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218 Bell Museums Creator of Wildlife Dioramas - webapps8

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<strong>Creator</strong> <strong>of</strong> <strong>Dioramas</strong><br />

Some films he made during research<br />

or collecting trips to northern<br />

Canada and the Arctic. He was one<br />

<strong>of</strong> the first non-Eskimos since the<br />

1800s to travel on the Back River in<br />

Canada's Northwest Territory.<br />

Park Programs. In 1947, soon after<br />

becoming the museum's director,<br />

Breckenridge saw an opportunity to<br />

expand the education program to state<br />

parks. At the time, the Department<br />

<strong>of</strong> Conservation was buying land while<br />

prices were low; no funds were available<br />

for nature programs.<br />

"We figured people visiting the<br />

parks were good subjects," Breckenridge<br />

said, "because by being there<br />

they showed an interest in nature, but<br />

probably didn't know much about it."<br />

As a result, the State Park Interpretive<br />

Program was created.<br />

Breckenridge sent museum employee<br />

Donald Lewis to Itasca State<br />

Park for several summers. Lewis designed<br />

nature trails, led hiking groups,<br />

and lectured 011 the park s flora and<br />

fauna.<br />

The program grew rapidly. The first<br />

year, 4,227 visitors to Itasca took part<br />

in the program. By 1955, the figure<br />

had grown to 15,917. Naturalists<br />

joined the staffs at Gooseberry Falls,<br />

Lake Shetek, and Whitewater state<br />

parks. For several years, <strong>Bell</strong> Museum<br />

continued to pay part <strong>of</strong> their<br />

salaries. As the interpretive program<br />

grew, more parks began to participate.<br />

Today, Breckenridge's interpretive<br />

programs have expanded to nearly<br />

every state park in Minnesota.<br />

In recent photo, Breckenridge holds skin<br />

<strong>of</strong> wood duck to depict bird accurately.<br />

Since his retirement as museum<br />

director in 1969, Breckenridge has<br />

devoted his days to painting. His work<br />

has appeared in such prestigious exhibitions<br />

as "Birds in Art at the<br />

Woodson Museum in Wisconsin and<br />

at the <strong>Wildlife</strong> Heritage Art Show in<br />

Minneapolis. In recent years, he has<br />

traveled to Africa, South America, and<br />

New Zealand in search <strong>of</strong> new subject<br />

material. The artist's studio is in<br />

his home in Brooklyn Park.<br />

His artistic career started a halfcentury<br />

ago. In the early 1930s, he<br />

painted the shorebirds and woodpeckers<br />

for T. S. Roberts' The Birds<br />

<strong>of</strong> Minnesota and illustrated maga-<br />

42 THE MINNESOTA VOLUNTEER

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