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10<br />
International News<br />
Fez Fest of Sacred Music Celebrates Moroccan Heritage<br />
The Sacred Music festival filled up the city square of Fez, Morocco.<br />
Amps Freshen Crowd<br />
at DecayDance<br />
LONDON — Britannia Row at Frankfurt’s<br />
Prolight & Sound 2007 purchased 84 of Outline’s<br />
new T9 computer controlled amplifiers<br />
for its Butterfly inventory. First outing for the<br />
new amplifier system was at London’s Hammersmith<br />
Apollo for DecayDance. A sold out<br />
multiband line-up featured Fall Out Boy, Cobra<br />
Starship and Gym Class Heroes. Left and<br />
right hangs of 12 Butterfly hi-packs were used<br />
together with 6 x Subtech 218s per side.<br />
“We did a brief ‘A’ and ‘B’ test between<br />
our existing Outline TP6.5s and the new T9 in<br />
the warehouse,” says Systems Engineer Adam<br />
Smith for Britannia Row. “These new amps and<br />
wiring have taken the Butterfly to new heights.<br />
To prove the amount of headroom available,<br />
I am backing off the highs by 12 dB and the<br />
low-mids at 9 dB; subs now run at 3dB.<br />
“Control was via Dolby Lake units with<br />
the new amps and software,” Smith says.<br />
“I now have total control of all the system<br />
anywhere in the listening environment. The<br />
CHESSINGTON, ENGLAND — George Michael<br />
made his return to the world’s arena<br />
stages using two DiGiCo D5 Lives for front of<br />
house sound with a D5T on band monitors.<br />
But for the first Wembley show, a third D5 was<br />
added to mix the sound for a live television<br />
broadcast. Engineers Ruadhri Cushan and<br />
Niall Flynn were in charge of mixing sound<br />
via the DiGiCo console.<br />
“Both Niall and I were a little apprehensive,<br />
mainly because we both come from a<br />
studio background, and the idea of doing<br />
a live mix straight to TV was a little scary,”<br />
BOURNEMOUTH, ENGLAND — Northampton-based<br />
Production Hire provided sound<br />
reinforcement for the newly opened Club<br />
2020 in Bournemouth, a property of the City<br />
Centre Leisure Group.<br />
Production Hire and club owner Mark<br />
Neal went for a combination of Martin Audio<br />
Blackline speakers and ground stacks of<br />
the original Wavefront 8s in front of the DJ<br />
booths on each floor. The 840-person capacity<br />
club has a ground-floor dance room<br />
(and adjacent tented chill area) that leads<br />
down to a VIP mezzanine room and main<br />
room in the basement.<br />
On the ground floor, two stacks of<br />
Wavefront W8 and W8S complement sets<br />
of AQ12 and AQ8s — as well as the F10 DJ<br />
monitors. In the large tented area, guests<br />
FEZ, MOROCCO<br />
— Filali Music recently<br />
deployed<br />
its new JBL VerTec<br />
system at one of<br />
Morocco’s premiere<br />
annual events,<br />
“Festival des Musiques<br />
Sacrées du<br />
Mondeo, Fes, 2007,”<br />
at Bab Boujloud, a<br />
large city square<br />
in the historic Moroccan<br />
city of Fez.<br />
great news is also that with the addition<br />
of a DSP card inserted into the amplifiers,<br />
we can control individual elements within<br />
the arrays, and with a further addition of a<br />
smart card, can actually tailor the amplifiers<br />
for even more power. Because the amps<br />
can operate from 95 volts to 240 volts, this<br />
means we can work anywhere in the world<br />
with no power supply problems.”<br />
The DecayDance event<br />
Ruadhri says. “If we were going to pull it off,<br />
we would need to get familiar with the D5<br />
very quickly, so when DiGiCo invited us down<br />
to their demo rooms to run through it, we<br />
jumped at the chance.”<br />
Although only part of the show was<br />
broadcast live, the entire tour was being recorded.<br />
The existing setup included two stage<br />
racks with 56 inputs into each, those 112 lines<br />
feeding the two D5s and D5T. Adding an additional<br />
D5 into the chain was straightforward.<br />
“A PC-based ADK system with Samplitude<br />
software was used to record the shows, which<br />
chill out with music delivered at reduced<br />
volume through another pair of AQ8s.<br />
“I use Blackline for aggression and cut<br />
on the dance floor — and for DJ monitoring,”<br />
Neal says. “It has that bite anywhere you need<br />
it. The AQs produce a smooth, transparent<br />
sound and are perfect for the bar areas.”<br />
For the mezzanine VIP lounge — where<br />
a permanent DJ booth has been set up<br />
— there are two more AQ8s. The stairway<br />
then leads down to the deceptively large<br />
main club, with its resin-coated floor. Here,<br />
two ground stacks, each with two W8 and<br />
two W8S and a pair of F10s, immediately<br />
announces their intentions, while two more<br />
F10s serve as DJ monitors.<br />
Multiple AQ12s are used for in-fills,<br />
with further bass extension coming from<br />
OCTOBER 2007 www.fohonline.com<br />
The mainstage system setup included 12<br />
VerTec VT4888 midsize line array elements<br />
(six per side) and eight VT4880 arrayable<br />
subwoofers (four per side). System processing<br />
was handled by a dbx 4800 loudspeaker<br />
system controller, in combination<br />
with JBL’s DSP files.<br />
“We were very satisfied with the<br />
first use of our new JBL VerTec system<br />
at the Fez Festival of World Sacred Music,<br />
not only with its output capabilities,<br />
but also with its musical quality,” noted<br />
Yousef Filali, owner of Filali Music. “Bab<br />
Boujloud is a vast area and can accom-<br />
NUREMBERG,<br />
GERMANY — The<br />
Alterna Stage at<br />
the festival Rock<br />
Im Park, which<br />
together with its<br />
associating event<br />
Rock Am Ring is<br />
one of the largest<br />
German rock<br />
festivals, hosting<br />
The Rock Im Park crowd<br />
about 100,000<br />
visitors each year,<br />
was set up with audio by HK Audio Cohedra.<br />
The Alterna Stage was an open-air stage<br />
that played to a capacity of 25,000 viewers<br />
and featured artists of many different musical<br />
styles. In 2007, bands such as The White<br />
Stripes, Machine Head, Type O Negative, Mia,<br />
Wir Sind Helden and Jan Delay played on the<br />
Alterna Stage. For so many different styles, a<br />
multilateral sound system was required.<br />
George Michael Returns to Arena Stage<br />
seems to be one of the few bits of kit that was<br />
capable of recording all 112 inputs simultaneously<br />
for up to three hours at a time,” Ruadhri<br />
says. “This also got a feed directly from the<br />
stage racks, which meant we were able to<br />
play back previously recorded shows to start<br />
building a mix, while getting to grips with the<br />
console at DiGiCo’s premises.”<br />
Perhaps the biggest challenge was “stadium<br />
spill” from Michael’s mic.<br />
“We had some reconfiguring to do for<br />
Wembley — we had added some extra audience<br />
mics, which needed to be sent to<br />
Club 2020 Goes Crazy for 8s<br />
a pair of AQ215 floor-mounted subs, while<br />
a pair of AQ6s service the floor’s dedicated<br />
chill-out bar.<br />
The company has done the same with<br />
the audio in this multizone venue, where<br />
the routing and gain structure are assigned<br />
to line-configured BSS Soundweb<br />
9088iis (with two SW9008 expanders) and<br />
an SW9010 “Jellyfish” wall remote for local<br />
source select and volume control. This provides<br />
a capacity of 24 outputs and eight inputs<br />
— with most channels in use.<br />
“The whole system is correctly timeligned<br />
and EQ’d, and any DJ source can be<br />
sent anywhere in the building,” Neal says.<br />
“We have already had acts like<br />
Babyshambles and Peaches Geldof playing<br />
here — and we have the pedigree of<br />
modate an audience of several thousand<br />
people. Our first event with VerTec was<br />
a real success.”<br />
This year marked the 13th annual Festival<br />
des Musiques Sacrées du Mondeo, or “Fez<br />
Festival of World Sacred Music.” International<br />
artists included Johnny Clegg, Angelique Kidjo<br />
and more. The festival draws thousands<br />
of visitors each year to celebrate Islamic heritage<br />
in Morocco’s ancient holy city. The event<br />
not only features international musical talent,<br />
but also brings together politicians, religious<br />
leaders and social academics to discuss urgent<br />
sociopolitical issues.<br />
German Fest Confronts<br />
Multiheadliner Festival<br />
“Cohedra has<br />
optimally covered<br />
all resulting<br />
demands on the<br />
sound system,”<br />
says Wolfgang<br />
Geisler, CEO of<br />
the rental company<br />
Pave. “The<br />
feedback we’ve<br />
gotten from the<br />
many diverse<br />
<strong>FOH</strong> engineers<br />
was, except for few exclusions, outstanding.<br />
Positively mentioned was especially<br />
the minor sensitivity for wind,<br />
the high coverage and the high fidelity<br />
also at high acoustic pressures. We<br />
are using the system always at a top<br />
acoustic pressure level of about 108<br />
dB/A at the <strong>FOH</strong> stand, which is sufficient<br />
for all requirements.”<br />
The load-in for George Michael’s return to arena-sized shows<br />
the broadcast truck separately from our<br />
music mix,” Ruadhri says. “The show passed<br />
very smoothly.”<br />
The DJ booth and dance floor at Club 2020<br />
sound system that will appeal to the caliber<br />
of DJs like Erick Morillo and Trevor Nelson,”<br />
says City Centre Leisure’s Josh Simons. “In<br />
addition, the versatility of the system will<br />
enable the venue to stage the type of different<br />
events they have planned.”