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Installations<br />
Smashing Pumpkins in concert<br />
“That all ended up being a real rush in the last<br />
week, in true rock and roll fashion.” — Jon Lemon<br />
from the tour manager that the band wanted to<br />
lay sheets of plywood over the carpeted stage.<br />
Then there was the lighting rig. “That’s<br />
the biggest pile of lights I’ve ever allowed<br />
in this room,” Pitman reports laughing. “I<br />
had structural engineers come out and<br />
redo my stage and spec it all out for me. I<br />
don’t normally put 6,000 pounds worth of<br />
lighting on the stage.”<br />
At the end of it all, that goal was<br />
achieved. “The band wanted to make these<br />
shows special for the audiences, because<br />
they were using them as experimental<br />
writing sessions and extending jams to<br />
tighten up as a band,” Lemon says. In part,<br />
he adds, this is the sound of the Smashing<br />
Pumpkins in 2007. “There’s so much more<br />
texture now. There’s no doubt that all of<br />
them are better players, and the new ones<br />
are great players. It’s a natural progression<br />
and it’s quite good.”<br />
Pitman was happy with the end result<br />
as well, adding with a laugh: “I’m sure this<br />
was a great learning experience for everyone<br />
to take an arena-sized production and<br />
cram it into a small little club.”<br />
Billy Corgan