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by Sean John - Online Saga Magazine - Saga Furs

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But he takes a practical approach to it<br />

as well: “I never let it become so precious<br />

that it would prevent me from<br />

experimenting. I move towards it as another<br />

element, otherwise I’d prevent creativity. I<br />

can use it as a canvas for my designs. I like<br />

to use imagery. I like to make a boom, something<br />

shocking. Nothing is subtle; I don’t drop<br />

hints. I want people to get what I’m doing.”<br />

Scott’s dollar sign ensemble in <strong>Saga</strong> <strong>Furs</strong> ®<br />

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Mink provides the perfect example. “The dollar<br />

signs were inlaid. It blew my mind that it<br />

could be done that way and not have to print<br />

it.”<br />

Scott doesn’t need to look to other designers,<br />

for him the story is in the fur. “The inspiration<br />

for me is in the medium, it’s not as if<br />

one person or persons inspire me,” he notes.<br />

“Personally I’m more inspired <strong>by</strong> the story<br />

I’m trying to tell.”<br />

Scott approaches fur as any other material.<br />

He loves its resiliency. It can be abused and<br />

still responds. He humbly credits his fur enthusiasm<br />

to <strong>Saga</strong> <strong>Furs</strong>. “I’m blessed and proud<br />

to have the support of <strong>Saga</strong> <strong>Furs</strong> in my career<br />

and so fortunate to be able to make iconic<br />

works. Fur has an innate beauty. It’s classic,<br />

it can maintain its integrity. Therefore, it’s a<br />

staple in our lives, in our wardrobes.”

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