2012 - Stockton Folk Dance Camp

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26 Xote das Meninas (Brazil) The singer is Gilberto Gil and this Brazilian rhythm, Xote, has its roots in the Schottish step. The dance, choreographed by Lucia Cordeiro in 2004, is done to an irreverent song about teen girls longing for a boyfriend. Pronunciation: SHOH-teh dahs meh-NEE-nahs Meaning: Schottish of the Girls Music: 4/4 meter Brazilian Soul, Track 4 Formation: This was presented in two formations: Formation #1: Pairs facing CCW, hands joined in V-pos, all dancers in one circle. Any two people may form a pair. If the pair is a M and a W, the W is behind the M in the circle. This resembles a mixer in that the dancer behind moves around the circle of dancers while the other remains in place. Dancers do not actually dance as a pair. Formation #2: Pairs are arranged in two circles, one person facing in and one facing out. If there is an uneven number of people, the extra dancers should be in the outer circle. Meas 4/4 meter Pattern 8 meas INTRODUCTION. No action. Dancers may sway from side to side, moving the hips freely. I. FIGURE I. 1 Moving slightly diagonally R, away from ctr: step R diag R (ct 1); step L next to R (ct 2); step R diag R (ct 3); touch L next to R (ct 4). If done in two circles (Formation #2 above), circles move in opp directions, each to the dancers’ R. 2 Repeat meas 1 with opp ftwk and direction, moving slightly diagonally L, twd ctr. 3-12 Repeat meas 1-2 five times. II. ONE TRAVELS; ONE STAYS. (The Sun and The Moon) 1-4 All face ctr. M puts hands behind his back; W puts hands on hips. Using the full four meas (16 counts), the dancer on the L of each pair (The Moon) moves from L to R side of the other dancer in the pair (The Sun). Dancers who travel may use triplets or scuffs or a simple walking step. If wearing a skirt, swish it. Dancers may twirl while progressing. Dancers who remain in place may step in place or do step-touches or sway from foot to foot. Dancers make eye contact and flirt during the exchange. If done in two circles, all dancers move twd each other (meas 1-2) and back to place (meas 3-4), flirting and provoking one another. III. SCHOTTISH (instrumental) 1 Facing ctr and moving on the diagonals: step R fwd and diagonally R (ct 1); step L next to R (ct 2); step R fwd and diagonally R (ct 3); touch L next to R (ct 4). 2 Repeat meas 1 with opp ftwk and direction but continue moving inward, on the L diagonal. STOCKTON FOLK DANCE CAMP – 2012 – FINAL – 08/07/2012
26.1 Xote das Meninas — continued 3-4 Repeat meas 1-2. 5-8 Repeat meas 1-4, but move away from ctr by stepping bkwd on the diagonal. Sequence: Fig I, Fig II, Fig I (meas 1-8), Fig II, Fig I (meas 1-8), Fig II twice, Fig III (during instrumental) Presented by Lucia Cordeiro STOCKTON FOLK DANCE CAMP – 2012 – FINAL – 08/07/2012
Page 1 and 2: Syllabus of Dance Descriptions STOC
Page 3 and 4: Neal Sandler August 1931-March 2012
Page 5 and 6: NOTES STOCKTON FOLK DANCE CAMP - 20
Page 7 and 8: Cristian Florescu and Sonia Dion (R
Page 9 and 10: WORKSHOP TEACHERS Jerry Duke (Cajun
Page 11 and 12: NOTES STOCKTON FOLK DANCE CAMP - 20
Page 13: African Bhangra and African Dance M
Page 17: NOTES STOCKTON FOLK DANCE CAMP - 20
Page 20 and 21: 2 Bukovinskii Tanets - Букови
Page 22 and 23: 4 Hora din Giurgiuleşti (Moldavia)
Page 24 and 25: 6 Hutsulka - Гуцулка (Wester
Page 26 and 27: 8 Joc Mare (Moldavia) This dance is
Page 28 and 29: 10 Kievskii Hopak - КиеЬски
Page 30 and 31: 12 Kolomiyka - Коломийка (
Page 32 and 33: 14 Resheto — continued IV. WOMAN
Page 34 and 35: 16 Volynska Polka — continued 5-8
Page 36 and 37: 18 Zakarpatskii — continued 12 St
Page 38 and 39: 20 Aquarela do Brasil — continued
Page 40 and 41: 22 Circular — continued Sequence:
Page 42 and 43: 24 NOTES STOCKTON FOLK DANCE CAMP -
Page 46 and 47: 26.2 NOTES STOCKTON FOLK DANCE CAMP
Page 48 and 49: 28 Backward Ocho (Argentine Tango)
Page 50 and 51: 30 Basic With Back Salida (Argentin
Page 52 and 53: 32 Basic with Rock Step Salida (Arg
Page 54 and 55: 34 http://www.youtube.com/watch?v=Z
Page 56 and 57: 36 El Gato — continued II. GIRO -
Page 58 and 59: 38 Forward Ocho — continued 7 Ste
Page 60 and 61: 40 Sandwiche - Half Molinete Combin
Page 62 and 63: 42 Cajun— continued Meas 2/4 mete
Page 66 and 67: 46 Pronunciation: KEHF Chef (Rom da
Page 68 and 69: 48 Chef — continued 8 Lift on L h
Page 70 and 71: 50 Ciorba de curcan — continued 3
Page 72 and 73: 52 Pronunciation: HOH-rah peh SHAH-
Page 74 and 75: 54 Pronunciation: HOH-rah VEH-keh H
Page 76 and 77: 56 Joc în trei (Banat, Romania) Th
Page 78 and 79: 58 Joc în trei — continued 9-12
Page 80 and 81: 60 Mascaţii — continued 3-4 Repe
Page 82 and 83: 62 Zi măi Văsăli — continued 4
Page 86 and 87: 66 Jiffy Line Dance (U.S.) Dance co
Page 88 and 89: 68 Square Dance Calls PLUS DEFINITI
Page 90 and 91: 70 Jerry Helt’s Record List MUSIC
Page 92 and 93: 72 This dance is from eastern Serbi
Page 94 and 95:
74 NOTES STOCKTON FOLK DANCE CAMP -
Page 96 and 97:
76 Niška Rumenka — continued FIG
Page 98 and 99:
78 NOTES STOCKTON FOLK DANCE CAMP -
Page 100 and 101:
80 Pembe - Gypsy Variation (Serbia)
Page 102 and 103:
80.2 NOTES STOCKTON FOLK DANCE CAMP
Page 104 and 105:
Stara Djurjevka (Serbia) This dance
Page 106 and 107:
Toplički Čačak — continued NOT
Page 108 and 109:
NOTES STOCKTON FOLK DANCE CAMP - 20
Page 110 and 111:
Corrido — continued III. STEP-CLO
Page 112 and 113:
Ijswals (The Netherlands) Ijswals w
Page 114 and 115:
Totur (Denmark) Totur is a folk dan
Page 116 and 117:
Goralski — continued Meas 2/4 met
Page 118 and 119:
Łysy — continued Walk and Stamp:
Page 120 and 121:
Malowane Łoze (Żywiec) (Poland) P
Page 122 and 123:
Malowane Łoze — continued 14 Sta
Page 124 and 125:
Powitalny Polonez — continued Hol
Page 126 and 127:
Powitalny Polonez — continued III
Page 128 and 129:
Powolniak — continued M Ftwk W Ft
Page 130 and 131:
Sobótki (Poland) On the eve of Jun
Page 132 and 133:
Szot Madziar (Poland) Located in th
Page 134 and 135:
Szot Madziar — continued 6 Chass
Page 136 and 137:
Walc Kurpiowska Puszcza Zielona —
Page 138 and 139:
Page 140 and 141:
Glossary of Japanese Hand Movements
Page 142 and 143:
Believe (Japan) This is a modern Ja
Page 144 and 145:
Page 146 and 147:
122 Etchu Ohara (Toyama prefecture,
Page 148 and 149:
124 Etchu Ohara — continued II. F
Page 150 and 151:
126 Gujou Odori Harukoma (Gifu Pref
Page 152 and 153:
128 Iyono Matsuyama Tsuzumi Odori (
Page 154 and 155:
130 Kagoshima Ohara Bushi (Kagoshim
Page 156 and 157:
132 Ketsueki Gattagata (Japan) The
Page 159 and 160:
Sado Okesa (Niigata Prefecture, Jap
Page 161 and 162:
Soran Bushi (Hokkaido, Japan) “So
Page 163 and 164:
Soran Bushi — continued Lyrics Ch
Page 165 and 166:
Souma Dozuki Uta — continued 2 St
Page 167 and 168:
Tajimi ko-uta — continued 5 Step
Page 169 and 170:
Tokimekino Rumba (Japan) A modern J
Page 171 and 172:
Unagappa Ondo — continued Steps &
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2012 - Stockton Folk Dance Camp

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