the art of navigation at<br />

sea, with excerpts from the Diary of Francis Drake, as<br />

well as on the art of sailing close to the coast, with<br />

excerpts from the Great rudder of the sea by Pierre<br />

Garcie called Ferrande, Venetian coastal trade<br />

master, which was reprinted 25 times between 1518<br />

and 1643.<br />

From the 16 th to the 17 th century, the Netherlands<br />

BIMCC Newsletter No 38 September 2010

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