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Harman Buyout Dead - FOH Online

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10<br />

International News<br />

Fez Fest of Sacred Music Celebrates Moroccan Heritage<br />

The Sacred Music festival filled up the city square of Fez, Morocco.<br />

Amps Freshen Crowd<br />

at DecayDance<br />

LONDON — Britannia Row at Frankfurt’s<br />

Prolight & Sound 2007 purchased 84 of Outline’s<br />

new T9 computer controlled amplifiers<br />

for its Butterfly inventory. First outing for the<br />

new amplifier system was at London’s Hammersmith<br />

Apollo for DecayDance. A sold out<br />

multiband line-up featured Fall Out Boy, Cobra<br />

Starship and Gym Class Heroes. Left and<br />

right hangs of 12 Butterfly hi-packs were used<br />

together with 6 x Subtech 218s per side.<br />

“We did a brief ‘A’ and ‘B’ test between<br />

our existing Outline TP6.5s and the new T9 in<br />

the warehouse,” says Systems Engineer Adam<br />

Smith for Britannia Row. “These new amps and<br />

wiring have taken the Butterfly to new heights.<br />

To prove the amount of headroom available,<br />

I am backing off the highs by 12 dB and the<br />

low-mids at 9 dB; subs now run at 3dB.<br />

“Control was via Dolby Lake units with<br />

the new amps and software,” Smith says.<br />

“I now have total control of all the system<br />

anywhere in the listening environment. The<br />

CHESSINGTON, ENGLAND — George Michael<br />

made his return to the world’s arena<br />

stages using two DiGiCo D5 Lives for front of<br />

house sound with a D5T on band monitors.<br />

But for the first Wembley show, a third D5 was<br />

added to mix the sound for a live television<br />

broadcast. Engineers Ruadhri Cushan and<br />

Niall Flynn were in charge of mixing sound<br />

via the DiGiCo console.<br />

“Both Niall and I were a little apprehensive,<br />

mainly because we both come from a<br />

studio background, and the idea of doing<br />

a live mix straight to TV was a little scary,”<br />

BOURNEMOUTH, ENGLAND — Northampton-based<br />

Production Hire provided sound<br />

reinforcement for the newly opened Club<br />

2020 in Bournemouth, a property of the City<br />

Centre Leisure Group.<br />

Production Hire and club owner Mark<br />

Neal went for a combination of Martin Audio<br />

Blackline speakers and ground stacks of<br />

the original Wavefront 8s in front of the DJ<br />

booths on each floor. The 840-person capacity<br />

club has a ground-floor dance room<br />

(and adjacent tented chill area) that leads<br />

down to a VIP mezzanine room and main<br />

room in the basement.<br />

On the ground floor, two stacks of<br />

Wavefront W8 and W8S complement sets<br />

of AQ12 and AQ8s — as well as the F10 DJ<br />

monitors. In the large tented area, guests<br />

FEZ, MOROCCO<br />

— Filali Music recently<br />

deployed<br />

its new JBL VerTec<br />

system at one of<br />

Morocco’s premiere<br />

annual events,<br />

“Festival des Musiques<br />

Sacrées du<br />

Mondeo, Fes, 2007,”<br />

at Bab Boujloud, a<br />

large city square<br />

in the historic Moroccan<br />

city of Fez.<br />

great news is also that with the addition<br />

of a DSP card inserted into the amplifiers,<br />

we can control individual elements within<br />

the arrays, and with a further addition of a<br />

smart card, can actually tailor the amplifiers<br />

for even more power. Because the amps<br />

can operate from 95 volts to 240 volts, this<br />

means we can work anywhere in the world<br />

with no power supply problems.”<br />

The DecayDance event<br />

Ruadhri says. “If we were going to pull it off,<br />

we would need to get familiar with the D5<br />

very quickly, so when DiGiCo invited us down<br />

to their demo rooms to run through it, we<br />

jumped at the chance.”<br />

Although only part of the show was<br />

broadcast live, the entire tour was being recorded.<br />

The existing setup included two stage<br />

racks with 56 inputs into each, those 112 lines<br />

feeding the two D5s and D5T. Adding an additional<br />

D5 into the chain was straightforward.<br />

“A PC-based ADK system with Samplitude<br />

software was used to record the shows, which<br />

chill out with music delivered at reduced<br />

volume through another pair of AQ8s.<br />

“I use Blackline for aggression and cut<br />

on the dance floor — and for DJ monitoring,”<br />

Neal says. “It has that bite anywhere you need<br />

it. The AQs produce a smooth, transparent<br />

sound and are perfect for the bar areas.”<br />

For the mezzanine VIP lounge — where<br />

a permanent DJ booth has been set up<br />

— there are two more AQ8s. The stairway<br />

then leads down to the deceptively large<br />

main club, with its resin-coated floor. Here,<br />

two ground stacks, each with two W8 and<br />

two W8S and a pair of F10s, immediately<br />

announces their intentions, while two more<br />

F10s serve as DJ monitors.<br />

Multiple AQ12s are used for in-fills,<br />

with further bass extension coming from<br />

OCTOBER 2007 www.fohonline.com<br />

The mainstage system setup included 12<br />

VerTec VT4888 midsize line array elements<br />

(six per side) and eight VT4880 arrayable<br />

subwoofers (four per side). System processing<br />

was handled by a dbx 4800 loudspeaker<br />

system controller, in combination<br />

with JBL’s DSP files.<br />

“We were very satisfied with the<br />

first use of our new JBL VerTec system<br />

at the Fez Festival of World Sacred Music,<br />

not only with its output capabilities,<br />

but also with its musical quality,” noted<br />

Yousef Filali, owner of Filali Music. “Bab<br />

Boujloud is a vast area and can accom-<br />

NUREMBERG,<br />

GERMANY — The<br />

Alterna Stage at<br />

the festival Rock<br />

Im Park, which<br />

together with its<br />

associating event<br />

Rock Am Ring is<br />

one of the largest<br />

German rock<br />

festivals, hosting<br />

The Rock Im Park crowd<br />

about 100,000<br />

visitors each year,<br />

was set up with audio by HK Audio Cohedra.<br />

The Alterna Stage was an open-air stage<br />

that played to a capacity of 25,000 viewers<br />

and featured artists of many different musical<br />

styles. In 2007, bands such as The White<br />

Stripes, Machine Head, Type O Negative, Mia,<br />

Wir Sind Helden and Jan Delay played on the<br />

Alterna Stage. For so many different styles, a<br />

multilateral sound system was required.<br />

George Michael Returns to Arena Stage<br />

seems to be one of the few bits of kit that was<br />

capable of recording all 112 inputs simultaneously<br />

for up to three hours at a time,” Ruadhri<br />

says. “This also got a feed directly from the<br />

stage racks, which meant we were able to<br />

play back previously recorded shows to start<br />

building a mix, while getting to grips with the<br />

console at DiGiCo’s premises.”<br />

Perhaps the biggest challenge was “stadium<br />

spill” from Michael’s mic.<br />

“We had some reconfiguring to do for<br />

Wembley — we had added some extra audience<br />

mics, which needed to be sent to<br />

Club 2020 Goes Crazy for 8s<br />

a pair of AQ215 floor-mounted subs, while<br />

a pair of AQ6s service the floor’s dedicated<br />

chill-out bar.<br />

The company has done the same with<br />

the audio in this multizone venue, where<br />

the routing and gain structure are assigned<br />

to line-configured BSS Soundweb<br />

9088iis (with two SW9008 expanders) and<br />

an SW9010 “Jellyfish” wall remote for local<br />

source select and volume control. This provides<br />

a capacity of 24 outputs and eight inputs<br />

— with most channels in use.<br />

“The whole system is correctly timeligned<br />

and EQ’d, and any DJ source can be<br />

sent anywhere in the building,” Neal says.<br />

“We have already had acts like<br />

Babyshambles and Peaches Geldof playing<br />

here — and we have the pedigree of<br />

modate an audience of several thousand<br />

people. Our first event with VerTec was<br />

a real success.”<br />

This year marked the 13th annual Festival<br />

des Musiques Sacrées du Mondeo, or “Fez<br />

Festival of World Sacred Music.” International<br />

artists included Johnny Clegg, Angelique Kidjo<br />

and more. The festival draws thousands<br />

of visitors each year to celebrate Islamic heritage<br />

in Morocco’s ancient holy city. The event<br />

not only features international musical talent,<br />

but also brings together politicians, religious<br />

leaders and social academics to discuss urgent<br />

sociopolitical issues.<br />

German Fest Confronts<br />

Multiheadliner Festival<br />

“Cohedra has<br />

optimally covered<br />

all resulting<br />

demands on the<br />

sound system,”<br />

says Wolfgang<br />

Geisler, CEO of<br />

the rental company<br />

Pave. “The<br />

feedback we’ve<br />

gotten from the<br />

many diverse<br />

<strong>FOH</strong> engineers<br />

was, except for few exclusions, outstanding.<br />

Positively mentioned was especially<br />

the minor sensitivity for wind,<br />

the high coverage and the high fidelity<br />

also at high acoustic pressures. We<br />

are using the system always at a top<br />

acoustic pressure level of about 108<br />

dB/A at the <strong>FOH</strong> stand, which is sufficient<br />

for all requirements.”<br />

The load-in for George Michael’s return to arena-sized shows<br />

the broadcast truck separately from our<br />

music mix,” Ruadhri says. “The show passed<br />

very smoothly.”<br />

The DJ booth and dance floor at Club 2020<br />

sound system that will appeal to the caliber<br />

of DJs like Erick Morillo and Trevor Nelson,”<br />

says City Centre Leisure’s Josh Simons. “In<br />

addition, the versatility of the system will<br />

enable the venue to stage the type of different<br />

events they have planned.”

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