by Sean John - Online Saga Magazine - Saga Furs
by Sean John - Online Saga Magazine - Saga Furs
by Sean John - Online Saga Magazine - Saga Furs
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But he takes a practical approach to it<br />
as well: “I never let it become so precious<br />
that it would prevent me from<br />
experimenting. I move towards it as another<br />
element, otherwise I’d prevent creativity. I<br />
can use it as a canvas for my designs. I like<br />
to use imagery. I like to make a boom, something<br />
shocking. Nothing is subtle; I don’t drop<br />
hints. I want people to get what I’m doing.”<br />
Scott’s dollar sign ensemble in <strong>Saga</strong> <strong>Furs</strong> ®<br />
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Mink provides the perfect example. “The dollar<br />
signs were inlaid. It blew my mind that it<br />
could be done that way and not have to print<br />
it.”<br />
Scott doesn’t need to look to other designers,<br />
for him the story is in the fur. “The inspiration<br />
for me is in the medium, it’s not as if<br />
one person or persons inspire me,” he notes.<br />
“Personally I’m more inspired <strong>by</strong> the story<br />
I’m trying to tell.”<br />
Scott approaches fur as any other material.<br />
He loves its resiliency. It can be abused and<br />
still responds. He humbly credits his fur enthusiasm<br />
to <strong>Saga</strong> <strong>Furs</strong>. “I’m blessed and proud<br />
to have the support of <strong>Saga</strong> <strong>Furs</strong> in my career<br />
and so fortunate to be able to make iconic<br />
works. Fur has an innate beauty. It’s classic,<br />
it can maintain its integrity. Therefore, it’s a<br />
staple in our lives, in our wardrobes.”