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Fine Art - Eesti Kunstiakadeemia / Estonian Academy of Arts

Fine Art - Eesti Kunstiakadeemia / Estonian Academy of Arts

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7. Sceptics<br />

8. Stoic ethics<br />

9. Short description <strong>of</strong> medieval philosophy<br />

10. Problems <strong>of</strong> medieval philosophy<br />

11. Francis Bacon<br />

12. Rene Descartes<br />

13. Historical philosophy <strong>of</strong> Hegel<br />

14. <strong>Art</strong>hur Schopenhauer<br />

15. Sören Kierkegaard<br />

16. Friedrich Nietzsche<br />

17. Pragmatism: Ch. Peirce<br />

18. Pragmatism: W. James<br />

19. Historical philosophy <strong>of</strong> Spengler<br />

20. Scientific philosophy <strong>of</strong> Feyerabend<br />

Method: Lecture-seminars, during which students answer to the questions <strong>of</strong> the teacher and can submit<br />

questions themselves.<br />

Assessment: examination<br />

Aesthetics I<br />

Study load: 1 CP / 1.5 ECTS<br />

Location in curriculum: V semester<br />

Objective. Theoretical base for the development <strong>of</strong> pr<strong>of</strong>essional world view and creative conception <strong>of</strong> the<br />

student.<br />

Content: History <strong>of</strong> aesthetics. 1.Subject and method <strong>of</strong> aesthetics. Main problems and basic concepts <strong>of</strong><br />

aesthetics. 2. Main stages and ideas <strong>of</strong> the history <strong>of</strong> aesthetics: Ancient time. Middle Ages. Renaissance.<br />

Classicism. Enlightenment. German classical idealism. Romanticism. Positivism. Realism.<br />

Method. Lectures, essay is a precondition <strong>of</strong> passing.<br />

Assessment: Examination<br />

Aesthetics II<br />

Study load: 1 CP / 1.5 ECTS<br />

Location in curriculum: VI semester<br />

Objective: overview <strong>of</strong> the trends <strong>of</strong> 20.century aesthetic thinking, its methods and problems<br />

Content: 20. century aesthetics. >From the end <strong>of</strong> 19. century the development <strong>of</strong> aesthetics has been<br />

characterised by splitting and fragmentarity. Changing <strong>of</strong> art world has brought up new and diminished old<br />

problems. Also cultural context, relation between science, technology and art has changed. Its result is<br />

several new problems in aesthetics: vanishing <strong>of</strong> art borders, diversity <strong>of</strong> type content <strong>of</strong> art, differentiation<br />

or similarity <strong>of</strong> author and audience, aesthetic value <strong>of</strong> everyday life and environment, feminism etc.<br />

Method : lectures and independent work<br />

Assessment: examination (seminar papers, written essay)<br />

English language<br />

Study load: 4 CP / 6 ECTS<br />

Location in curriculum: all specialities I and II semester<br />

Objective: teaching <strong>of</strong> specific vocabulary with development <strong>of</strong> general language.<br />

Content: 1. English as a Foreign Language. 2. English for Specific Purposes.<br />

Method: language lessons, papers, tests<br />

Assessment: preliminary examination, examination

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