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Harman Buyout Dead - FOH Online

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Installations<br />

Smashing Pumpkins in concert<br />

“That all ended up being a real rush in the last<br />

week, in true rock and roll fashion.” — Jon Lemon<br />

from the tour manager that the band wanted to<br />

lay sheets of plywood over the carpeted stage.<br />

Then there was the lighting rig. “That’s<br />

the biggest pile of lights I’ve ever allowed<br />

in this room,” Pitman reports laughing. “I<br />

had structural engineers come out and<br />

redo my stage and spec it all out for me. I<br />

don’t normally put 6,000 pounds worth of<br />

lighting on the stage.”<br />

At the end of it all, that goal was<br />

achieved. “The band wanted to make these<br />

shows special for the audiences, because<br />

they were using them as experimental<br />

writing sessions and extending jams to<br />

tighten up as a band,” Lemon says. In part,<br />

he adds, this is the sound of the Smashing<br />

Pumpkins in 2007. “There’s so much more<br />

texture now. There’s no doubt that all of<br />

them are better players, and the new ones<br />

are great players. It’s a natural progression<br />

and it’s quite good.”<br />

Pitman was happy with the end result<br />

as well, adding with a laugh: “I’m sure this<br />

was a great learning experience for everyone<br />

to take an arena-sized production and<br />

cram it into a small little club.”<br />

Billy Corgan

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