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Glossary of Argentine Tango Terminology<br />
Argentine Tango<br />
(Argentina)<br />
Argentine tango is an improvised dance with style reminiscent of a large cat stalking its prey. The lead<br />
dancer creates his own dance for his partner using various combinations of figures. The figures<br />
presented here by Pampa Cortés will provide hours of tango dancing pleasure.<br />
Pronunciation: AHR-jehn-tyne TAHN-goh<br />
Music: 2/4 meter Musica Popular Argentina (bands 1,3,4,5,6,9,11,15,17,20,23)<br />
or any Argentine Tango recording<br />
Formation: Couples scattered on the floor in “el abrazo” position.<br />
El Abrazo:<br />
The embrace (ah-BRAH-soh) is the partner hold position. “Abrazo” is the<br />
Spanish word for “hug.”<br />
M’s L hand is at shldr height clasping W’s R, palms together and fingers<br />
closed. Elbows point down at a relaxed 45-degree angle. Hand position is<br />
50/50 between the partners. Arms form a “w.” M’s R arm encircles W’s<br />
back below shldr blade with full palm contact. W’s arm encircles M’s<br />
deltoid with full palm contact with shldr blade. Each dancer stands with<br />
feet together in parallel position. M and W stand directly in front of each other with a couple of inches<br />
of space between points of toes.<br />
Counting steps in patterns:<br />
Argentine tango music is generally composed in 8-count phrases. Figures are counted up to 8 and then<br />
starting again with count 1, for example, 1-2-3-4-5-6-7-8, 1-2-3-4-5… Syncopation is “&”.<br />
Step length & timing:<br />
Step length is approximately the width of a dancer’s shldrs. In the case of a big disparity in the height of<br />
the couple, split the difference to accommodate each dancer’s leg length. Most steps are in straight time.<br />
Step Vocabulary:<br />
Corte (“Cut”): A movement of the foot that stops the trajectory of the partner’s foot.<br />
El Cruzado (“The Cross”): Feet are crossed touching each other in parallel position.<br />
El Ocho (“The Eight”): A move that describes the number 8. Also Backward Ocho or Forward Ocho.<br />
Figura (“A Figure”): A pattern.<br />
Habanera (“From Habana, Cuba”): A movement used by the man when leading Backward Ocho. It is<br />
based on an Afro-Cuban movement.<br />
La Resolución (“The Resolution”): The ending steps of a figure.<br />
Salida (“Departure”): The first step in a pattern. Can be forward, backward, or sideward.<br />
Note: Argentine Tango is an improvised dance. The resolution of one figure can become the salida of<br />
the following figure. Any rock step can be danced in syncopated or straight time. Men lead all figures<br />
with the upper body as well as with steps and weight changes.<br />
STOCKTON FOLK DANCE CAMP – <strong>2012</strong> – FINAL – 08/07/<strong>2012</strong><br />
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