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Art Auction Brochure.pub - City of Glendale

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A Night with The <strong>Art</strong>ist<br />

March 18, 2006<br />

Presented by<br />

<strong>Glendale</strong> <strong>Art</strong>s Commission<br />

And<br />

Sahuaro Ranch Foundation<br />

<strong>Art</strong>work Courtesy Jacque Keller


P A GE 2<br />

9802 North 59th Avenue<br />

<strong>Glendale</strong>, Arizona 85302<br />

The idyllic setting <strong>of</strong> Historic Sahuaro Ranch invites<br />

you to step back in time as you stroll through the grounds.<br />

17 acres fenced with wrought iron are the walls <strong>of</strong> the<br />

museum. The artifacts are the many buildings, orchards,<br />

landscaping and wildlife contained within the unique historic<br />

ranch museum.<br />

From the original ranch buildings to the lush<br />

grounds, where peacocks roam freely, Sahuaro Ranch's<br />

historic area takes you to another time.<br />

Buffered from outside urbanization by rows <strong>of</strong><br />

original citrus groves, Historic Sahuaro Ranch allows you to<br />

enter a bygone era.<br />

Visit Historic Sahuaro Ranch soon!!<br />

Sahuaro Ranch Foundation<br />

PO Box 1824<br />

<strong>Glendale</strong>, Arizona 85311<br />

Phone: 623-930-4200<br />

<strong>Brochure</strong> designed by<br />

Carolyn A Harrold<br />

The <strong>City</strong> <strong>of</strong><br />

<strong>Glendale</strong><br />

and<br />

the <strong>Glendale</strong> <strong>Art</strong>s Commission<br />

are proud sponsors <strong>of</strong><br />

A Night with the <strong>Art</strong>ist and<br />

A Taste <strong>of</strong> <strong>Glendale</strong><br />

Mayor Elaine M. Scruggs<br />

Vice Mayor Tom Eggleston, Barrel District<br />

Council Member Phil Lieberman, Cactus District<br />

Council Member Manny Martinez, Cholla District<br />

Council Member David Goulet, Ocotillo District<br />

Council Member Steve Frate, Sahuaro District<br />

Council Member Joyce Clark, Yucca District<br />

<strong>Glendale</strong> <strong>Art</strong>s Commission<br />

Jackie Markowitz, Chair<br />

Frank Eager, Vice Chair<br />

Janet Culbertson<br />

Winona Passmore<br />

Kathleen Roe<br />

Enid Spear<br />

Sharon Wixon


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3<br />

<strong>Art</strong>ists Biographies<br />

Kyle W Ashley 4<br />

Sue Averell 5<br />

John Bader 6<br />

Dwight Bennett 7<br />

Hugh Blanding 8<br />

Jane Boggs 9<br />

Scott Bohall 10<br />

Barbara Burton 11<br />

Geary Bush 12<br />

Reno Carolllo 13<br />

Pamela C. Creamer 14<br />

Keith A Dagley 15<br />

Carlos Estevez 16<br />

Steve Failows 17<br />

Graydon Foulger 18<br />

Carol Ruff Franza 19<br />

John Gleason 20<br />

Greg Hale 21<br />

Paul Hawkins & SusanZalindt 22<br />

Cindy Hill 23<br />

Dan Hill 24<br />

Feng Jin 25<br />

Michael Jones 26<br />

Jacque Keller 27<br />

Lauren Knode 28<br />

Mark Leone 29<br />

Ellen Leibow 30<br />

Bill Leibow 31<br />

Sarah McAnerny 32<br />

Dottie Mitchell 33<br />

Troy Moody 34<br />

Jane Nassano 35<br />

Len Newman 36<br />

Narciso Piu 37<br />

Jerry Portelli 38<br />

Gregory Reade 39<br />

Stephanie Saint-Thomas 40<br />

Jerry Sieve 41<br />

Peggy Pettigrew Stewart 42<br />

Charles Taube 43<br />

G John Vakaleris 44<br />

John Kimball Westbrook 45<br />

Kevin Whitney 46<br />

Joe Woodford 47


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N<br />

Kyle W Ashley<br />

4851 S Atwood Blvd<br />

Murray, UT 84107<br />

Altered_elements@comcast.net<br />

P A GE 4<br />

Custom Metal Designs<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 5 3<br />

Other Sponsors:<br />

Macayo’s Mexican Kitchen<br />

Kyle was born in Ohio in 1957 to a father who was a welder and<br />

a mother who created love.<br />

Even as a child, he enjoyed watching his father create with<br />

metal, wood and stone. At the age <strong>of</strong> nine, his father began teaching him<br />

the art <strong>of</strong> creating by welding. The amazing ability to heat, melt, fuse and<br />

bond metal became a lifetime fascination. Over the years, he developed<br />

an interest in how to be creative, as well as functional, with his metal<br />

working.<br />

Kyle has lived in several states, as his father was in construction<br />

and the family moved frequently across the country. He feels this<br />

exposed him to a life at a<br />

real level, experiencing<br />

many influences and<br />

cultures. He is currently<br />

a general contractor and<br />

enjoys working one on<br />

one with the home owner<br />

to re-create their<br />

personal living spaces.<br />

He specializes in<br />

designing and fabricating<br />

custom metal art for the<br />

home and garden, which<br />

includes furniture, gates,<br />

arbors, railings, wall art,<br />

garden sculptures, etc. If<br />

it can be dreamed,<br />

drawn or designed, he<br />

will bring it to reality.<br />

Kyle has always<br />

felt an affinity for metal,<br />

glass and stone. He<br />

believes his art is not<br />

created, so much as<br />

expressed. “Allowing this<br />

expression to flow<br />

through me is a truly gratifying experience.”<br />

Atlantic Bread Company<br />

<strong>Glendale</strong><br />

Albertsons<br />

5802 W Olive Avenue<br />

<strong>Glendale</strong>, AZ 85302


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 5 2<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 5<br />

Sue Averell<br />

Painter<br />

633 Post St. #136<br />

San Francisco, CA 94109<br />

Sue@sueaverell.com<br />

Painting is more than just a creative<br />

discipline, it is my vocation. Even as a child I<br />

looked at the world with the eyes <strong>of</strong> an artist,<br />

trying to figure out how to capture what I saw<br />

onto paper. My style has evolved through the years, but it stands today as<br />

a process <strong>of</strong> escaping the confines <strong>of</strong> optical reality and taking expressive<br />

liberties to create in a manner that is relaxed and enjoyable.<br />

The structural layout <strong>of</strong> the cityscape blends fanciful composites<br />

in with my perceptions <strong>of</strong> urban life. The idea for such an arrangement<br />

derives from dreams I have had since childhood <strong>of</strong> flying over imaginary<br />

places laced with elements <strong>of</strong> real locations. These dreams not only serve<br />

as a source <strong>of</strong> inspiration, but also allow me to visualize a painting in my<br />

mind's eye before depicting it on canvas or paper. My intent is to capture<br />

the sensation <strong>of</strong> fleeting movement, and is best described as emulating<br />

the transient perceptions one experiences when driving in a car as the<br />

landscape passes by the window.<br />

I strive to communicate and evoke emotion by juxtaposing<br />

diosyncratic choices <strong>of</strong> complimentary and dissonant colors, and adorning<br />

the canvas with paint. splatters alluding to energy, freedom, and action.<br />

Emotion is further expressed via uneven textures created through the<br />

thick application <strong>of</strong> paint. These elements combined assist in achieving<br />

my ultimate object which to optically draw the viewer into the city scene.<br />

Equally valuable is providing my viewer with a composition that is<br />

pregnant with intricate features and meaning so that they are encouraged<br />

to come back time after time, seeing a different hidden detail each visit.<br />

So as you look upon my canvases <strong>of</strong> saturated color fields,<br />

strategic compositions, and evocative images, it is my hope that you will<br />

be filled with the sensation <strong>of</strong> flying, freshly liberated into a sky <strong>of</strong><br />

unlimited, imaginative horizons.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N<br />

P A GE 6<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 5 1<br />

John Bader<br />

7578 North Bel Air Road<br />

Casa Grande, AZ 85222<br />

Www.johnbader.50megs.com<br />

Southwestern <strong>Art</strong> & Design<br />

Nebraska born, Missouri raised, now<br />

based around the Phoenix area; southwestern<br />

artist, John Bader is nationally recognized for his<br />

award winning “mixed-media” art work. His unique, hand painted, relief<br />

sculpture work has made him a featured artist in several local and<br />

national <strong>pub</strong>lications.<br />

John’s art work is outstanding and in a class <strong>of</strong> its own. He has a<br />

Bachelor or <strong>Art</strong>s degree from the University <strong>of</strong> Nebraska.<br />

Over the years, John has developed a unique blend <strong>of</strong> composite<br />

materials that gives a three-dimensional effect to his work, allowing the<br />

viewers the opportunity to feel as though they are “walking right into the<br />

artwork itself”.<br />

Each hand crafted original art piece begins with John’s use <strong>of</strong><br />

high-density polyurethane foam and modeling clay. A special blend <strong>of</strong><br />

composite materials, personally developed by John is applied over the<br />

piece giving it added depth and texture and thus helping create a very<br />

realistic effect. To add to the three three-dimensional effect, John<br />

hand-paints each piece with acrylic paints, cleverly using colors and<br />

shadows to enhance it. He then adds final touches such as ladders or<br />

doors, to his “pueblo”<br />

scenes, and saguaro<br />

cacti orocotillos to his<br />

desert landscapes.<br />

John also<br />

produces a wonderful<br />

and original line <strong>of</strong><br />

petroglyphs that are<br />

hand-sculpted and cast<br />

in his own special blend <strong>of</strong> composite materials.<br />

Each petroglyph is hand-painted and uniquely designed. These<br />

can all be used indoors, and many are weatherpro<strong>of</strong> so as to be hung<br />

outdoors.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 5 0<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 7<br />

Sculptor<br />

Dwight Bennett<br />

4340 E Indian School #169<br />

Phoenix, AZ 85018<br />

Dwight@goldenwestart.com<br />

I have been a sculptor and craftsman since<br />

1968. Late at night in my Studio on April 20,<br />

1981, I was turning an ironwood vessel on my<br />

lathe when I saw a shiny spot flickering back at<br />

me. I turned <strong>of</strong>f the lathe for a closer inspection<br />

and found that some one has previously shot the wood with a bullet. The<br />

shiny silver like bullet had wedged itself into the natural fissures <strong>of</strong> the<br />

wood. It looked wonderful: I was amazed to see the unusual patterns that<br />

I had cut into the lead. At that moment the A.K.A. “Silver Bullet” was<br />

born, a epiphany involving my relationship with wood was reached,<br />

impacting how I saw each finished piece. To this day sometimes it seems<br />

as though when I finish a piece, the silver was always there, growing in<br />

the wood like in nature, where the silver flows through the veins in white<br />

quartz.<br />

As a sculptor I like to think I flow in harmony with nature in my<br />

work. When wood dries and grows old, Mother Nature’s caricature slowly<br />

creeps out, I like to take this caricature and create from it. My role is to<br />

define and shape these areas and thus illuminate, if you will, Mother<br />

Nature’s birthmarks. By using my inlaid silver technique, I feel I have<br />

achieved this end. I was the first to develop this method <strong>of</strong> vein striation<br />

enhancement, the silver seems to give my work a sense <strong>of</strong> harmony and<br />

flow, along with a sense <strong>of</strong> electricity and life.<br />

It took two technicians, one metallurgist along with myself, over<br />

5 years to refine the inlaid silver technique, which you see today. After<br />

cutting and carving to emulate the patterns that nature has made, I give<br />

the piece to my technicians who make mold impressions <strong>of</strong> the wood for<br />

the casting process. The metallurgist makes the metal work for me, from<br />

the non-tarnishing <strong>of</strong> the silver to the flexibility<br />

aspect. We then inlay the cast pieces into the<br />

wood. The whole process takes three to six<br />

weeks depending on the piece. We then grind,<br />

sand, and polish the inlaid silver to fit. Finally, a<br />

hand rubbed oil finish is applied over a two to<br />

three week period, producing what you see<br />

today. Now, 31 years later, my inlaid silver<br />

technique, that has dazzled people for years,<br />

has become my trademark and the reason I’m called “The Silver Bullet”.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 8<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 9<br />

Hugh Blanding<br />

33817 N 2nd St<br />

Phoenix, AZ 85085<br />

Hugh@hughblanding.com<br />

Sculptor<br />

Hugh’s limited edition sculptures embrace<br />

American’s western heritage, paying tribute to the<br />

spirit and freedom <strong>of</strong> the west, especially the<br />

American cowboy. When viewing his sculptures you immediately<br />

recognize his ability and sense his passion to capture the action, the<br />

energy, and the tremendous muscular stress exhibited by his subjects.<br />

You see his perseverance and unprecedented attention to detail which<br />

makes his sculptures come to life epitomized by such features as the<br />

individual hairs on the horses’ bodies, the identifiable bulge <strong>of</strong> the can <strong>of</strong><br />

snuff in the cowboy’s back pocket, and the intricate tooling on the saddle.<br />

A self-taught artist, Hugh has been painting since this early<br />

teens. He started sculpting in the late 1990’s when he retired from the<br />

computer industry, and has found his forte in the 3-dimension. He has<br />

spent years studying the bone and muscle structure <strong>of</strong> his animals,<br />

particularly the horse, and carries out extensive research before starting<br />

each piece, so as to ensure realism, authenticity, and quality. His work<br />

can be found in private and corporate collections across the U.S.<br />

When asked about his sculpting, Hugh says it was the challenge<br />

<strong>of</strong> the 3-dimension that lured him away from painting toward sculpting.<br />

People look at things with two eyes<br />

and the challenge is to create a work<br />

<strong>of</strong> art that has all <strong>of</strong> the correct lines,<br />

from all angles, including the top and<br />

the bottom. He say it's as if he no<br />

longer has a choice; he is compelled<br />

to sculpt!<br />

Hugh’s work is currently being shown<br />

at the Gold Nugget <strong>Art</strong> Gallery in<br />

Wickenburg, Arizona


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 8<br />

The Following Sponsors<br />

Provided the food<br />

And drinks for<br />

“A Night with the <strong>Art</strong>ist”<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 9<br />

Gourdian Spirits Studio<br />

Jane Boggs<br />

33488 N 55th Street<br />

Cave Creek, AZ 85331<br />

Jjboggs2000@yahoo.com<br />

Although a born native <strong>of</strong> Bath, Maine,<br />

Jane lived in Colorado for 25 years and<br />

in 1995, she and her husband moved<br />

to Cave Creek, Arizona. When they purchased<br />

their Pueblo style home in the Sonoran desert, Jane said it felt like<br />

she had finally come home to her roots.<br />

<strong>Art</strong> has always been part <strong>of</strong> Jane’s life, but when she found<br />

gourds, on a field trip, there was an instant connection. She began<br />

combining her fascination with the Native American Indian and African<br />

cultures with this wonderful new art medium. To be able to <strong>of</strong>fer art in<br />

such a different style was the perfect personal challenge that would<br />

become a way <strong>of</strong> life.<br />

Each new gourd that<br />

is created has a story that is<br />

unique and personal. Jane<br />

feels that if you are receptive,<br />

that they will actually tell you<br />

what they (the gourds) want to<br />

be. To this date, there have<br />

been over 600 art pieces<br />

designed and sold in the US<br />

and abroad. Her studio is<br />

open most days <strong>of</strong> the week<br />

and it is always interesting to<br />

visit or perhaps even watch<br />

Jane working on one <strong>of</strong> her<br />

new pieces.<br />

Jane is a juried<br />

member <strong>of</strong> the Sonoran <strong>Art</strong><br />

League and The Phoenix <strong>Art</strong><br />

Alliance. She is also a board<br />

member <strong>of</strong> the Sonoran <strong>Art</strong><br />

League and helps to promote<br />

art to youth and adults alike.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 0<br />

Scott Bohall<br />

20221 N 67th Ave., Ste. #-2<br />

<strong>Glendale</strong>, AZ 85308<br />

Benetoite@aol.com<br />

Treasures Custom Jewelry<br />

Since 1991, Scott Bohall, owner <strong>of</strong><br />

Treasures Custom Jewelry in <strong>Glendale</strong>, Arizona,<br />

has been designing masterpieces forged <strong>of</strong><br />

diamonds, gold, platinum and rare gems. Fifteen years later, Scott’s<br />

artistic talent, attention to detail, and a keen eye for quality has<br />

transformed Treasures into a West Valley icon for shoppers seeking<br />

timeless designs and superior craftsmanship. As a 22 time award<br />

winning designer, Mr. Bohall’s pieces have been recognized statewide,<br />

nationally, and internationally, honors which culminated this year when<br />

Treasures was voted “Top Designer in Arizona” for the third year in a row.<br />

In addition to unique designs, Mr. Bohall also prides himself on educating<br />

his customers. For the second year in a row, Treasures was recognized<br />

as the best store in Arizona to buy a diamond by an independent third<br />

party based on price, quality and diamond knowledge. Mr. Bohall is also<br />

currently serving his second term as the President <strong>of</strong> the Arizona Jewelers<br />

Association.<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 7<br />

Education<br />

1983-1985 Dobson High School, Mesa, AZ<br />

1986-1996 Mesa <strong>Art</strong> Center, Mesa, AZ<br />

Word Experience<br />

1995-1996 Mesa <strong>Art</strong> Center, Instructor<br />

303 W Myrtle Drive<br />

Chandler, AZ 85249<br />

Joe Woodford<br />

Joseph Woodford Ceramics<br />

<strong>Art</strong> Shows and Galleries:<br />

1996 Boulder Creek <strong>Art</strong> Festival Best in Show<br />

1997 Castle Rock <strong>Art</strong> Festival Best Fine Craft<br />

1998 Castle Rock <strong>Art</strong> Festival First Place Ceramic<br />

1999 Henderson <strong>Art</strong> Festival Best Ceramic<br />

1999 Beverly Hills <strong>Art</strong> Show (spring) Best in Show<br />

1999 Beverly Hills <strong>Art</strong> Show (fall) Third Place Ceramic<br />

1999 Cynthia Wood Gallery Solo Exhibition<br />

2000 Castle Rock <strong>Art</strong> Festival Honorable Mention<br />

2001 St. George <strong>Art</strong> Show First Place<br />

2001 Beverly Hills <strong>Art</strong> Show (fall) Third Place Ceramic<br />

2002 Beverly Hills <strong>Art</strong> Show (spring) Honorable Mention<br />

2002 Castle Rock <strong>Art</strong> Festival First Place Ceramic<br />

2002 Vail <strong>Art</strong> Show Best Ceramic<br />

2003 Rancho Mirage <strong>Art</strong> Festival Best in Show<br />

2003 Golden <strong>Art</strong> Festival First Place Ceramic<br />

2003 Castle Rock <strong>Art</strong> Festival Juror’s Award<br />

2003 Vail <strong>Art</strong> Show Best Ceramic<br />

2004 Beverly Hills <strong>Art</strong> Show (fall) Second Place Ceramic<br />

2005 Indian Wells <strong>Art</strong> Festival Third Place<br />

Public Work:<br />

<strong>City</strong> <strong>of</strong> Beverly Hills Public Collection<br />

The Point at Tapatio, Phoenix AZ, resort remodel <strong>of</strong> over 600 pieces


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 6<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 1<br />

Kevin Whitney<br />

608 E Westchester<br />

Tempe, AZ 85283<br />

Kevinwhitneysculpture.com<br />

Biography<br />

Barbara Burton<br />

445 W 1st Street<br />

Mesa, AZ 85201<br />

Boodesigns@earthlink.net<br />

Printmaker, Painter, and Book <strong>Art</strong>ist<br />

Kevin Whitney’s work encompasses an array<br />

<strong>of</strong> styles and media, ranging from photography, magazine creation and<br />

production, to sculpture. Kevin Whitney completed his A.A. in<br />

Photography and Graphic Design at M.C.C. in 1998 and a BFA in<br />

Sculpture through A.S.U. in 2001. In the past seven years, Whitney has<br />

honed his eye for the unique, creating sculpture work in bronze,<br />

aluminum, wood, and photography that draw inspiration from futurism,<br />

constructivism, "low-brow" art, hot-rod culture and the underground<br />

music scene. At times clean and stylized and at other times tongue-incheek,<br />

Whitney’s creations reflect his drive to capture the essence <strong>of</strong><br />

aesthetics through form. He has spent the last 17 years in the Phoenix<br />

Metro area. Working in various artistic capacities including vocals with<br />

established bands in the valley; conception, design, production, and<br />

distribution <strong>of</strong> MoiSSt Magazine; sculpture; and photography. Recent<br />

gallery shows have included The Shemer, Thought Crime, The Step,<br />

Holgas, The IceHouse and The PHiX Gallery in the Phoenix metro area.<br />

Kevin Whitney is also currently being represented through Wade Gallery in<br />

San Miguel, Mexico. Kevin is open for commissioned, one-<strong>of</strong>-a-kind work.<br />

Contact Kevin Whitney at MoiSST Studios @ 608 E. Westchester., Tempe,<br />

AZ. 85283 , (602)367-3625, and at<br />

moisstink@yahoo.com. Examples <strong>of</strong> Whitney’s work<br />

can be found at kevinwhitneysculpture.com<br />

Kevin Whitney is currently showing at:<br />

The Wade Gallery<br />

Located At<br />

Cuna De Allende #11<br />

San Miguel Allende, GTO.<br />

Mexico 37700<br />

415.101.2875<br />

and<br />

The PHiX Gallery<br />

1113 Grand Ave.<br />

Phoenix, AZ<br />

I was born in Pennsylvania and spent a<br />

good part <strong>of</strong> childhood in rolling green hills and<br />

forests. Having lived in Arizona for over 20 years now, I’ve developed a<br />

deep appreciation for the desert, it’s ecology, flora and fauna, and it’s<br />

subtleties. For an artist, the desert is an unending source <strong>of</strong> inspiration.<br />

I’m a printmaker, painter, and book artist. My prints reflect<br />

current events, political drama, and stories. Painting, for me, is typically<br />

reserved for landscapes; terrestrial or human. Handmade artist books<br />

are my opportunity to combine both printmaking and painting with<br />

three-dimensional structure.<br />

Currently Exhibiting at:<br />

Vision Gallery, Chandler, Arizona<br />

Recent Exhibits:<br />

Chandler Center for the <strong>Art</strong>s, “Urban Life: Prints”<br />

@Central Gallery, “Night Visions” Burton Barr Library, Phoenix, AZ<br />

Shemner <strong>Art</strong> Center, “Prints” and “Home Show”<br />

Herberger Performing <strong>Art</strong>s Center, Gallery, “Summer Delights”<br />

Arizona Museum for Youth, “Bow Wow”


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 2<br />

Geary Bush<br />

19028 N 73rd Drive<br />

<strong>Glendale</strong>, AZ 85308<br />

Www.GearyBush.com<br />

Biography<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 5<br />

Biography<br />

John Kimball Westbrook<br />

910 W Broadway<br />

Mesa, AZ 85210<br />

Mymoon1211@msn.com<br />

Born 1937 in Toledo, Ohio, Geary<br />

studied art and sculpture at The Ohio State University, getting his Doctor’s<br />

degree in 1963. Geary practiced Dentistry in El Paso for thirty years.<br />

During his early period, he concentrated on oil painting. He later<br />

experimented with acrylics, but in the last several years, has returned to<br />

his first love <strong>of</strong> oil. Geary’s unique styling has been dubbed “GeoDeco” by<br />

his most ardent devotees. His blend <strong>of</strong> vibrant color with early 20th century<br />

themes and techno illusions sets his work apart as truly unique and/<br />

imaginary. Geary resides in <strong>Glendale</strong> and currently enjoys<br />

creating special commissions and a Geo Deco calendar to be released in<br />

2006.<br />

John Kimball Westbrook, born May 5th, 1959 in<br />

Mesa, Arizona. Kim was raised in the oldest<br />

pioneer settlement in the Arizona Territory. His<br />

ancestors came to the west in 1847. With this background, he has<br />

developed a deep love for the southwest and Native American culture.<br />

Kim earned nine national awards for his work during his high<br />

school years. He studied two years at Phoenix Union Commercial <strong>Art</strong><br />

School and had a scholarship to study art at the college level.<br />

Kim served on the staff <strong>of</strong> the Mesa Community College in the<br />

<strong>Art</strong> Department and taught art classes for Mesa Parks and Recreation.<br />

He has worked and studied in Arizona, Oregon, Vancouver,<br />

Canada and Washington, D.C.<br />

Kim is accomplished in figure study, portraits and stone carving.<br />

He currently resides in Mesa with his wife and family.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 4<br />

G. John Vakaleris<br />

28543 N Opal Drive<br />

Queen Creek, AZ 85243<br />

Gvakaleris@aol.com<br />

Biography<br />

J. Vak Studio<br />

John Vakaleris (J. Vak) studied at the Columbus College <strong>of</strong> <strong>Art</strong><br />

and Design (CCAD) where he graduated in 1986 with a B.F.A. in<br />

Illustration.<br />

J. Vak is well known for his portrait work, having studied under<br />

Daniel Greene, one <strong>of</strong> America’s leading portrait painters as well as Jack<br />

Richards (Portrait and Figure). While in Ohio, J. Vak was maintaining a<br />

portrait studio at the Athena group <strong>of</strong> Fine <strong>Art</strong> and Design in Powell, Ohio.<br />

His portraits <strong>of</strong> Presidents George Bush (senior) and Bill Clinton were sent<br />

to the White House as gifts and were very well received. He has also<br />

painted portraits <strong>of</strong> many other prominent figures. In addition he paints<br />

colorful portraits <strong>of</strong> children on a commission basis as well as his own 5<br />

children.<br />

J. Vak was born in 1957 <strong>of</strong> Greek parents. Since childhood, his<br />

frequent Greek islands trips have greatly inspired many <strong>of</strong> his paintings.<br />

In the summer <strong>of</strong> 1996, yearning for the sunny Mediterranean<br />

climate <strong>of</strong> Greece, J. Vak left the cold depressing winters <strong>of</strong> Ohio with his<br />

family and headed for California where the beautiful water, mountains,<br />

and sun inspired him almost as much as his homeland. His work has<br />

been exhibited throughout California. More recently, J. Vak moved to<br />

Arizona where he has established residence. The slower pace <strong>of</strong> life as<br />

well as the friendliness <strong>of</strong> the people had much appeal for him, especially<br />

regarding his art. He currently shows art in Arizona during the winter<br />

months and continues to show art during the summer months in<br />

California.<br />

In his beautiful paintings, J. Vak brings to us a Mediterranean<br />

world, very Greek, full <strong>of</strong> sunlight and deep shadows, clear blue water,<br />

boats, primitive villages with cobblestone streets, open air cafes, and<br />

many other simple aspects <strong>of</strong> everyday life. Light, color, and detail are<br />

major concerns in most <strong>of</strong> these works.<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 3<br />

<strong>Art</strong>ist Statement<br />

Reno Carollo<br />

12598 E Bates Circle<br />

Aurora, CO 80014<br />

Abstract Figurative sculpture is the process <strong>of</strong><br />

working with the human figure, pushing, pulling, and<br />

redesigning the space the figure occupies; leaving intact, the essence <strong>of</strong><br />

what the figure is!<br />

I am also interested in relationships between human beings, as I<br />

believe they are the most challenging processes in which we participate!<br />

Keeping your “individual self” yet being a part <strong>of</strong> the “us” in a relationship<br />

and remaining balanced is no small task. In my sculptures I select<br />

moments in relationships that depict the “us” and define each individual.<br />

My sculptures revels moments, when each <strong>of</strong> us individually takes the<br />

time to give to the needs <strong>of</strong> the other yet we are each autonomous. I am<br />

constantly designing and building work that projects these universal<br />

experiences.<br />

A client <strong>of</strong> mine once shared a poem with me that expresses this<br />

body <strong>of</strong> work very eloquently, ”We enter this world alone, We leave this<br />

world alone, Life here, is meant to be shared!”<br />

Sculpture and goldsmith Reno Carollo has spent his entire life<br />

living and creating his art in Colorado. When he was a child, his parents<br />

instilled in him a love <strong>of</strong> learning and adventure that he maintains to this<br />

day. As a young boy, Reno traveled the world with his family, visiting<br />

Europe, Asia, North Africa, Mexico and Central America.<br />

While a student at University <strong>of</strong> Northern Colorado he<br />

participated in an exchange program that took him to Florence, Italy and<br />

the Academy <strong>of</strong> Fine <strong>Art</strong>s. It was there that he discovered his passion and<br />

gift for carving stone.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 4<br />

Pamela S. Creamer<br />

924 E Westcott Drive<br />

Phoenix, AZ 85024<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 3<br />

Charles Taube<br />

17641 N 33rd Lane<br />

Phoenix, AZ 85053<br />

Biography<br />

Born in Wichita, Kansas, she began as a small child being<br />

nurtured by her mother to draw and paint. Living all over the US and<br />

Canada while her father served in the Army provided Pamela with<br />

exposure to many different environments. Pamela spent much time in<br />

both Wichita on her Grandparents cattle ranch as well as the coast <strong>of</strong><br />

Maine with other Grandparents where much <strong>of</strong> her childhood was spent<br />

fishing and camping. The Maine wilderness always provided a wide array<br />

<strong>of</strong> nature to enjoy. It’s with her collection <strong>of</strong> memories that she was<br />

drawn to paint what seems to come naturally to her, nature and wildlife in<br />

all <strong>of</strong> it’s beauty.<br />

Her studies in college lead her to a BFA in oil painting. A very<br />

successful career as a mural painter was her next step. From 1994 to<br />

the present Pamela’s work can be seen in mostly private residences and<br />

select corporate environments. Taking her journey another step further in<br />

2003, Pamela traveled to Arizona to work for a client and was truly<br />

captivated with the desert and its wildlife. Creating images on canvas has<br />

provided Pamela with an outlet for her passion for nature that she has<br />

had all <strong>of</strong> her life. She expresses her love <strong>of</strong> nature and her talent in<br />

design by painting primarily life-size images in both natural settings and<br />

with colorful backgrounds.<br />

Pamela currently divides her time between Maine and Arizona.<br />

“After all <strong>of</strong> these years I feel I have truly found the outlet for my passion<br />

by painting nature and its inhabitants in all <strong>of</strong> their beauty.”<br />

Biography<br />

Envisions by: Taube<br />

After 28 years as a pr<strong>of</strong>essional carpenter and owning a<br />

successful business building entry doors and gates for custom homes,<br />

Charles’s life took an interesting turn. In 1996 as one <strong>of</strong> the founding<br />

members <strong>of</strong> “Southwest Woodies” (an antique car club dedicated to the<br />

preservation <strong>of</strong> the “Woodie Automobile”), Charles created his first<br />

hardwood sculpture given as an award to their show winner.<br />

In August <strong>of</strong> 1997, Charles suffered a serious accident affecting<br />

the use <strong>of</strong> his left hand and arm. Three operations and hours <strong>of</strong> physical<br />

therapy left him with the loss <strong>of</strong> 70% use <strong>of</strong> his left hand. However, while<br />

searching for some meaning <strong>of</strong> the life he had before the accident, with<br />

his right hand, Charles created a second sculpture. Many more followed.<br />

A negative comment from a loved one also pushed him to<br />

pursue his dream. Those who didn’t believe in him now are proud and<br />

represent him at many <strong>of</strong> his shows. He now has over 80% <strong>of</strong> the use<br />

back in his left hand simply from forcing himself to use it over and over in<br />

his sculptures.<br />

Self-taught, Charles’ contemporary free-flowing hardwood<br />

sculptures are uniquely individual in themselves. Each sculpture<br />

composes distinction in one or more various hardwoods. He carefully<br />

selects kiln-dried hardwood with special grain patterns and color. He<br />

cuts, laminates, and shapes each created form smooth, applies several<br />

layers <strong>of</strong> clear finish, color-sands the finish, then polishes the sculpture.<br />

He signs, dates, applies felt to the base and the sculpture begins to “sing”<br />

in its completion <strong>of</strong> movement, form and natural color.<br />

“I envision each sculpture, bring it to life and my spirit is set<br />

free”


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 2<br />

Peggy Pettigrew Stewart<br />

5830 E Cielo Run South<br />

Cave Creek, AZ 85331<br />

GlasshopperAz@aol.com<br />

Biography<br />

Desert Glasshopper Studio<br />

Peggy was born and raised in the San Francisco Bay Area<br />

(Pleasanton). In junior high school she began beading, making jewelry<br />

and using looms. In high school she learned Lost Wax jewelry casting,<br />

lapidary skills, metalsmith skills, and leather tooling. Her first gallery show<br />

was at age 16. The show was held in Mission San Jose, at the Historic<br />

Mission.<br />

While still in high school, she found a love <strong>of</strong> photography and<br />

cinematography. One memorable project was a film documentary about<br />

an Alternative High School for At Risk teens. Peggy married and moved<br />

with her husband moved to Colorado. There she worked in a commercial<br />

cinematography lab. Her next endeavor was photographing motorcycle<br />

races throughout Colorado, Kansas, Wyoming, South Dakota, and Texas.<br />

After moving to Arizona, she worked as a free lance photographer for<br />

Cycle News Magazine (a national <strong>pub</strong>lication)<br />

A few years ago, she enrolled in a glass lampworking class<br />

(hoping to make glass beads). Finding it frustrating, She has routinely said<br />

that she couldn’t make a glass bead to save her life. Later she took a<br />

glass fusing class, and fell madly in love with fusing. Local classes were<br />

rare, so she sought out classes taught by the top glass artists and<br />

instructors around the country..<br />

Last summer Peggy studied at Pilchuck International Glass<br />

School (the facility created by Dale Chihuly) in Washington. Also last<br />

summer, she traveled to Barcelona Spain, and participated in an<br />

intensive study program with Philippa Beveridge and Rene Culler.<br />

She has studied with many <strong>of</strong> the top glass artists around the globe.<br />

She has become one <strong>of</strong> the most “in demand” instructors in the<br />

world <strong>of</strong> glass art. She conducts workshops at Desert GlassHopper Studio<br />

in Carefree & Scottsdale. Currently her work is held in many private and<br />

<strong>pub</strong>lic collections around the world. Her glasswork has been <strong>pub</strong>lished in<br />

many national and international <strong>pub</strong>lications – and has graced the cover<br />

<strong>of</strong> several <strong>of</strong> these. Her work is exhibited in many top galleries in the<br />

United States. Currently her gallery & workshop studio is located in the<br />

beautiful Carefree Resort & Villas in Carefree Arizona.<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 5<br />

Biography<br />

Keith Dagley<br />

888 E. 2850 N<br />

Odgen, UT<br />

Http://keithdagley.tripod.com<br />

Keith A. Dagley received a Bachelor <strong>of</strong> <strong>Art</strong>s Degree at Utah State<br />

University and taught art for 33 years. He currently produces art work full<br />

time. Most recently, Keith was featured at the 2005 & 2006 Celebration<br />

<strong>of</strong> Fine <strong>Art</strong>s in Scottsdale, George Phippen Museum’s 31st Annual<br />

Western <strong>Art</strong> Show, Prescott, Logan (Utah) Summerfest 2005, Annual<br />

Invitational Traces <strong>of</strong> the West Show, Utah 2005, Invitational Festival <strong>of</strong><br />

the American West, Utah 2005, and Odgen (Utah) <strong>Art</strong>s Festival 2005.<br />

Keith was presented Best <strong>of</strong> Show at Roy Utah Heritage<br />

Foundation Show 2005;<br />

A versatile artist working primarily in oil, Keith uses both brush<br />

and knife techniques. He also works in pastel graphite and prisma pencil,<br />

and is <strong>of</strong>ten inspired by his own experiences. A love <strong>of</strong> family, horses and<br />

ranch life, wildlife, Native Americans and their culture, both past and<br />

present, provides a wide range in the body <strong>of</strong> his work.<br />

“Recording life, whether wild, domestic, present or historical,<br />

through my artwork fulfills a great need that I have. Capturing the<br />

personality <strong>of</strong> each animal, person, or event and sharing these<br />

experiences is the principle behind my painting,” says Keith Dagley.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 6<br />

Carlos Estevez<br />

2892 Hwy 71 Bldg 2<br />

Cedar Creek, TX 78612<br />

Www.EstevezCreations.com<br />

Sculptor<br />

Carlos Estevez was born in 1947<br />

in Colombia, South America. He<br />

moved to America in 1969, arriving in New York, and became an<br />

American Citizen in 1986. Carlos’ his wife Minerva, and there three<br />

children, Uzziel, Carla, and Raquel call Austin Texas home.<br />

Carlos work in many different jobs at the sane time he<br />

attended school. In 1977 after four years <strong>of</strong> engineering studies at the<br />

Queens College he moved to Texas. In Houston he worked as a draftsman<br />

and civil engineering designer, with the same company for 12 years.<br />

At an early age his natural talents give him the opportunity to<br />

win many art contests. And always find the time to do paintings and<br />

drawings for which he always had buyers. His affection for art led him to<br />

studied, oils and acrylics at the Glassell School <strong>of</strong> <strong>Art</strong> in Houston, and clay<br />

modeling and mold making in Austin at the Elisabet Ney Museum.<br />

His involvement with art became stronger in 1987 when<br />

he co-founded “Creart US” dedicated to the sales <strong>of</strong> wildlife sculptures. In<br />

1997 Carlos and Minerva, establishes “Estevez Creations, Inc” Selling his<br />

work exclusively. His focus and passion for horses is appreciated by<br />

collectors in The USA, England, Germany, Spain, Mexico, South Arabia,<br />

Bahrain, Australia, Canada, and Japan.<br />

His execution displays the most phenomenal realism<br />

imaginable. It is so lifelike that it strikes a certain awe and passion in your<br />

heart just to look at it. You instantly see such fine details as the texture<br />

and directions <strong>of</strong> hair, prominent veins, and the bone, muscle, and<br />

tendon structure behind the surface. As <strong>of</strong> today the majority <strong>of</strong> his work<br />

is cast in polychrome marble, Each piece is<br />

hand painted differently in accordance with<br />

the colors and markings <strong>of</strong> the breed, making<br />

each sculpture <strong>of</strong> the limited edition<br />

one-<strong>of</strong>-a-kind which <strong>of</strong>fers the collector a<br />

unique work <strong>of</strong> art. By collectors request ,<br />

Carlos has begun casting his most resent<br />

work in bronze using patinas to add the color.<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 1<br />

Jerry Sieve<br />

PO Box 5654<br />

Carefree, AZ 85377<br />

Sievephoto@earthlink.net<br />

Biography<br />

Visit Galeria Del Valle Escondido<br />

Born<br />

October 6, 1949, Cincinnati, Ohio<br />

28 Years Expressing the The Grand Landscape with Oil Paintings and<br />

Photography.<br />

Pr<strong>of</strong>essional Experience<br />

28 years as a landscape artist—Over 2,000 images <strong>pub</strong>lished worldwide<br />

Collections<br />

President Bill Clinton, Senator John McCain, Governor Bruce Babbitt, Numerous<br />

other individual and corporate collection<br />

Books<br />

America’s Southwest, 1985, Ohio: Images <strong>of</strong> Nature, 1990,<br />

Arizona Wilderness, 1998, Along the Arizona Trail, 1999, Arizona Trail<br />

Guidebook, 2005<br />

Partial List <strong>of</strong> Publications<br />

Arizona Highways Magazine, National Wildlife Federation, National Geographic<br />

and over 20 others<br />

Calendars (one man)<br />

Black and White (Jerry Sieve) 1988, Ohio: Images <strong>of</strong> Nature, 1990-1996<br />

Workshops<br />

Over 40 workshops in areas all cross the nation<br />

<strong>Art</strong>ist in Resident<br />

Fountain Hills High School<br />

Shows/Exhibitions<br />

<strong>Glendale</strong> Community College, 1978, Mesa Fine <strong>Art</strong>s Center, 1981, Valley<br />

National Bank, 1983, Desert Botanical Gardens, 1985, Cincinnati Nature<br />

Center, 1990, Cave Creek <strong>Art</strong> Studio, 1990, Cactus Shadows Fine <strong>Art</strong><br />

Center, 1998, Phoenix History Museum, 2005 Galleries—Picture Perfect<br />

Gallery, Main St. Scottsdale 1985-1988, Tate Gallery, Sedona 1991-<br />

1994, Cincinnati Nature Center 1988-1990, Juniper Sky Gallery, Utah<br />

2004-present, Zion Canyon Gallery 2003-present<br />

Awards<br />

60 Years <strong>of</strong> Arizona Highways Award, National Wildlife Federation<br />

Calendar Award


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 0<br />

Stephanie Saint-Thomas<br />

3930 S 3030 East<br />

Salt Lake <strong>City</strong>, UT 84124<br />

Www.saintthomasart.com<br />

Biography<br />

Stephanie was born in Madrid, Spain, in 1961<br />

to artist parents whose devotion to the arts has<br />

helped her become the accomplished artist she is today. Her early<br />

childhood was spent in Paris, where visits to the Louvre influenced her<br />

early watercolors. Her adolescence was spent in the idyllic hamlet <strong>of</strong><br />

Valkenbury, Holland, where she was surrounded by music, poetry, and art,<br />

and there developed her great appreciation <strong>of</strong> nature.<br />

Stephanie and her parents moved to Salt Lake <strong>City</strong> in 1975.<br />

While she attended the University <strong>of</strong> Utah on a theatre scholarship, the<br />

demand for her hand-painted jewelry increased, and she soon devoted<br />

herself exclusively to creating her whimsical jewelry line that was carried<br />

by Saks Fifty Avenue. She also began receiving commissions from interior<br />

designers for her hand-painted tables and wall-sized mirrors.<br />

Stephanie is now creating a collection <strong>of</strong> large-scale acrylic<br />

landscapes. Her <strong>of</strong>ten mystical and expressionistic renderings <strong>of</strong> land<br />

and sea reflect the beauty, mystery, and enchantment that she sees in all<br />

<strong>of</strong> life.<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 7<br />

Made in the Shade<br />

Kaleidoscopes<br />

Steve Failows<br />

4801 Westland Rd<br />

Cave Creek, AZ 85331<br />

Www.scopesmadeintheshade.com<br />

By 1980, after having spent many years in the<br />

employ <strong>of</strong> the US Postal Service on Long Island<br />

New York, I felt I was not manifesting my<br />

creative abilities in my life (which were inspired and helped along by my<br />

beloved and eccentric Aunt Jeann) so rather than risk “going postal” as<br />

was a frequent consequence at the time, I devoted myself in earnest to<br />

my artistic pursuits. I experienced some success with my custom stained<br />

glass and glass etching and soon realized that I could support myself<br />

doing something I love to do. There is no greater satisfaction in life (in my<br />

opinion) than doing what you really enjoy. And soon after I began my artistic<br />

journey, I realized that I had it “made in the shade”, hence the name<br />

<strong>of</strong> my business.<br />

In the ensuing years, I owned and operated numerous storefront<br />

studios where I taught my craft to countless students. All are<br />

enlightening, humbling and educational. I made my first mesmerizing<br />

kaleidoscope in 1984, and after a hundred more, decided I needed a<br />

change in scenery. In 1993, I fed the snow <strong>of</strong> New York to the sunshine<br />

<strong>of</strong> Arizona and transitioned my creative efforts into making unique, and I<br />

hope fascinating, kaleidoscopes as my full time pr<strong>of</strong>ession.<br />

My goal is to make these kaleidoscopes mirrored tubes <strong>of</strong> magic<br />

irresistible to children and adults alike. If I can come close to my goal and<br />

provide you with some enjoyment from my creations, then I consider<br />

myself to be a lucky man. I enjoy making a broad range <strong>of</strong> different<br />

kaleidoscopes from small hand held ones (eight inches long) to much<br />

larger floor models (up to 25” long). I use a wide variety <strong>of</strong> fine materials<br />

for my kaleidoscopes including stained glass wood, brass and ceramics. I<br />

make the pedestals from unique manzanita wood burls, stone, fossils and<br />

crystal formations. I travel to and display my art at shows and exhibits<br />

throughout the country. I hope you have the opportunity to experience<br />

the visual magic <strong>of</strong> my kaleidoscopes and can find some inspiration in<br />

them for yourselves. Then I will really have it “Made in the Shade”.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 8<br />

Graydon Foulger<br />

365 Clark Street<br />

Murry, UT 84107<br />

Painter, Sculptor &<br />

Painting Instructor<br />

The artist states, ”I love to paint. I try<br />

to do so forthrightly in order to make my<br />

response to the subject matter as honest and interesting as possible. My<br />

objective is to paint with good design, interesting shapes, good value<br />

readability and exciting color.”<br />

A native <strong>of</strong> Salt Lake <strong>City</strong>, Utah, he studied art at Utah State<br />

University, The University <strong>of</strong> Utah and Brigham Young University and<br />

concurrently taught classes at Brigham Young University . Graydon was<br />

also an art student with the European <strong>Art</strong> Academy in Europe in 1966,<br />

studying in the many museums, art galleries and studios throughout<br />

Europe.<br />

Graydon’s works can be found in many private and <strong>pub</strong>lic<br />

collections and have shown in numerous art shows and exhibits, some <strong>of</strong><br />

which have given him special recognition. He has also received private<br />

and <strong>pub</strong>lic commissions including an historical scene for the permanent<br />

collection <strong>of</strong> the <strong>City</strong> <strong>of</strong> South Salt Lake, which was used in conjunction<br />

with their 50th year celebration.<br />

<strong>Art</strong>ists are magicians <strong>of</strong> a sort, conjuring the essential beauty <strong>of</strong><br />

a subject then capturing that beauty with pigment and brush through<br />

some painterly sleight <strong>of</strong> hand.<br />

Like all good magicians—and artists—Graydon Foulger conjures<br />

magic and beauty from the most ordinary subjects: a simple vase <strong>of</strong><br />

flowers, a quiet landscape. And like all true talents, he is able to work his<br />

genius regardless <strong>of</strong> time and place. “I love painting ‘en plein air’,<br />

choosing my subjects spontaneously,” says Graydon, who moves<br />

effortlessly from still life to urban material to the continuing delight <strong>of</strong><br />

collectors.<br />

Graydon devotes his time completely to art. The result is truly<br />

nothing less than wondrous, as this self described traditionalistimpressionist<br />

grows more adept with his delightful brand <strong>of</strong> magic each<br />

year. “<strong>Art</strong> is a progressive path,” he notes. “And you only have a short<br />

time to catch the moment before the light changes.” Graydon, the<br />

magician and the artist, catches those moments for us all.<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 9<br />

Biography<br />

Gregory Reade<br />

5580 LaJolla Blvd. #504<br />

LaJolla, CA 92037<br />

Www.gregoryreade.com<br />

Gregory Reade has been creating<br />

as an artist and sculptor since 1982. His early work included decorative<br />

masks, special effects makeup and animation models for short films.<br />

A brief stint in movie production and special effects spurred his interest<br />

in sculpture. Further inspired by travel to Paris, Florence and New<br />

York, Reade left a computer industry career to devote all <strong>of</strong> his time to<br />

sculpting.<br />

Extensively self-taught, Reade, a Scottsdale native, started<br />

studying figure sculpture close to home in La Jolla and San Diego,<br />

California. Most recently he has attended workshops at the Scottsdale<br />

<strong>Art</strong>ist’s School in Arizona. The intensive training provided by leading<br />

artists at these workshops has quickly enhanced Reade’s skills to higher<br />

levels <strong>of</strong> excellence.<br />

Reade now specializes in contemporary figurative sculpture in<br />

bronze. The permanence and natural beauty <strong>of</strong> bronze makes it the ideal<br />

medium for his three-dimensional work. Reade's sharp eye and sly humor<br />

are keenly wrought in this expressive material, as both single and multiple<br />

figure compositions. The more complex pieces allow for the direct<br />

expression <strong>of</strong> relationships between the subjects, a result that can only<br />

be implied by solitary figures.<br />

The thrill <strong>of</strong> expressing thoughts and<br />

emotions through the human figure is central<br />

to Reade's sculpture. Reade continues<br />

to create his sculpture at an accelerated<br />

pace, further energized by the successful<br />

completion <strong>of</strong> each project, and the growing<br />

recognition <strong>of</strong> a "G. Reade" work. He looks<br />

forward to the audience reaction to his<br />

compositions, and to the ideas they express.<br />

Gregory Reade’s sculpture is regularly shown in juried exhibitions<br />

throughout the U.S. garnering Best Sculpture awards in Scottsdale,<br />

Hilton Head and Crested Butte. Private collections <strong>of</strong> Reade’s sculpture<br />

are located throughout the United States.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 8<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 9<br />

Jerry Portelli<br />

8427 E Chaparral Road<br />

Scottsdale, AZ 85250<br />

602-679-6199<br />

Born:<br />

January 29, 1967, Detroit, Michigan<br />

Education:<br />

Biography<br />

Arizona State University, Bachelors <strong>of</strong> Fine <strong>Art</strong>s, May 1993<br />

Individual Exhibition:<br />

Innocence <strong>of</strong> Youth 197 Grady Gammage Tempe, Arizona<br />

Group Exhibitions:<br />

“Arizona Room” 2003-2004 Mesa <strong>Art</strong>s Center Mesa, Arizona<br />

“The Portrait” 2004 ReZurrection Gallery Tempe, Arizona<br />

“Benefit for West Memphis Three” 2004 Perihelion <strong>Art</strong>s & Trunk Space,<br />

Phoenix, Arizona<br />

“Photo Melange” 2004 ReZurrection Gallery Tempe, Arizona<br />

<strong>Art</strong> Detour 2002-2003-2004 Mystery Gallery Phoenix, Arizona<br />

2Kaotik Guerilla <strong>Art</strong> Gallery Jan-Dec 2004 Phoenix, Arizona<br />

“Feed the Body, Feed the Soul” Fitton Center for the Creative <strong>Art</strong>s<br />

Hamilton Ohio 2001—Juror’s Choice Gallery, 1999- Honorable Mention<br />

1998-2nd Place<br />

“Light Sensitive” 1998 Mesa <strong>Art</strong>s Center Mesa, Arizona<br />

“Solarlobotomy”, “Mission to Mars” 1998 M.A.R.S. <strong>Art</strong>space Phoenix, AZ<br />

“Photo-Extreme” 1998 Prescott Fine <strong>Art</strong>s Assn Prescott, AZ (1st Place)<br />

M.A.R.S. Annual Blu-Lite Invitational 1997 M.A.R.S. <strong>Art</strong>space Phoenix, AZ<br />

<strong>Art</strong>lik, Inc.’s 1st Annual Juried Exhibition 1997 Hotel San Carlos Phoenix<br />

“La Phoeniquera XVII” 1997 M.A.R.S. <strong>Art</strong>space Phoenix, AZ<br />

“Photowork 96” 1996 Barrett House Galleries Poughkeepsie, NY<br />

Traveling Exhibitions:<br />

AZ Commission on the <strong>Art</strong>s 2000-2002 Traveling Exhibitions Program<br />

“Light Sensitive”<br />

Mesa <strong>Art</strong>s Center, Mesa, Arizona<br />

Biography<br />

Carol Ruff Franza<br />

Www.carolrufffranza.com<br />

A bit <strong>of</strong> the south lingers in the speech <strong>of</strong> Carol Ruff Franza; she<br />

was born in New Orleans and reared in southern states.<br />

Her art education began at Ringling School <strong>of</strong> <strong>Art</strong> in Sarasota,<br />

Florida. Carol continued her studies at The Atlanta School <strong>of</strong> <strong>Art</strong>,<br />

Callanwolde and Spruill Center for the <strong>Art</strong>s.<br />

In adulthood, Carol has lived in New York, Virginia, California,<br />

Georgia, Illinois, Arizona and Washington, before returning to Scottsdale,<br />

AZ. She has been exposed to many forms <strong>of</strong> art through her travels<br />

abroad.<br />

Early on Carol fell in love with sculpting. She studied sculpture at<br />

the Scottsdale <strong>Art</strong>ist School in Arizona, the Loveland Academy in<br />

Colorado, and Monterey, California. She studied portrait, figure, bas relief,<br />

equine, bird and animal sculpting with many fine masters.<br />

Relocation to Bainbridge Island, Washington brought the<br />

opportunity to participate in Bainbridge Island <strong>Art</strong> Walks. This was a<br />

tremendous success for Carol.<br />

In 2004, Carol was commissioned by Desert Mountain High<br />

School in Scottsdale, Arizona to sculpt a full-size wolf, the school's<br />

mascot, that will mark the tenth anniversary <strong>of</strong> the school's opening.<br />

The sculptor now resides in Scottsdale where she continues her work,<br />

creating classical bronze sculptures and terra cotta forms filled with<br />

energy, grace, and spirit.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 0<br />

John Gleason<br />

371 N Carriage Lane<br />

Chandler, AZ 85224<br />

www.Quantum<strong>Art</strong>Inc.com.<br />

Copper “A common metallic element that<br />

is ductile and malleable…”<br />

John L. Gleason is a nationally known sculptor<br />

whose vibrant spirit and generous nature extend<br />

into his creative state. He does not shy away from issues in life or in his<br />

art. John believes the function <strong>of</strong> art is to encourage thought—from the<br />

artist as well as from the viewer.<br />

As the artist, he feels it is important to search out challenges in<br />

creativity and composition. He expects his work to feel fresh and be<br />

fascinating to its viewer. In our chaotic world, his sculptural works in<br />

copper and other metals seem to evoke feelings <strong>of</strong> comfort.<br />

For the art spectator, John thinks art should describe the<br />

concerns, passions, and intentions <strong>of</strong> our culture—from pleasure to<br />

artistic freedoms to social awareness. “I have developed my skills with<br />

metals, my intrigue for contemporary composition, and my passion for<br />

changing the Earth’s elements into art. <strong>Art</strong> is not just something I want to<br />

do, it is something I MUST do…I have been pulled in art’s direction since I<br />

was small. Today I find that while my energy for creating is obsessive, it is<br />

also centered…my art is fulfilling…I hope you will find it satisfying, too.”<br />

Through the process <strong>of</strong> heating established metal compounds, John<br />

creates diverse sculptures with 20 th century technology such as solder,<br />

oxygen acetylene torches, and MIG welding. John works in copper as well<br />

as other tactile materials such as canvas, ceramics and glass.<br />

John is the owner <strong>of</strong> Quan’tum <strong>Art</strong>, Inc.—a Phoenix/Chandler<br />

based company specializing in fine art and commissioned work. QAI<br />

ships art worldwide and conducts open studio tours for groups like the<br />

Scottsdale Museum <strong>of</strong> Contemporary <strong>Art</strong>, Adventures in <strong>Art</strong>, various<br />

design groups, and also various non-pr<strong>of</strong>it groups. He has several <strong>pub</strong>lic<br />

art commissions in Chandler, Arizona. Among other exhibitions his work<br />

has been featured in solo and group shows at the Chandler (AZ) Center<br />

for the <strong>Art</strong>s and at Western International University. John’s artwork is<br />

collected by <strong>pub</strong>lic, corporate, and private art patrons and can be seen in<br />

collections across the nation. He is represented by Quan’tum <strong>Art</strong>, Inc.,<br />

and By Work <strong>of</strong> Mouth Gallery, Scottsdale, AZ. His work can also be seen<br />

on the web at www.Quantum<strong>Art</strong>Inc.com.<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 7<br />

Biography<br />

Narciso Piu<br />

3019 w Walden Drive<br />

Anthem, AZ 85086<br />

623-879-3213<br />

A tribute to Native Americans everywhere—people<br />

vibrant with color, brimming with integrity, and full <strong>of</strong> character.<br />

This collection blends color, shape, form, character portrayal,<br />

soul, personality, and gratitude; with a stylized interpretation <strong>of</strong> Italian<br />

Impressionism.<br />

He utilizes more-than-life colors to depict the vibrant Native<br />

American people. In addition, he places color where there’s usually none’<br />

to build a third dimension in each painting.<br />

Narciso began drawing the hills and valleys <strong>of</strong> the Italian town<br />

where he grew up. He studied at the “Instituto Statale D’<strong>Art</strong>e” in Italy, and<br />

later at the school <strong>of</strong> Visual <strong>Art</strong>s in Manhattan, New York.<br />

When Narciso was 25, he became a United States citizen and<br />

was quickly discovered by Manhattan-based Metro Graphics; a leading<br />

newspaper advertising firm. He was later named “Feaure Illustrator” and<br />

was one <strong>of</strong> the most <strong>pub</strong>lished newspaper artists in the country. He now<br />

resides in Anthem, Arizona.<br />

Narciso was awarded Ribbon <strong>of</strong> Excellence at the Anthem<br />

Festival <strong>of</strong> Fine <strong>Art</strong>s 2006 for his oil on canvas.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 6<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 1<br />

Ken Newman<br />

2928 Hwy 71<br />

Cambridge, ID 83610<br />

Www.natureartists.com/ewmank.htm<br />

<strong>Art</strong>ist &<br />

Musician<br />

Greg Hale<br />

11368 W Locust Lane<br />

Avondale, AZ 85323<br />

Www.greghalemusic.com<br />

Biography<br />

Whether sculpting from a single raw form<br />

<strong>of</strong> wood or with clay, my goal is to create a respect for nature and man.<br />

Using a process that involves technique, craftsmanship and design<br />

combined with thought, beauty and emotion, I strive to create unique<br />

sculptures.<br />

Inspired by my travels and varied experiences, my sculptures are<br />

a reflection <strong>of</strong> personal and societal interpretations <strong>of</strong> nature and man’s<br />

interaction within the environment. As man becomes distanced from the<br />

natural world, I hope to capture a unique view <strong>of</strong> nature, where personal<br />

discovery becomes a focal point.<br />

Traveling and researching extensively in remote as well as with<br />

urban cities, my sculptural ideas are based on a foundation <strong>of</strong> abstract<br />

designs, complex compositions and story lines. Driven by my pure love<br />

and appreciation for wood and wildlife I suppose is the challenge that<br />

drives me on the path <strong>of</strong> a sculptor.<br />

PERSPECTIVE ON THE ARTIST<br />

More than 40 years <strong>of</strong> outdoor experience serves as the<br />

inspiration for wildlife artist Ken Newman. An avid outdoorsman,<br />

Newman grew up along California’s Redwood Coast, where at an early<br />

age he developed an awareness <strong>of</strong> nature and a passion for wood.<br />

Although each <strong>of</strong> Newman’s wood and bronze sculptures<br />

captures the essence <strong>of</strong> its subject, they express his reaction to<br />

conditions, forces or people in society. In Ken’s sculptures, there is always<br />

more than just a beautiful figure <strong>of</strong> wildlife—the composition and finish—<br />

all direct the viewer’s eyes and mind to a broader perception <strong>of</strong> nature.<br />

Greg Hale is both a masterfully accomplished painter<br />

and an extraordinarily gifted musician and composer.<br />

With a seemingly endless flow <strong>of</strong> energy and inspiration, he revels in the<br />

creative process, and the images and sounds that emanate from his work<br />

are suffused with both a potent life force and a deeply ingrained spirituality.<br />

As meaningful as the fruits <strong>of</strong> Hale's artistic endeavors - which are<br />

so elegantly showcased on One Mind-- is the uplifting philosophy that drives<br />

his vision, both creatively and in his personal sphere. Hale is deeply<br />

committed to putting forth a consistently positive message in tandem with<br />

his art, stressing core values <strong>of</strong> integrity, family, loyalty, forthrightness, and<br />

the aim to always "Do what's right. That may not be the easiest thing in the<br />

short term," says Greg, "but there's a balance that occurs, metaphysically,<br />

when you do the right thing, and ultimately you have to trust the universe<br />

for you. I've learned," he continues, "that yesterday ended last night. No<br />

matter what the situation, you need to find a way to move forward and let<br />

the life force flow through you, or else you can't be true to who you are.<br />

"During meditation," explains Hale, "I <strong>of</strong>ten experience my<br />

paintings as if they already exist…I gain glimpses <strong>of</strong> forms, shapes, colors,<br />

and the 'feeling' <strong>of</strong> a particular piece. My intention is to raise consciousness<br />

through expressing these images."<br />

Hale's new work fluently emerged in a dynamic, modernistic style,<br />

incorporating elements <strong>of</strong> cubism, abstract expressionism and<br />

surrealism among the tools in its visual vocabulary. Executed with a<br />

luminous palette, magnificently rendered detail and mature painterly<br />

technique, Greg's canvases both shimmer with the pure beauty <strong>of</strong> their<br />

surface and resonate with the spiritual and metaphysical messages that<br />

inspired their creation.<br />

"Ever since I was in college," says Hale, "I felt that music and art<br />

can co-exist in the same space, with synchronicity. Then, I couldn't get to a<br />

point where I could actually conceive it. It's been cooking all this time." The<br />

paintings, he explains, are "Not an exact image <strong>of</strong> what the songs are about,<br />

but a starting point for people to see, and then go on from there."<br />

In fact, in Hale's creative process, it is unpredictable whether the picture…or<br />

the melody, comes first. synergy and enhanced levels <strong>of</strong> meaning they will<br />

lend each other. As Hale continues to pursue his multi-sensory life passions,<br />

he will do so always with an aim to elevate and uplift. "I think people<br />

will be receptive," he says. "We need that now."


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 2<br />

Paul Hawkins & Susan Zalindt<br />

PO Box 531<br />

Camp Verde, AZ 86322<br />

Www.alabaster.net<br />

Biography<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 5<br />

Biography<br />

Jane Nassano<br />

PO Box 7229<br />

Phoenix, AZ 85011-7229<br />

Jnassano@cox.net<br />

We are reviving a rare material<br />

and seldom used gemstone that<br />

conjures up images <strong>of</strong> King Tut and Renaissance sculpture. Alabaster.<br />

We have trekked over seven states to unearth a full plate,<br />

prospecting rare colored stone to create unique and functional forms.<br />

Because Alabaster has been little used in the last hundred<br />

years, traditional tooling was not adequate. New forms require new tools,<br />

and a system for working the stone had to be engineered. By marrying<br />

ancient carving techniques with space age tools a high degree <strong>of</strong><br />

spontaneity and delicacy with the material has been achieved.<br />

The creations reflect nature’s simple elegance—its shapes,<br />

flowers, rockscapes, colors, faces and figures. The functional formscontainers,<br />

bowls, and lamps invite personal involvement. The work is a<br />

celebration <strong>of</strong> the materials <strong>of</strong> the Earth. We combine Alabasters with<br />

other gemstones, rare fossils, mineral specimens, crystals and fine<br />

woods. The medium and the functional aspect <strong>of</strong> the work make this a<br />

most singular art form.<br />

Transforming raw stone into vessels <strong>of</strong> beauty is the creative<br />

process that engages most <strong>of</strong> our time. It is a dialogue between the<br />

maker and the piece. The stone speaks. When we listen and respond a<br />

harmony is created and we sing together. The resulting pieces speak for<br />

themselves—they have a life <strong>of</strong> their own.<br />

Selling and promoting the work is the completion <strong>of</strong> our process.<br />

Just as we have a dialogue with the stone so too do we have one with our<br />

patrons. There happens a trinity between the buyer, the maker, and the<br />

piece. The energy from that exchange is exhilarating and helps to initiate<br />

new beginnings.<br />

While recognized throughout the western United<br />

States for her vibrant pastel paintings, artist Jane Nassano is the best<br />

known for her diversity. Her large scale, s<strong>of</strong>t pastel florals, nudes and<br />

landscapes captivate her viewers and collectors.<br />

Jane Nassano holds a Bachelor’s Degree in Fine <strong>Art</strong>s from<br />

Arizona State University, with a specialization in Graphic Design and has<br />

completed her Post Graduate work at the <strong>Art</strong> Center College <strong>of</strong> Design in<br />

Pasadena, California.<br />

Nassano’s art and business experience is extensive, having<br />

founded and managed her own design firm in Orange County, California.<br />

Her background also includes a twenty-four month project in Barbados,<br />

West Indies, developing a neon design-production plant. As both founder<br />

and Senior Designer, Nassano integrated the disciplines <strong>of</strong> graphic<br />

design, fine art and technical acumen in her role.<br />

With the Arizona desert calling her back, Nassano’s return to<br />

Arizona in 1992 was accompanied by a shift in her career commitment to<br />

fine art, where she continues to be a working artist. Nassano has<br />

exhibited at sites in Canada, California, Colorado, Wyoming, Nevada, Utah<br />

and throughout Arizona. Currently she is represented by the Norby Gallery<br />

in Cave Creek, Arizona where she will be the featured artist for the month<br />

<strong>of</strong> February 2006, showing her latest series <strong>of</strong> nudes. She is also<br />

exhibiting this year at the prestigious Arizona Fine <strong>Art</strong> Expo in Scottsdale.<br />

Nassano accepts commissions for a wide range <strong>of</strong> subject<br />

matter. For more information visit www.janenassano.com.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 4<br />

Troy Moody<br />

1127 W 17th Street<br />

Tempe, AZ 85281<br />

Troymoody@yahoo.com<br />

Biography<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 3<br />

Pr<strong>of</strong>ile <strong>of</strong> a Painter<br />

Cindy W. Hill<br />

1455 Ocean Dr. #1104<br />

Miami Beach, FL 33139<br />

Cindyhillus@yahoo.com<br />

Troy Moody is a visual artist<br />

working in contemporary art glass.<br />

Although the traditional techniques<br />

he uses to create his art has<br />

changed very little in nearly 900<br />

years, his modern appreciation <strong>of</strong> design and line composition gives his<br />

work a fresh originality. As an artist Troy explores the use <strong>of</strong> translucent,<br />

transparent and opaque glass to create a subtle interplay <strong>of</strong> color, texture<br />

and visual pulsation. His art glass panels show intuitive color selection<br />

and a confidence in spontaneity.<br />

Troy Moody has been honored to study with some <strong>of</strong> the leading<br />

glass masters working in America today and continues to seek out<br />

opportunities to expand his glass repertoire. He has completed<br />

numerous commissioned installations for religious, commercial and<br />

private spaces in Arizona, New Hampshire, Massachusetts and Maine.<br />

Color, texture, narrative integrated<br />

with abstraction and all defining a unique<br />

sense <strong>of</strong> style and design meet the art <strong>of</strong><br />

Cindy Hill.<br />

Adamar Fine <strong>Art</strong>s in Miami chose to feature Ms. Hill in its recent<br />

Summer Showcase. Adamar is a leading, if not the leading gallery, in the<br />

culturally diverse and sophisticated South East.<br />

“Entertainments News and Views” appropriate featured Ms.<br />

Hill’s paintings in a recent issue. The painting featured was a<br />

silhouette <strong>of</strong> a mysterious man seated under an umbrella. A powerful<br />

image.<br />

Cindy is most generous with her work, having made multi-year<br />

contributions <strong>of</strong> her art to Victory School, a school for Autistic<br />

Children in Miami.<br />

Ms. Hill, a graduate <strong>of</strong> the School <strong>of</strong> <strong>Art</strong> Institute <strong>of</strong> Chicago,<br />

now resides and paints in South Beach.


S A HUA RO RAN C H F O UN D A T IO N &<br />

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S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 3<br />

Dan Hill<br />

9045 South 1300 East<br />

Sandy, Utah 84094<br />

Www.danhillsculpture.com<br />

Sculptor<br />

Dottie Mitchell<br />

12725 W Roanoke Avenue<br />

Avondale, AZ 85323<br />

Www.artzbiz.com<br />

The <strong>Art</strong> <strong>of</strong> People at Play aptly describes<br />

the bronze sculpture <strong>of</strong> Utah artist Dan L.<br />

Hill. His works capture the charm <strong>of</strong><br />

children on their own terms, the drama<br />

and energy <strong>of</strong> outdoor action activities, and the exquisite grace and<br />

beauty <strong>of</strong> the ballet. Dan’s sculpture specialty is undoubtedly children. He<br />

attempts to capture, in a realistic way, the fleeting expressions,<br />

uninhibited playfulness, and sense <strong>of</strong> wonder that children exhibit on a<br />

daily basis. Dan spends a great deal <strong>of</strong> time unobtrusively observing and<br />

photographing children in their natural environments before he begins<br />

work on a new sculpture. Once he decides on a particular composition, he<br />

works extensively with live models to capture the realism he hopes to<br />

convey with his sculpture.<br />

Dan’s talent for sculpting emerged accidentally when he created<br />

a small bust bearing a remarkable likeness <strong>of</strong> actor Lee Marvin while<br />

playing around with some children’s play dough. Dan began sculpting on<br />

a full-time basis in 1995 with remarkable results. His first life-size<br />

sculpture, the expressive little "Cowboys Don't Take Naps," won several<br />

awards and found its’ way into the permanent collections <strong>of</strong> the<br />

Springville, Utah <strong>Art</strong> Museum and the <strong>City</strong> <strong>of</strong> Loveland, Colorado. Since<br />

that time Dan has created an impressive collection <strong>of</strong> life-size bronze<br />

sculpture <strong>of</strong> children and he always has several new works in progress.<br />

His special talent for capturing expression and likenesses also keeps him<br />

busy with commission work. Dan’s work appears in <strong>pub</strong>lic and private<br />

collections throughout the country.<br />

Dan was born and raised in Salt Lake <strong>City</strong>, Utah. After<br />

graduating from San Diego State College in 1951, he served two years in<br />

the military. Dan was awarded the Bronze Star Medal for Meritorious<br />

Achievement in Ground Operations Against the Enemy. Dan married<br />

Helen Sheppard in 1955. Dan and Helen have three adult children and<br />

seven grandchildren. Dan's grandchildren are a favorite source <strong>of</strong><br />

inspiration for his sculpture.<br />

Dan’s sculpture studio is located at the Hill Gallery & Sculpture<br />

Park, Sandy, Utah. Dan’s entire collection <strong>of</strong> bronze sculpture is on<br />

display at the gallery, including numerous outdoor bronzes tastefully<br />

displayed among the beautiful perennial gardens, stone work, and<br />

waterfall <strong>of</strong> the Sculpture Park.<br />

Abstract Design, Photography,<br />

Water & Mixed Media<br />

Dottie studied art in college and rekindled her interest by taking<br />

a watercolor class with a friend in 1989.<br />

She believes that art is the appreciation <strong>of</strong> color, value and<br />

balance and how they work together to make an exciting painting or<br />

photograph.<br />

Dottie moved to Phoenix, Arizona, from Missouri in 1996. Soon<br />

after moving she started painting with new friends. She has studied with<br />

Dick Phillips, Annie Wu, Diane Maxey, Tanya and Pat Lambrecht and<br />

more.<br />

She is a member <strong>of</strong> <strong>Art</strong> League West, Phoenix <strong>Art</strong>ist Guild,<br />

Arizona <strong>Art</strong> Alliance, and West Valley <strong>Art</strong>s Council.<br />

Her work is displayed at the Arizona State Capitol and Palm<br />

Valley Rehab Center. Her most recent sales include the collection <strong>of</strong> Bob<br />

Serger. See her latest work at the Litchfield Park Festival <strong>of</strong> the <strong>Art</strong>s—<br />

Spring and Fall Shows.<br />

Dottie <strong>of</strong>fers custom painting in the form <strong>of</strong> acrylics, water<br />

media or mixed media on paper or canvas. She also <strong>of</strong>fers murals done in<br />

your home. She can custom paint in your decorating colors and work<br />

from the pictures you provide.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 2<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 5<br />

Sarah McAnerny<br />

Tre Sorelle Home Designs, Inc.<br />

3717 W Fetlock Trail<br />

Phoenix, AZ 85085<br />

www.tresorellehomedesigns.com<br />

Biography<br />

Biography<br />

Feng Jin<br />

Www.dreamcatcherarts.com<br />

Sarah McAnerny, is a co-owner and artist <strong>of</strong> Tre<br />

Sorelle Home Designs, Inc., a decorative arts firm that specializes in fine<br />

hand-painted artwork and home accessories for the sophisticated home.<br />

They <strong>of</strong>fer unique hand-painted tile murals, leather tapestries, furniture,<br />

children’s décor, wall hangings, accessories, and giftware.<br />

Sarah has studied and worked in the fine studio and decorative<br />

arts for over 12 years, with a degree from Grand Canyon University. Her<br />

companies have been featured several times in the Arizona Re<strong>pub</strong>lic and<br />

Channel 3’s “Good Evening Arizona.” She studied European gardens,<br />

architecture, and décor that surrounded her. She is also inspired by<br />

Asian and contemporary themes. Her style is colorful and whimsical,<br />

ranging from the dramatic to the ethereal. His favorite subject matters<br />

are gardens, and scenes from nature. A native <strong>of</strong> Phoenix, she loves to<br />

capture the cool and refreshing scenes <strong>of</strong> beautiful outdoor places and<br />

gardens to bring inside, a nice escape from the arid desert she knows so<br />

well.<br />

Sarah is married to a Phoenix Police Officer, and they just had their first<br />

child, son Robby, in September <strong>of</strong> 2005. They reside in North Phoenix.<br />

Born in Harbin, China <strong>of</strong> Korean descent, Jin grew<br />

up as the son <strong>of</strong> a machinist. His creativity came<br />

from early childhood. The young Feng Jin <strong>of</strong>ten played in his father’s work<br />

place and fell in love with hand tools, old gears and other bent metals.<br />

After graduating from high school, Jin went to the Central Institute <strong>of</strong> Fine<br />

<strong>Art</strong>s <strong>of</strong> China, Beijing, putting in five years <strong>of</strong> studying and creating<br />

sculptures.<br />

Although most <strong>of</strong> the <strong>Art</strong> Institutes in China did not cover metal<br />

sculpture at that time, Jin was encouraged by teachers to move forward<br />

into metal sculpture’s design and production. Due to the limitation <strong>of</strong><br />

tools and materials, producing metal sculptures proved to be difficult and<br />

challenging for a college student. Jin <strong>of</strong>ten needed to lean on his father<br />

for use <strong>of</strong> metal welding and fabricating equipment in the governmentowned<br />

machine shop. The materials he used were mostly scrap metals<br />

and parts from some machines. Since then, Jin has self trained in metal<br />

work and being more interested in abstract sculpture making.<br />

After graduating from college, Jin became a pr<strong>of</strong>essor teaching<br />

sculpture and art history in the Fine <strong>Art</strong>s Department <strong>of</strong> Xuan Wu Hong Qi<br />

Vocational University, Beijing. Three years later, he decided to come to the<br />

U.S. to continue refining his style and improving production techniques in<br />

metal. Jin works in a variety <strong>of</strong> metals: bronze, steel, stainless steel and<br />

cast iron. His work represents a variety <strong>of</strong> styles and subjects, with forms<br />

ranging from realistic bust/figure sculptures to large abstract metal<br />

pieces.<br />

Creating large sculptures is Jin’s goal. His dream is to have a<br />

sculpture park in which his metal <strong>of</strong>fspring can run free.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 6<br />

Michael Jones<br />

1059 Halverson Road<br />

Bigfork, MT 59911<br />

Www.michaeljonessculpture.com<br />

Biography<br />

At seven years old, Michael found<br />

his first arrowhead. This discovery ignited<br />

in him a passion for ancient history and<br />

prehistoric cultures. This passion, combined with his love for the beauty<br />

and enduring qualities <strong>of</strong> fabricated steel, fuels his artistic career.<br />

Michael was born and raised in Napa Valley in northern<br />

California. Since 1975, he and his wife Karen, have made their home in<br />

Bigfork, which is in the beautiful Flathead Valley in northwestern<br />

Montana. They own an original log homestead on 65 acres, which they<br />

have restored and preserved. They have four grown children and 4<br />

grandchildren.<br />

For more than twenty years, Michael has followed his heart and<br />

created pieces that edify and educate. The joy and excitement <strong>of</strong> that<br />

first discovery have only continued to grow in his life and it is this force<br />

that infuses his work.<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 1<br />

Biography<br />

Bill Leibow<br />

5516 N Camelback Canyon Drive<br />

Phoenix, AZ 85018<br />

Weleibow2msn.com<br />

Bill Leibow is a large format, black and white, photographer who<br />

has turned his passion for photography into beautiful works <strong>of</strong> art.<br />

Ranging from landscapes to still life, Bill’s images provide a unique vision<br />

<strong>of</strong> the world. His use <strong>of</strong> the subtle range <strong>of</strong> tones in black and white express<br />

the emotion <strong>of</strong> the moment.<br />

Throughout his extensive travels, Bill has photographed ancient<br />

ruins; breathtaking scenery and intimate close ups <strong>of</strong> nature, architecture<br />

and sculpture. All <strong>of</strong> his work is printed by hand. Each image displays the<br />

play <strong>of</strong> light and shadow and a rich range <strong>of</strong> tones.<br />

A Dentist by pr<strong>of</strong>ession, Bill has had a life long love <strong>of</strong> art. He<br />

discovered large format photography ten years ago. Since that time he<br />

participates in all aspects <strong>of</strong> creating photographic images; from<br />

photographing in the field, printing in the dark room to matting and<br />

framing the work. He brings the same attention to detain and focus<br />

demanded by dentistry to his art. The results are beautiful, sensitively<br />

printed, images.<br />

Bill’s work can be found in numerous private, corporate and<br />

government, collections throughout the United States. He has presented<br />

a solo exhibition at the Cultural Exchange Gallery in Scottsdale, Arizona.<br />

He has participated in photographic exhibitions at the Desert Caballeros<br />

Museum in Wickenburg, Arizona and at the Chandler Center for the <strong>Art</strong>s in<br />

Chandler, Arizona. He participated in the Scottsdale Museum <strong>of</strong><br />

Contemporary <strong>Art</strong>s’ Studio Tours 04. He received the “Best in Show”<br />

award from Photographic competition sponsored by Robb and Stucky. He<br />

is a juried member <strong>of</strong> the Sonoran <strong>Art</strong> League and Imageworks. He<br />

participates in their fall and spring exhibitions.<br />

Bill is currently represented by the Larsen Gallery in Scottsdale,<br />

Arizona. For more information or to view his complete portfolio visit the<br />

website www.leibowfineart.com You can visit his darkroom and gallery by<br />

appointment at Camelback Canyon Studios, Leibow Fine <strong>Art</strong> phone:<br />

602-840-8441.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 3 0<br />

Ellen Leibow<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 7<br />

Jacque Keller<br />

5516 N Cambelback Canyon Drive<br />

Phoenix, AZ 85018<br />

Www.leibowfineart.com<br />

Biography<br />

14025 S 5th Street<br />

Phoenix, AZ 85048<br />

Info@quantumartinc.com<br />

Passion “A desire or emotion;<br />

opposing thought and reason”<br />

Ellen Leibow loves color. Her paintings regardless <strong>of</strong><br />

the medium reflect her delight in colors and<br />

textures. Ellen has had a life long love for art and<br />

has been painting and drawing for as long as she can remember. Her<br />

serious art study began ten years ago. She has pursued her work through<br />

academic courses, study with guest artists at the Scottsdale <strong>Art</strong>ist School<br />

and workshops throughout the world. Ellen works in various mediums<br />

from watercolor, pastel, and acrylic and now oils. She enjoys many forms<br />

<strong>of</strong> expression from landscapes to still life to abstract design. Her current<br />

passion is to express the emotion <strong>of</strong> the moment through painting in the<br />

Plien Air tradition. Her work reflects the immediacy <strong>of</strong> the light and<br />

atmosphere in color and shape.<br />

Ellen and her husband Bill, who is a photographer, travel<br />

extensively throughout the world recording the light and mood <strong>of</strong> the<br />

places they visit. Her greatest joy is to paint on location, capturing the<br />

essence <strong>of</strong> the time and place. She also explores the changing desert<br />

landscape from her studio at the foot <strong>of</strong> Camelback Mountain in Arizona.<br />

Ellen has participated in exhibitions from the Arizona Watercolor<br />

Society to juried shows at the Chandler Center for the <strong>Art</strong>s. She has had<br />

exhibitions <strong>of</strong> her work at the Norby Gallery, <strong>Art</strong>ismo Gallery, Phoenix<br />

Chamber <strong>of</strong> Commerce, and the <strong>of</strong>fices <strong>of</strong> Banner Health South. As a<br />

juried member <strong>of</strong> the Sonoran <strong>Art</strong>s League, she exhibits in their fall and<br />

spring shows in Cave Creek, Arizona. Her work can be found in private<br />

and corporate collections throughout the United States and Canada.<br />

You can visit her studio in Cambelback Canyon by appointment.<br />

Commission pieces to your specifications are available. For more<br />

information contact Leibow Fine <strong>Art</strong> at 602-840-8441 or visit the website<br />

at www.leibowfineart.com.<br />

Jacque Lynn Keller has been drawing and painting since she<br />

was 8 years old. In the farm country <strong>of</strong> northwest Ohio, she was<br />

encouraged by teachers and family to explore this passion. Throughout<br />

her childhood she was a student at the Toledo Museum <strong>of</strong> <strong>Art</strong>’s Youth<br />

Studies Program. Jacque began painting pr<strong>of</strong>essionally in the early<br />

1980’s after attending the University <strong>of</strong> Toledo and Arizona State<br />

University’s School <strong>of</strong> <strong>Art</strong>. She began as a muralist and specializes in<br />

trompe l’oeil and commissioned artwork. One <strong>of</strong> Jacque’s goals is image<br />

diversity…”Each painting has its own lessons for me. I am an explorer <strong>of</strong><br />

color and form…you will see everything from portraiture to nonrepresentational<br />

work. I need diversity in painting as in life. I want the<br />

viewer to think, to smile, to enjoy…”<br />

Jacque is a signature member <strong>of</strong> the International Society <strong>of</strong><br />

Acrylic Painters. “Nature Watch” was exhibited to great reviews in<br />

England. It is now in the registry at the Royal Academy <strong>of</strong> <strong>Art</strong>, London. In<br />

recent years, she has been in numerous international and national<br />

exhibitions including those in England, Washington, Louisiana, Florida,<br />

Illinois and Arizona including a solo exhibition at the Chandler Center for<br />

the <strong>Art</strong>s, Chandler, Arizona. “Mama”, a realistic portrait <strong>of</strong> her deceased<br />

99 year-old grandmother, was included in a national exhibition in Florida<br />

honoring the history <strong>of</strong> women. She was the winning artist in the national<br />

art competition for the 1998 Bashas-Chandler Ostrich Festival, Arizona,<br />

creating the colorful ostriches in “Where’s the Party?” In January 2004<br />

her work, Hope, was included in a national War Forum Exhibition in<br />

Chicago. In March 2004, her work Red Corners was included in an<br />

International Exhibition <strong>of</strong> ISAP in Seattle, WA. The <strong>City</strong> <strong>of</strong> Chandler (AZ)<br />

commissioned Jacque to paint three large paintings <strong>of</strong> their historic<br />

downtown; they hang in the city’s Planning & Development Office. Silent<br />

Without You and other works by Jacque will be used by the Chandler<br />

Center for the <strong>Art</strong>s (AZ) as the featured artwork in their 2005-06 yearly<br />

event brochure and playbills.<br />

Jacque’s works on wood and canvas are included in prestigious<br />

private, corporate, and <strong>pub</strong>lic collections, and are eagerly collected and<br />

commissioned nationwide. Her work is represented by Quan’tum <strong>Art</strong>, Inc.<br />

and By Word <strong>of</strong> Mouth Gallery, Scottsdale, Arizona.


S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 8<br />

Lauren Knode<br />

3537 E North Lane<br />

Phoenix, AZ 85028<br />

Laurenknode@cox.net<br />

Biography<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 2 9<br />

Biography<br />

Marc Leone<br />

1424 West Meseto Avenue<br />

Mesa, AZ 85202<br />

Twenty8twenty3@hotmail.com<br />

Born in Portland, Oregon, Lauren<br />

Knode left a career in teaching to become<br />

a full-time artist.<br />

Knode's themes include flora,<br />

fruit, landscapes and the Southwest. Her<br />

art bursts forth with color which creates<br />

excitement and inspiration. Unique use <strong>of</strong> light & shadow distinguishes<br />

Lauren's work, which she creates in oil, pastel and acrylic.<br />

Lauren is a member <strong>of</strong> the prestigious Northwest Pastel Society.<br />

Her award-winning work has been featured in such <strong>pub</strong>lications as <strong>Art</strong> in<br />

the American West, High Sonoran and Southwest <strong>Art</strong> Magazine. Knode<br />

originals are in private and corporate collections across the United States.<br />

Marc Leone is a painter who uses the expressive<br />

components <strong>of</strong> materials to evoke inward reaching, geologic landscapes,<br />

that express something <strong>of</strong> the mystery <strong>of</strong> matter in regards to the<br />

spiritual. More specifically, Leone’s work is physical, generally large in<br />

scale, and takes many months to complete a single work. His work<br />

incorporates two dimensional drawing and painting with a strong<br />

sculptural presence.<br />

Leone has had solo and group exhibitions in New York, Los<br />

Angeles, Chicago, Dallas, Phoenix (Phoenix <strong>Art</strong> Museum in May) and<br />

Tucson among others. He holds a B.F.A. from <strong>Art</strong> Center College <strong>of</strong><br />

Design in Pasadena, CA., and a M.F.A. from Arizona State University. He<br />

has taught at ASU, Central Arizona College, and currently teaches<br />

drawing, painting and 2-Dimensional design at Xavier College Preparatory.<br />

Additionally, he is co-director <strong>of</strong> the Start Gallery.<br />

<strong>Art</strong>ist's Statement<br />

"Simplicity <strong>of</strong> form, color and light captivate me. Juxtaposed warm and<br />

cool hues create energy and excitement. The sun radiating through the<br />

translucent petals <strong>of</strong> a flower, or casting intriguing shadows and reflections,<br />

fills me with inspiration."

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