Art Auction Brochure.pub - City of Glendale
Art Auction Brochure.pub - City of Glendale
Art Auction Brochure.pub - City of Glendale
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
A Night with The <strong>Art</strong>ist<br />
March 18, 2006<br />
Presented by<br />
<strong>Glendale</strong> <strong>Art</strong>s Commission<br />
And<br />
Sahuaro Ranch Foundation<br />
<strong>Art</strong>work Courtesy Jacque Keller
P A GE 2<br />
9802 North 59th Avenue<br />
<strong>Glendale</strong>, Arizona 85302<br />
The idyllic setting <strong>of</strong> Historic Sahuaro Ranch invites<br />
you to step back in time as you stroll through the grounds.<br />
17 acres fenced with wrought iron are the walls <strong>of</strong> the<br />
museum. The artifacts are the many buildings, orchards,<br />
landscaping and wildlife contained within the unique historic<br />
ranch museum.<br />
From the original ranch buildings to the lush<br />
grounds, where peacocks roam freely, Sahuaro Ranch's<br />
historic area takes you to another time.<br />
Buffered from outside urbanization by rows <strong>of</strong><br />
original citrus groves, Historic Sahuaro Ranch allows you to<br />
enter a bygone era.<br />
Visit Historic Sahuaro Ranch soon!!<br />
Sahuaro Ranch Foundation<br />
PO Box 1824<br />
<strong>Glendale</strong>, Arizona 85311<br />
Phone: 623-930-4200<br />
<strong>Brochure</strong> designed by<br />
Carolyn A Harrold<br />
The <strong>City</strong> <strong>of</strong><br />
<strong>Glendale</strong><br />
and<br />
the <strong>Glendale</strong> <strong>Art</strong>s Commission<br />
are proud sponsors <strong>of</strong><br />
A Night with the <strong>Art</strong>ist and<br />
A Taste <strong>of</strong> <strong>Glendale</strong><br />
Mayor Elaine M. Scruggs<br />
Vice Mayor Tom Eggleston, Barrel District<br />
Council Member Phil Lieberman, Cactus District<br />
Council Member Manny Martinez, Cholla District<br />
Council Member David Goulet, Ocotillo District<br />
Council Member Steve Frate, Sahuaro District<br />
Council Member Joyce Clark, Yucca District<br />
<strong>Glendale</strong> <strong>Art</strong>s Commission<br />
Jackie Markowitz, Chair<br />
Frank Eager, Vice Chair<br />
Janet Culbertson<br />
Winona Passmore<br />
Kathleen Roe<br />
Enid Spear<br />
Sharon Wixon
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3<br />
<strong>Art</strong>ists Biographies<br />
Kyle W Ashley 4<br />
Sue Averell 5<br />
John Bader 6<br />
Dwight Bennett 7<br />
Hugh Blanding 8<br />
Jane Boggs 9<br />
Scott Bohall 10<br />
Barbara Burton 11<br />
Geary Bush 12<br />
Reno Carolllo 13<br />
Pamela C. Creamer 14<br />
Keith A Dagley 15<br />
Carlos Estevez 16<br />
Steve Failows 17<br />
Graydon Foulger 18<br />
Carol Ruff Franza 19<br />
John Gleason 20<br />
Greg Hale 21<br />
Paul Hawkins & SusanZalindt 22<br />
Cindy Hill 23<br />
Dan Hill 24<br />
Feng Jin 25<br />
Michael Jones 26<br />
Jacque Keller 27<br />
Lauren Knode 28<br />
Mark Leone 29<br />
Ellen Leibow 30<br />
Bill Leibow 31<br />
Sarah McAnerny 32<br />
Dottie Mitchell 33<br />
Troy Moody 34<br />
Jane Nassano 35<br />
Len Newman 36<br />
Narciso Piu 37<br />
Jerry Portelli 38<br />
Gregory Reade 39<br />
Stephanie Saint-Thomas 40<br />
Jerry Sieve 41<br />
Peggy Pettigrew Stewart 42<br />
Charles Taube 43<br />
G John Vakaleris 44<br />
John Kimball Westbrook 45<br />
Kevin Whitney 46<br />
Joe Woodford 47
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N<br />
Kyle W Ashley<br />
4851 S Atwood Blvd<br />
Murray, UT 84107<br />
Altered_elements@comcast.net<br />
P A GE 4<br />
Custom Metal Designs<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 5 3<br />
Other Sponsors:<br />
Macayo’s Mexican Kitchen<br />
Kyle was born in Ohio in 1957 to a father who was a welder and<br />
a mother who created love.<br />
Even as a child, he enjoyed watching his father create with<br />
metal, wood and stone. At the age <strong>of</strong> nine, his father began teaching him<br />
the art <strong>of</strong> creating by welding. The amazing ability to heat, melt, fuse and<br />
bond metal became a lifetime fascination. Over the years, he developed<br />
an interest in how to be creative, as well as functional, with his metal<br />
working.<br />
Kyle has lived in several states, as his father was in construction<br />
and the family moved frequently across the country. He feels this<br />
exposed him to a life at a<br />
real level, experiencing<br />
many influences and<br />
cultures. He is currently<br />
a general contractor and<br />
enjoys working one on<br />
one with the home owner<br />
to re-create their<br />
personal living spaces.<br />
He specializes in<br />
designing and fabricating<br />
custom metal art for the<br />
home and garden, which<br />
includes furniture, gates,<br />
arbors, railings, wall art,<br />
garden sculptures, etc. If<br />
it can be dreamed,<br />
drawn or designed, he<br />
will bring it to reality.<br />
Kyle has always<br />
felt an affinity for metal,<br />
glass and stone. He<br />
believes his art is not<br />
created, so much as<br />
expressed. “Allowing this<br />
expression to flow<br />
through me is a truly gratifying experience.”<br />
Atlantic Bread Company<br />
<strong>Glendale</strong><br />
Albertsons<br />
5802 W Olive Avenue<br />
<strong>Glendale</strong>, AZ 85302
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 5 2<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 5<br />
Sue Averell<br />
Painter<br />
633 Post St. #136<br />
San Francisco, CA 94109<br />
Sue@sueaverell.com<br />
Painting is more than just a creative<br />
discipline, it is my vocation. Even as a child I<br />
looked at the world with the eyes <strong>of</strong> an artist,<br />
trying to figure out how to capture what I saw<br />
onto paper. My style has evolved through the years, but it stands today as<br />
a process <strong>of</strong> escaping the confines <strong>of</strong> optical reality and taking expressive<br />
liberties to create in a manner that is relaxed and enjoyable.<br />
The structural layout <strong>of</strong> the cityscape blends fanciful composites<br />
in with my perceptions <strong>of</strong> urban life. The idea for such an arrangement<br />
derives from dreams I have had since childhood <strong>of</strong> flying over imaginary<br />
places laced with elements <strong>of</strong> real locations. These dreams not only serve<br />
as a source <strong>of</strong> inspiration, but also allow me to visualize a painting in my<br />
mind's eye before depicting it on canvas or paper. My intent is to capture<br />
the sensation <strong>of</strong> fleeting movement, and is best described as emulating<br />
the transient perceptions one experiences when driving in a car as the<br />
landscape passes by the window.<br />
I strive to communicate and evoke emotion by juxtaposing<br />
diosyncratic choices <strong>of</strong> complimentary and dissonant colors, and adorning<br />
the canvas with paint. splatters alluding to energy, freedom, and action.<br />
Emotion is further expressed via uneven textures created through the<br />
thick application <strong>of</strong> paint. These elements combined assist in achieving<br />
my ultimate object which to optically draw the viewer into the city scene.<br />
Equally valuable is providing my viewer with a composition that is<br />
pregnant with intricate features and meaning so that they are encouraged<br />
to come back time after time, seeing a different hidden detail each visit.<br />
So as you look upon my canvases <strong>of</strong> saturated color fields,<br />
strategic compositions, and evocative images, it is my hope that you will<br />
be filled with the sensation <strong>of</strong> flying, freshly liberated into a sky <strong>of</strong><br />
unlimited, imaginative horizons.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N<br />
P A GE 6<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 5 1<br />
John Bader<br />
7578 North Bel Air Road<br />
Casa Grande, AZ 85222<br />
Www.johnbader.50megs.com<br />
Southwestern <strong>Art</strong> & Design<br />
Nebraska born, Missouri raised, now<br />
based around the Phoenix area; southwestern<br />
artist, John Bader is nationally recognized for his<br />
award winning “mixed-media” art work. His unique, hand painted, relief<br />
sculpture work has made him a featured artist in several local and<br />
national <strong>pub</strong>lications.<br />
John’s art work is outstanding and in a class <strong>of</strong> its own. He has a<br />
Bachelor or <strong>Art</strong>s degree from the University <strong>of</strong> Nebraska.<br />
Over the years, John has developed a unique blend <strong>of</strong> composite<br />
materials that gives a three-dimensional effect to his work, allowing the<br />
viewers the opportunity to feel as though they are “walking right into the<br />
artwork itself”.<br />
Each hand crafted original art piece begins with John’s use <strong>of</strong><br />
high-density polyurethane foam and modeling clay. A special blend <strong>of</strong><br />
composite materials, personally developed by John is applied over the<br />
piece giving it added depth and texture and thus helping create a very<br />
realistic effect. To add to the three three-dimensional effect, John<br />
hand-paints each piece with acrylic paints, cleverly using colors and<br />
shadows to enhance it. He then adds final touches such as ladders or<br />
doors, to his “pueblo”<br />
scenes, and saguaro<br />
cacti orocotillos to his<br />
desert landscapes.<br />
John also<br />
produces a wonderful<br />
and original line <strong>of</strong><br />
petroglyphs that are<br />
hand-sculpted and cast<br />
in his own special blend <strong>of</strong> composite materials.<br />
Each petroglyph is hand-painted and uniquely designed. These<br />
can all be used indoors, and many are weatherpro<strong>of</strong> so as to be hung<br />
outdoors.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 5 0<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 7<br />
Sculptor<br />
Dwight Bennett<br />
4340 E Indian School #169<br />
Phoenix, AZ 85018<br />
Dwight@goldenwestart.com<br />
I have been a sculptor and craftsman since<br />
1968. Late at night in my Studio on April 20,<br />
1981, I was turning an ironwood vessel on my<br />
lathe when I saw a shiny spot flickering back at<br />
me. I turned <strong>of</strong>f the lathe for a closer inspection<br />
and found that some one has previously shot the wood with a bullet. The<br />
shiny silver like bullet had wedged itself into the natural fissures <strong>of</strong> the<br />
wood. It looked wonderful: I was amazed to see the unusual patterns that<br />
I had cut into the lead. At that moment the A.K.A. “Silver Bullet” was<br />
born, a epiphany involving my relationship with wood was reached,<br />
impacting how I saw each finished piece. To this day sometimes it seems<br />
as though when I finish a piece, the silver was always there, growing in<br />
the wood like in nature, where the silver flows through the veins in white<br />
quartz.<br />
As a sculptor I like to think I flow in harmony with nature in my<br />
work. When wood dries and grows old, Mother Nature’s caricature slowly<br />
creeps out, I like to take this caricature and create from it. My role is to<br />
define and shape these areas and thus illuminate, if you will, Mother<br />
Nature’s birthmarks. By using my inlaid silver technique, I feel I have<br />
achieved this end. I was the first to develop this method <strong>of</strong> vein striation<br />
enhancement, the silver seems to give my work a sense <strong>of</strong> harmony and<br />
flow, along with a sense <strong>of</strong> electricity and life.<br />
It took two technicians, one metallurgist along with myself, over<br />
5 years to refine the inlaid silver technique, which you see today. After<br />
cutting and carving to emulate the patterns that nature has made, I give<br />
the piece to my technicians who make mold impressions <strong>of</strong> the wood for<br />
the casting process. The metallurgist makes the metal work for me, from<br />
the non-tarnishing <strong>of</strong> the silver to the flexibility<br />
aspect. We then inlay the cast pieces into the<br />
wood. The whole process takes three to six<br />
weeks depending on the piece. We then grind,<br />
sand, and polish the inlaid silver to fit. Finally, a<br />
hand rubbed oil finish is applied over a two to<br />
three week period, producing what you see<br />
today. Now, 31 years later, my inlaid silver<br />
technique, that has dazzled people for years,<br />
has become my trademark and the reason I’m called “The Silver Bullet”.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 8<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 9<br />
Hugh Blanding<br />
33817 N 2nd St<br />
Phoenix, AZ 85085<br />
Hugh@hughblanding.com<br />
Sculptor<br />
Hugh’s limited edition sculptures embrace<br />
American’s western heritage, paying tribute to the<br />
spirit and freedom <strong>of</strong> the west, especially the<br />
American cowboy. When viewing his sculptures you immediately<br />
recognize his ability and sense his passion to capture the action, the<br />
energy, and the tremendous muscular stress exhibited by his subjects.<br />
You see his perseverance and unprecedented attention to detail which<br />
makes his sculptures come to life epitomized by such features as the<br />
individual hairs on the horses’ bodies, the identifiable bulge <strong>of</strong> the can <strong>of</strong><br />
snuff in the cowboy’s back pocket, and the intricate tooling on the saddle.<br />
A self-taught artist, Hugh has been painting since this early<br />
teens. He started sculpting in the late 1990’s when he retired from the<br />
computer industry, and has found his forte in the 3-dimension. He has<br />
spent years studying the bone and muscle structure <strong>of</strong> his animals,<br />
particularly the horse, and carries out extensive research before starting<br />
each piece, so as to ensure realism, authenticity, and quality. His work<br />
can be found in private and corporate collections across the U.S.<br />
When asked about his sculpting, Hugh says it was the challenge<br />
<strong>of</strong> the 3-dimension that lured him away from painting toward sculpting.<br />
People look at things with two eyes<br />
and the challenge is to create a work<br />
<strong>of</strong> art that has all <strong>of</strong> the correct lines,<br />
from all angles, including the top and<br />
the bottom. He say it's as if he no<br />
longer has a choice; he is compelled<br />
to sculpt!<br />
Hugh’s work is currently being shown<br />
at the Gold Nugget <strong>Art</strong> Gallery in<br />
Wickenburg, Arizona
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 8<br />
The Following Sponsors<br />
Provided the food<br />
And drinks for<br />
“A Night with the <strong>Art</strong>ist”<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 9<br />
Gourdian Spirits Studio<br />
Jane Boggs<br />
33488 N 55th Street<br />
Cave Creek, AZ 85331<br />
Jjboggs2000@yahoo.com<br />
Although a born native <strong>of</strong> Bath, Maine,<br />
Jane lived in Colorado for 25 years and<br />
in 1995, she and her husband moved<br />
to Cave Creek, Arizona. When they purchased<br />
their Pueblo style home in the Sonoran desert, Jane said it felt like<br />
she had finally come home to her roots.<br />
<strong>Art</strong> has always been part <strong>of</strong> Jane’s life, but when she found<br />
gourds, on a field trip, there was an instant connection. She began<br />
combining her fascination with the Native American Indian and African<br />
cultures with this wonderful new art medium. To be able to <strong>of</strong>fer art in<br />
such a different style was the perfect personal challenge that would<br />
become a way <strong>of</strong> life.<br />
Each new gourd that<br />
is created has a story that is<br />
unique and personal. Jane<br />
feels that if you are receptive,<br />
that they will actually tell you<br />
what they (the gourds) want to<br />
be. To this date, there have<br />
been over 600 art pieces<br />
designed and sold in the US<br />
and abroad. Her studio is<br />
open most days <strong>of</strong> the week<br />
and it is always interesting to<br />
visit or perhaps even watch<br />
Jane working on one <strong>of</strong> her<br />
new pieces.<br />
Jane is a juried<br />
member <strong>of</strong> the Sonoran <strong>Art</strong><br />
League and The Phoenix <strong>Art</strong><br />
Alliance. She is also a board<br />
member <strong>of</strong> the Sonoran <strong>Art</strong><br />
League and helps to promote<br />
art to youth and adults alike.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 0<br />
Scott Bohall<br />
20221 N 67th Ave., Ste. #-2<br />
<strong>Glendale</strong>, AZ 85308<br />
Benetoite@aol.com<br />
Treasures Custom Jewelry<br />
Since 1991, Scott Bohall, owner <strong>of</strong><br />
Treasures Custom Jewelry in <strong>Glendale</strong>, Arizona,<br />
has been designing masterpieces forged <strong>of</strong><br />
diamonds, gold, platinum and rare gems. Fifteen years later, Scott’s<br />
artistic talent, attention to detail, and a keen eye for quality has<br />
transformed Treasures into a West Valley icon for shoppers seeking<br />
timeless designs and superior craftsmanship. As a 22 time award<br />
winning designer, Mr. Bohall’s pieces have been recognized statewide,<br />
nationally, and internationally, honors which culminated this year when<br />
Treasures was voted “Top Designer in Arizona” for the third year in a row.<br />
In addition to unique designs, Mr. Bohall also prides himself on educating<br />
his customers. For the second year in a row, Treasures was recognized<br />
as the best store in Arizona to buy a diamond by an independent third<br />
party based on price, quality and diamond knowledge. Mr. Bohall is also<br />
currently serving his second term as the President <strong>of</strong> the Arizona Jewelers<br />
Association.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 7<br />
Education<br />
1983-1985 Dobson High School, Mesa, AZ<br />
1986-1996 Mesa <strong>Art</strong> Center, Mesa, AZ<br />
Word Experience<br />
1995-1996 Mesa <strong>Art</strong> Center, Instructor<br />
303 W Myrtle Drive<br />
Chandler, AZ 85249<br />
Joe Woodford<br />
Joseph Woodford Ceramics<br />
<strong>Art</strong> Shows and Galleries:<br />
1996 Boulder Creek <strong>Art</strong> Festival Best in Show<br />
1997 Castle Rock <strong>Art</strong> Festival Best Fine Craft<br />
1998 Castle Rock <strong>Art</strong> Festival First Place Ceramic<br />
1999 Henderson <strong>Art</strong> Festival Best Ceramic<br />
1999 Beverly Hills <strong>Art</strong> Show (spring) Best in Show<br />
1999 Beverly Hills <strong>Art</strong> Show (fall) Third Place Ceramic<br />
1999 Cynthia Wood Gallery Solo Exhibition<br />
2000 Castle Rock <strong>Art</strong> Festival Honorable Mention<br />
2001 St. George <strong>Art</strong> Show First Place<br />
2001 Beverly Hills <strong>Art</strong> Show (fall) Third Place Ceramic<br />
2002 Beverly Hills <strong>Art</strong> Show (spring) Honorable Mention<br />
2002 Castle Rock <strong>Art</strong> Festival First Place Ceramic<br />
2002 Vail <strong>Art</strong> Show Best Ceramic<br />
2003 Rancho Mirage <strong>Art</strong> Festival Best in Show<br />
2003 Golden <strong>Art</strong> Festival First Place Ceramic<br />
2003 Castle Rock <strong>Art</strong> Festival Juror’s Award<br />
2003 Vail <strong>Art</strong> Show Best Ceramic<br />
2004 Beverly Hills <strong>Art</strong> Show (fall) Second Place Ceramic<br />
2005 Indian Wells <strong>Art</strong> Festival Third Place<br />
Public Work:<br />
<strong>City</strong> <strong>of</strong> Beverly Hills Public Collection<br />
The Point at Tapatio, Phoenix AZ, resort remodel <strong>of</strong> over 600 pieces
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 6<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 1<br />
Kevin Whitney<br />
608 E Westchester<br />
Tempe, AZ 85283<br />
Kevinwhitneysculpture.com<br />
Biography<br />
Barbara Burton<br />
445 W 1st Street<br />
Mesa, AZ 85201<br />
Boodesigns@earthlink.net<br />
Printmaker, Painter, and Book <strong>Art</strong>ist<br />
Kevin Whitney’s work encompasses an array<br />
<strong>of</strong> styles and media, ranging from photography, magazine creation and<br />
production, to sculpture. Kevin Whitney completed his A.A. in<br />
Photography and Graphic Design at M.C.C. in 1998 and a BFA in<br />
Sculpture through A.S.U. in 2001. In the past seven years, Whitney has<br />
honed his eye for the unique, creating sculpture work in bronze,<br />
aluminum, wood, and photography that draw inspiration from futurism,<br />
constructivism, "low-brow" art, hot-rod culture and the underground<br />
music scene. At times clean and stylized and at other times tongue-incheek,<br />
Whitney’s creations reflect his drive to capture the essence <strong>of</strong><br />
aesthetics through form. He has spent the last 17 years in the Phoenix<br />
Metro area. Working in various artistic capacities including vocals with<br />
established bands in the valley; conception, design, production, and<br />
distribution <strong>of</strong> MoiSSt Magazine; sculpture; and photography. Recent<br />
gallery shows have included The Shemer, Thought Crime, The Step,<br />
Holgas, The IceHouse and The PHiX Gallery in the Phoenix metro area.<br />
Kevin Whitney is also currently being represented through Wade Gallery in<br />
San Miguel, Mexico. Kevin is open for commissioned, one-<strong>of</strong>-a-kind work.<br />
Contact Kevin Whitney at MoiSST Studios @ 608 E. Westchester., Tempe,<br />
AZ. 85283 , (602)367-3625, and at<br />
moisstink@yahoo.com. Examples <strong>of</strong> Whitney’s work<br />
can be found at kevinwhitneysculpture.com<br />
Kevin Whitney is currently showing at:<br />
The Wade Gallery<br />
Located At<br />
Cuna De Allende #11<br />
San Miguel Allende, GTO.<br />
Mexico 37700<br />
415.101.2875<br />
and<br />
The PHiX Gallery<br />
1113 Grand Ave.<br />
Phoenix, AZ<br />
I was born in Pennsylvania and spent a<br />
good part <strong>of</strong> childhood in rolling green hills and<br />
forests. Having lived in Arizona for over 20 years now, I’ve developed a<br />
deep appreciation for the desert, it’s ecology, flora and fauna, and it’s<br />
subtleties. For an artist, the desert is an unending source <strong>of</strong> inspiration.<br />
I’m a printmaker, painter, and book artist. My prints reflect<br />
current events, political drama, and stories. Painting, for me, is typically<br />
reserved for landscapes; terrestrial or human. Handmade artist books<br />
are my opportunity to combine both printmaking and painting with<br />
three-dimensional structure.<br />
Currently Exhibiting at:<br />
Vision Gallery, Chandler, Arizona<br />
Recent Exhibits:<br />
Chandler Center for the <strong>Art</strong>s, “Urban Life: Prints”<br />
@Central Gallery, “Night Visions” Burton Barr Library, Phoenix, AZ<br />
Shemner <strong>Art</strong> Center, “Prints” and “Home Show”<br />
Herberger Performing <strong>Art</strong>s Center, Gallery, “Summer Delights”<br />
Arizona Museum for Youth, “Bow Wow”
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 2<br />
Geary Bush<br />
19028 N 73rd Drive<br />
<strong>Glendale</strong>, AZ 85308<br />
Www.GearyBush.com<br />
Biography<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 5<br />
Biography<br />
John Kimball Westbrook<br />
910 W Broadway<br />
Mesa, AZ 85210<br />
Mymoon1211@msn.com<br />
Born 1937 in Toledo, Ohio, Geary<br />
studied art and sculpture at The Ohio State University, getting his Doctor’s<br />
degree in 1963. Geary practiced Dentistry in El Paso for thirty years.<br />
During his early period, he concentrated on oil painting. He later<br />
experimented with acrylics, but in the last several years, has returned to<br />
his first love <strong>of</strong> oil. Geary’s unique styling has been dubbed “GeoDeco” by<br />
his most ardent devotees. His blend <strong>of</strong> vibrant color with early 20th century<br />
themes and techno illusions sets his work apart as truly unique and/<br />
imaginary. Geary resides in <strong>Glendale</strong> and currently enjoys<br />
creating special commissions and a Geo Deco calendar to be released in<br />
2006.<br />
John Kimball Westbrook, born May 5th, 1959 in<br />
Mesa, Arizona. Kim was raised in the oldest<br />
pioneer settlement in the Arizona Territory. His<br />
ancestors came to the west in 1847. With this background, he has<br />
developed a deep love for the southwest and Native American culture.<br />
Kim earned nine national awards for his work during his high<br />
school years. He studied two years at Phoenix Union Commercial <strong>Art</strong><br />
School and had a scholarship to study art at the college level.<br />
Kim served on the staff <strong>of</strong> the Mesa Community College in the<br />
<strong>Art</strong> Department and taught art classes for Mesa Parks and Recreation.<br />
He has worked and studied in Arizona, Oregon, Vancouver,<br />
Canada and Washington, D.C.<br />
Kim is accomplished in figure study, portraits and stone carving.<br />
He currently resides in Mesa with his wife and family.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 4<br />
G. John Vakaleris<br />
28543 N Opal Drive<br />
Queen Creek, AZ 85243<br />
Gvakaleris@aol.com<br />
Biography<br />
J. Vak Studio<br />
John Vakaleris (J. Vak) studied at the Columbus College <strong>of</strong> <strong>Art</strong><br />
and Design (CCAD) where he graduated in 1986 with a B.F.A. in<br />
Illustration.<br />
J. Vak is well known for his portrait work, having studied under<br />
Daniel Greene, one <strong>of</strong> America’s leading portrait painters as well as Jack<br />
Richards (Portrait and Figure). While in Ohio, J. Vak was maintaining a<br />
portrait studio at the Athena group <strong>of</strong> Fine <strong>Art</strong> and Design in Powell, Ohio.<br />
His portraits <strong>of</strong> Presidents George Bush (senior) and Bill Clinton were sent<br />
to the White House as gifts and were very well received. He has also<br />
painted portraits <strong>of</strong> many other prominent figures. In addition he paints<br />
colorful portraits <strong>of</strong> children on a commission basis as well as his own 5<br />
children.<br />
J. Vak was born in 1957 <strong>of</strong> Greek parents. Since childhood, his<br />
frequent Greek islands trips have greatly inspired many <strong>of</strong> his paintings.<br />
In the summer <strong>of</strong> 1996, yearning for the sunny Mediterranean<br />
climate <strong>of</strong> Greece, J. Vak left the cold depressing winters <strong>of</strong> Ohio with his<br />
family and headed for California where the beautiful water, mountains,<br />
and sun inspired him almost as much as his homeland. His work has<br />
been exhibited throughout California. More recently, J. Vak moved to<br />
Arizona where he has established residence. The slower pace <strong>of</strong> life as<br />
well as the friendliness <strong>of</strong> the people had much appeal for him, especially<br />
regarding his art. He currently shows art in Arizona during the winter<br />
months and continues to show art during the summer months in<br />
California.<br />
In his beautiful paintings, J. Vak brings to us a Mediterranean<br />
world, very Greek, full <strong>of</strong> sunlight and deep shadows, clear blue water,<br />
boats, primitive villages with cobblestone streets, open air cafes, and<br />
many other simple aspects <strong>of</strong> everyday life. Light, color, and detail are<br />
major concerns in most <strong>of</strong> these works.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 3<br />
<strong>Art</strong>ist Statement<br />
Reno Carollo<br />
12598 E Bates Circle<br />
Aurora, CO 80014<br />
Abstract Figurative sculpture is the process <strong>of</strong><br />
working with the human figure, pushing, pulling, and<br />
redesigning the space the figure occupies; leaving intact, the essence <strong>of</strong><br />
what the figure is!<br />
I am also interested in relationships between human beings, as I<br />
believe they are the most challenging processes in which we participate!<br />
Keeping your “individual self” yet being a part <strong>of</strong> the “us” in a relationship<br />
and remaining balanced is no small task. In my sculptures I select<br />
moments in relationships that depict the “us” and define each individual.<br />
My sculptures revels moments, when each <strong>of</strong> us individually takes the<br />
time to give to the needs <strong>of</strong> the other yet we are each autonomous. I am<br />
constantly designing and building work that projects these universal<br />
experiences.<br />
A client <strong>of</strong> mine once shared a poem with me that expresses this<br />
body <strong>of</strong> work very eloquently, ”We enter this world alone, We leave this<br />
world alone, Life here, is meant to be shared!”<br />
Sculpture and goldsmith Reno Carollo has spent his entire life<br />
living and creating his art in Colorado. When he was a child, his parents<br />
instilled in him a love <strong>of</strong> learning and adventure that he maintains to this<br />
day. As a young boy, Reno traveled the world with his family, visiting<br />
Europe, Asia, North Africa, Mexico and Central America.<br />
While a student at University <strong>of</strong> Northern Colorado he<br />
participated in an exchange program that took him to Florence, Italy and<br />
the Academy <strong>of</strong> Fine <strong>Art</strong>s. It was there that he discovered his passion and<br />
gift for carving stone.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 4<br />
Pamela S. Creamer<br />
924 E Westcott Drive<br />
Phoenix, AZ 85024<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 3<br />
Charles Taube<br />
17641 N 33rd Lane<br />
Phoenix, AZ 85053<br />
Biography<br />
Born in Wichita, Kansas, she began as a small child being<br />
nurtured by her mother to draw and paint. Living all over the US and<br />
Canada while her father served in the Army provided Pamela with<br />
exposure to many different environments. Pamela spent much time in<br />
both Wichita on her Grandparents cattle ranch as well as the coast <strong>of</strong><br />
Maine with other Grandparents where much <strong>of</strong> her childhood was spent<br />
fishing and camping. The Maine wilderness always provided a wide array<br />
<strong>of</strong> nature to enjoy. It’s with her collection <strong>of</strong> memories that she was<br />
drawn to paint what seems to come naturally to her, nature and wildlife in<br />
all <strong>of</strong> it’s beauty.<br />
Her studies in college lead her to a BFA in oil painting. A very<br />
successful career as a mural painter was her next step. From 1994 to<br />
the present Pamela’s work can be seen in mostly private residences and<br />
select corporate environments. Taking her journey another step further in<br />
2003, Pamela traveled to Arizona to work for a client and was truly<br />
captivated with the desert and its wildlife. Creating images on canvas has<br />
provided Pamela with an outlet for her passion for nature that she has<br />
had all <strong>of</strong> her life. She expresses her love <strong>of</strong> nature and her talent in<br />
design by painting primarily life-size images in both natural settings and<br />
with colorful backgrounds.<br />
Pamela currently divides her time between Maine and Arizona.<br />
“After all <strong>of</strong> these years I feel I have truly found the outlet for my passion<br />
by painting nature and its inhabitants in all <strong>of</strong> their beauty.”<br />
Biography<br />
Envisions by: Taube<br />
After 28 years as a pr<strong>of</strong>essional carpenter and owning a<br />
successful business building entry doors and gates for custom homes,<br />
Charles’s life took an interesting turn. In 1996 as one <strong>of</strong> the founding<br />
members <strong>of</strong> “Southwest Woodies” (an antique car club dedicated to the<br />
preservation <strong>of</strong> the “Woodie Automobile”), Charles created his first<br />
hardwood sculpture given as an award to their show winner.<br />
In August <strong>of</strong> 1997, Charles suffered a serious accident affecting<br />
the use <strong>of</strong> his left hand and arm. Three operations and hours <strong>of</strong> physical<br />
therapy left him with the loss <strong>of</strong> 70% use <strong>of</strong> his left hand. However, while<br />
searching for some meaning <strong>of</strong> the life he had before the accident, with<br />
his right hand, Charles created a second sculpture. Many more followed.<br />
A negative comment from a loved one also pushed him to<br />
pursue his dream. Those who didn’t believe in him now are proud and<br />
represent him at many <strong>of</strong> his shows. He now has over 80% <strong>of</strong> the use<br />
back in his left hand simply from forcing himself to use it over and over in<br />
his sculptures.<br />
Self-taught, Charles’ contemporary free-flowing hardwood<br />
sculptures are uniquely individual in themselves. Each sculpture<br />
composes distinction in one or more various hardwoods. He carefully<br />
selects kiln-dried hardwood with special grain patterns and color. He<br />
cuts, laminates, and shapes each created form smooth, applies several<br />
layers <strong>of</strong> clear finish, color-sands the finish, then polishes the sculpture.<br />
He signs, dates, applies felt to the base and the sculpture begins to “sing”<br />
in its completion <strong>of</strong> movement, form and natural color.<br />
“I envision each sculpture, bring it to life and my spirit is set<br />
free”
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 2<br />
Peggy Pettigrew Stewart<br />
5830 E Cielo Run South<br />
Cave Creek, AZ 85331<br />
GlasshopperAz@aol.com<br />
Biography<br />
Desert Glasshopper Studio<br />
Peggy was born and raised in the San Francisco Bay Area<br />
(Pleasanton). In junior high school she began beading, making jewelry<br />
and using looms. In high school she learned Lost Wax jewelry casting,<br />
lapidary skills, metalsmith skills, and leather tooling. Her first gallery show<br />
was at age 16. The show was held in Mission San Jose, at the Historic<br />
Mission.<br />
While still in high school, she found a love <strong>of</strong> photography and<br />
cinematography. One memorable project was a film documentary about<br />
an Alternative High School for At Risk teens. Peggy married and moved<br />
with her husband moved to Colorado. There she worked in a commercial<br />
cinematography lab. Her next endeavor was photographing motorcycle<br />
races throughout Colorado, Kansas, Wyoming, South Dakota, and Texas.<br />
After moving to Arizona, she worked as a free lance photographer for<br />
Cycle News Magazine (a national <strong>pub</strong>lication)<br />
A few years ago, she enrolled in a glass lampworking class<br />
(hoping to make glass beads). Finding it frustrating, She has routinely said<br />
that she couldn’t make a glass bead to save her life. Later she took a<br />
glass fusing class, and fell madly in love with fusing. Local classes were<br />
rare, so she sought out classes taught by the top glass artists and<br />
instructors around the country..<br />
Last summer Peggy studied at Pilchuck International Glass<br />
School (the facility created by Dale Chihuly) in Washington. Also last<br />
summer, she traveled to Barcelona Spain, and participated in an<br />
intensive study program with Philippa Beveridge and Rene Culler.<br />
She has studied with many <strong>of</strong> the top glass artists around the globe.<br />
She has become one <strong>of</strong> the most “in demand” instructors in the<br />
world <strong>of</strong> glass art. She conducts workshops at Desert GlassHopper Studio<br />
in Carefree & Scottsdale. Currently her work is held in many private and<br />
<strong>pub</strong>lic collections around the world. Her glasswork has been <strong>pub</strong>lished in<br />
many national and international <strong>pub</strong>lications – and has graced the cover<br />
<strong>of</strong> several <strong>of</strong> these. Her work is exhibited in many top galleries in the<br />
United States. Currently her gallery & workshop studio is located in the<br />
beautiful Carefree Resort & Villas in Carefree Arizona.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 5<br />
Biography<br />
Keith Dagley<br />
888 E. 2850 N<br />
Odgen, UT<br />
Http://keithdagley.tripod.com<br />
Keith A. Dagley received a Bachelor <strong>of</strong> <strong>Art</strong>s Degree at Utah State<br />
University and taught art for 33 years. He currently produces art work full<br />
time. Most recently, Keith was featured at the 2005 & 2006 Celebration<br />
<strong>of</strong> Fine <strong>Art</strong>s in Scottsdale, George Phippen Museum’s 31st Annual<br />
Western <strong>Art</strong> Show, Prescott, Logan (Utah) Summerfest 2005, Annual<br />
Invitational Traces <strong>of</strong> the West Show, Utah 2005, Invitational Festival <strong>of</strong><br />
the American West, Utah 2005, and Odgen (Utah) <strong>Art</strong>s Festival 2005.<br />
Keith was presented Best <strong>of</strong> Show at Roy Utah Heritage<br />
Foundation Show 2005;<br />
A versatile artist working primarily in oil, Keith uses both brush<br />
and knife techniques. He also works in pastel graphite and prisma pencil,<br />
and is <strong>of</strong>ten inspired by his own experiences. A love <strong>of</strong> family, horses and<br />
ranch life, wildlife, Native Americans and their culture, both past and<br />
present, provides a wide range in the body <strong>of</strong> his work.<br />
“Recording life, whether wild, domestic, present or historical,<br />
through my artwork fulfills a great need that I have. Capturing the<br />
personality <strong>of</strong> each animal, person, or event and sharing these<br />
experiences is the principle behind my painting,” says Keith Dagley.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 6<br />
Carlos Estevez<br />
2892 Hwy 71 Bldg 2<br />
Cedar Creek, TX 78612<br />
Www.EstevezCreations.com<br />
Sculptor<br />
Carlos Estevez was born in 1947<br />
in Colombia, South America. He<br />
moved to America in 1969, arriving in New York, and became an<br />
American Citizen in 1986. Carlos’ his wife Minerva, and there three<br />
children, Uzziel, Carla, and Raquel call Austin Texas home.<br />
Carlos work in many different jobs at the sane time he<br />
attended school. In 1977 after four years <strong>of</strong> engineering studies at the<br />
Queens College he moved to Texas. In Houston he worked as a draftsman<br />
and civil engineering designer, with the same company for 12 years.<br />
At an early age his natural talents give him the opportunity to<br />
win many art contests. And always find the time to do paintings and<br />
drawings for which he always had buyers. His affection for art led him to<br />
studied, oils and acrylics at the Glassell School <strong>of</strong> <strong>Art</strong> in Houston, and clay<br />
modeling and mold making in Austin at the Elisabet Ney Museum.<br />
His involvement with art became stronger in 1987 when<br />
he co-founded “Creart US” dedicated to the sales <strong>of</strong> wildlife sculptures. In<br />
1997 Carlos and Minerva, establishes “Estevez Creations, Inc” Selling his<br />
work exclusively. His focus and passion for horses is appreciated by<br />
collectors in The USA, England, Germany, Spain, Mexico, South Arabia,<br />
Bahrain, Australia, Canada, and Japan.<br />
His execution displays the most phenomenal realism<br />
imaginable. It is so lifelike that it strikes a certain awe and passion in your<br />
heart just to look at it. You instantly see such fine details as the texture<br />
and directions <strong>of</strong> hair, prominent veins, and the bone, muscle, and<br />
tendon structure behind the surface. As <strong>of</strong> today the majority <strong>of</strong> his work<br />
is cast in polychrome marble, Each piece is<br />
hand painted differently in accordance with<br />
the colors and markings <strong>of</strong> the breed, making<br />
each sculpture <strong>of</strong> the limited edition<br />
one-<strong>of</strong>-a-kind which <strong>of</strong>fers the collector a<br />
unique work <strong>of</strong> art. By collectors request ,<br />
Carlos has begun casting his most resent<br />
work in bronze using patinas to add the color.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 1<br />
Jerry Sieve<br />
PO Box 5654<br />
Carefree, AZ 85377<br />
Sievephoto@earthlink.net<br />
Biography<br />
Visit Galeria Del Valle Escondido<br />
Born<br />
October 6, 1949, Cincinnati, Ohio<br />
28 Years Expressing the The Grand Landscape with Oil Paintings and<br />
Photography.<br />
Pr<strong>of</strong>essional Experience<br />
28 years as a landscape artist—Over 2,000 images <strong>pub</strong>lished worldwide<br />
Collections<br />
President Bill Clinton, Senator John McCain, Governor Bruce Babbitt, Numerous<br />
other individual and corporate collection<br />
Books<br />
America’s Southwest, 1985, Ohio: Images <strong>of</strong> Nature, 1990,<br />
Arizona Wilderness, 1998, Along the Arizona Trail, 1999, Arizona Trail<br />
Guidebook, 2005<br />
Partial List <strong>of</strong> Publications<br />
Arizona Highways Magazine, National Wildlife Federation, National Geographic<br />
and over 20 others<br />
Calendars (one man)<br />
Black and White (Jerry Sieve) 1988, Ohio: Images <strong>of</strong> Nature, 1990-1996<br />
Workshops<br />
Over 40 workshops in areas all cross the nation<br />
<strong>Art</strong>ist in Resident<br />
Fountain Hills High School<br />
Shows/Exhibitions<br />
<strong>Glendale</strong> Community College, 1978, Mesa Fine <strong>Art</strong>s Center, 1981, Valley<br />
National Bank, 1983, Desert Botanical Gardens, 1985, Cincinnati Nature<br />
Center, 1990, Cave Creek <strong>Art</strong> Studio, 1990, Cactus Shadows Fine <strong>Art</strong><br />
Center, 1998, Phoenix History Museum, 2005 Galleries—Picture Perfect<br />
Gallery, Main St. Scottsdale 1985-1988, Tate Gallery, Sedona 1991-<br />
1994, Cincinnati Nature Center 1988-1990, Juniper Sky Gallery, Utah<br />
2004-present, Zion Canyon Gallery 2003-present<br />
Awards<br />
60 Years <strong>of</strong> Arizona Highways Award, National Wildlife Federation<br />
Calendar Award
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 0<br />
Stephanie Saint-Thomas<br />
3930 S 3030 East<br />
Salt Lake <strong>City</strong>, UT 84124<br />
Www.saintthomasart.com<br />
Biography<br />
Stephanie was born in Madrid, Spain, in 1961<br />
to artist parents whose devotion to the arts has<br />
helped her become the accomplished artist she is today. Her early<br />
childhood was spent in Paris, where visits to the Louvre influenced her<br />
early watercolors. Her adolescence was spent in the idyllic hamlet <strong>of</strong><br />
Valkenbury, Holland, where she was surrounded by music, poetry, and art,<br />
and there developed her great appreciation <strong>of</strong> nature.<br />
Stephanie and her parents moved to Salt Lake <strong>City</strong> in 1975.<br />
While she attended the University <strong>of</strong> Utah on a theatre scholarship, the<br />
demand for her hand-painted jewelry increased, and she soon devoted<br />
herself exclusively to creating her whimsical jewelry line that was carried<br />
by Saks Fifty Avenue. She also began receiving commissions from interior<br />
designers for her hand-painted tables and wall-sized mirrors.<br />
Stephanie is now creating a collection <strong>of</strong> large-scale acrylic<br />
landscapes. Her <strong>of</strong>ten mystical and expressionistic renderings <strong>of</strong> land<br />
and sea reflect the beauty, mystery, and enchantment that she sees in all<br />
<strong>of</strong> life.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 7<br />
Made in the Shade<br />
Kaleidoscopes<br />
Steve Failows<br />
4801 Westland Rd<br />
Cave Creek, AZ 85331<br />
Www.scopesmadeintheshade.com<br />
By 1980, after having spent many years in the<br />
employ <strong>of</strong> the US Postal Service on Long Island<br />
New York, I felt I was not manifesting my<br />
creative abilities in my life (which were inspired and helped along by my<br />
beloved and eccentric Aunt Jeann) so rather than risk “going postal” as<br />
was a frequent consequence at the time, I devoted myself in earnest to<br />
my artistic pursuits. I experienced some success with my custom stained<br />
glass and glass etching and soon realized that I could support myself<br />
doing something I love to do. There is no greater satisfaction in life (in my<br />
opinion) than doing what you really enjoy. And soon after I began my artistic<br />
journey, I realized that I had it “made in the shade”, hence the name<br />
<strong>of</strong> my business.<br />
In the ensuing years, I owned and operated numerous storefront<br />
studios where I taught my craft to countless students. All are<br />
enlightening, humbling and educational. I made my first mesmerizing<br />
kaleidoscope in 1984, and after a hundred more, decided I needed a<br />
change in scenery. In 1993, I fed the snow <strong>of</strong> New York to the sunshine<br />
<strong>of</strong> Arizona and transitioned my creative efforts into making unique, and I<br />
hope fascinating, kaleidoscopes as my full time pr<strong>of</strong>ession.<br />
My goal is to make these kaleidoscopes mirrored tubes <strong>of</strong> magic<br />
irresistible to children and adults alike. If I can come close to my goal and<br />
provide you with some enjoyment from my creations, then I consider<br />
myself to be a lucky man. I enjoy making a broad range <strong>of</strong> different<br />
kaleidoscopes from small hand held ones (eight inches long) to much<br />
larger floor models (up to 25” long). I use a wide variety <strong>of</strong> fine materials<br />
for my kaleidoscopes including stained glass wood, brass and ceramics. I<br />
make the pedestals from unique manzanita wood burls, stone, fossils and<br />
crystal formations. I travel to and display my art at shows and exhibits<br />
throughout the country. I hope you have the opportunity to experience<br />
the visual magic <strong>of</strong> my kaleidoscopes and can find some inspiration in<br />
them for yourselves. Then I will really have it “Made in the Shade”.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 8<br />
Graydon Foulger<br />
365 Clark Street<br />
Murry, UT 84107<br />
Painter, Sculptor &<br />
Painting Instructor<br />
The artist states, ”I love to paint. I try<br />
to do so forthrightly in order to make my<br />
response to the subject matter as honest and interesting as possible. My<br />
objective is to paint with good design, interesting shapes, good value<br />
readability and exciting color.”<br />
A native <strong>of</strong> Salt Lake <strong>City</strong>, Utah, he studied art at Utah State<br />
University, The University <strong>of</strong> Utah and Brigham Young University and<br />
concurrently taught classes at Brigham Young University . Graydon was<br />
also an art student with the European <strong>Art</strong> Academy in Europe in 1966,<br />
studying in the many museums, art galleries and studios throughout<br />
Europe.<br />
Graydon’s works can be found in many private and <strong>pub</strong>lic<br />
collections and have shown in numerous art shows and exhibits, some <strong>of</strong><br />
which have given him special recognition. He has also received private<br />
and <strong>pub</strong>lic commissions including an historical scene for the permanent<br />
collection <strong>of</strong> the <strong>City</strong> <strong>of</strong> South Salt Lake, which was used in conjunction<br />
with their 50th year celebration.<br />
<strong>Art</strong>ists are magicians <strong>of</strong> a sort, conjuring the essential beauty <strong>of</strong><br />
a subject then capturing that beauty with pigment and brush through<br />
some painterly sleight <strong>of</strong> hand.<br />
Like all good magicians—and artists—Graydon Foulger conjures<br />
magic and beauty from the most ordinary subjects: a simple vase <strong>of</strong><br />
flowers, a quiet landscape. And like all true talents, he is able to work his<br />
genius regardless <strong>of</strong> time and place. “I love painting ‘en plein air’,<br />
choosing my subjects spontaneously,” says Graydon, who moves<br />
effortlessly from still life to urban material to the continuing delight <strong>of</strong><br />
collectors.<br />
Graydon devotes his time completely to art. The result is truly<br />
nothing less than wondrous, as this self described traditionalistimpressionist<br />
grows more adept with his delightful brand <strong>of</strong> magic each<br />
year. “<strong>Art</strong> is a progressive path,” he notes. “And you only have a short<br />
time to catch the moment before the light changes.” Graydon, the<br />
magician and the artist, catches those moments for us all.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 9<br />
Biography<br />
Gregory Reade<br />
5580 LaJolla Blvd. #504<br />
LaJolla, CA 92037<br />
Www.gregoryreade.com<br />
Gregory Reade has been creating<br />
as an artist and sculptor since 1982. His early work included decorative<br />
masks, special effects makeup and animation models for short films.<br />
A brief stint in movie production and special effects spurred his interest<br />
in sculpture. Further inspired by travel to Paris, Florence and New<br />
York, Reade left a computer industry career to devote all <strong>of</strong> his time to<br />
sculpting.<br />
Extensively self-taught, Reade, a Scottsdale native, started<br />
studying figure sculpture close to home in La Jolla and San Diego,<br />
California. Most recently he has attended workshops at the Scottsdale<br />
<strong>Art</strong>ist’s School in Arizona. The intensive training provided by leading<br />
artists at these workshops has quickly enhanced Reade’s skills to higher<br />
levels <strong>of</strong> excellence.<br />
Reade now specializes in contemporary figurative sculpture in<br />
bronze. The permanence and natural beauty <strong>of</strong> bronze makes it the ideal<br />
medium for his three-dimensional work. Reade's sharp eye and sly humor<br />
are keenly wrought in this expressive material, as both single and multiple<br />
figure compositions. The more complex pieces allow for the direct<br />
expression <strong>of</strong> relationships between the subjects, a result that can only<br />
be implied by solitary figures.<br />
The thrill <strong>of</strong> expressing thoughts and<br />
emotions through the human figure is central<br />
to Reade's sculpture. Reade continues<br />
to create his sculpture at an accelerated<br />
pace, further energized by the successful<br />
completion <strong>of</strong> each project, and the growing<br />
recognition <strong>of</strong> a "G. Reade" work. He looks<br />
forward to the audience reaction to his<br />
compositions, and to the ideas they express.<br />
Gregory Reade’s sculpture is regularly shown in juried exhibitions<br />
throughout the U.S. garnering Best Sculpture awards in Scottsdale,<br />
Hilton Head and Crested Butte. Private collections <strong>of</strong> Reade’s sculpture<br />
are located throughout the United States.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 8<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 9<br />
Jerry Portelli<br />
8427 E Chaparral Road<br />
Scottsdale, AZ 85250<br />
602-679-6199<br />
Born:<br />
January 29, 1967, Detroit, Michigan<br />
Education:<br />
Biography<br />
Arizona State University, Bachelors <strong>of</strong> Fine <strong>Art</strong>s, May 1993<br />
Individual Exhibition:<br />
Innocence <strong>of</strong> Youth 197 Grady Gammage Tempe, Arizona<br />
Group Exhibitions:<br />
“Arizona Room” 2003-2004 Mesa <strong>Art</strong>s Center Mesa, Arizona<br />
“The Portrait” 2004 ReZurrection Gallery Tempe, Arizona<br />
“Benefit for West Memphis Three” 2004 Perihelion <strong>Art</strong>s & Trunk Space,<br />
Phoenix, Arizona<br />
“Photo Melange” 2004 ReZurrection Gallery Tempe, Arizona<br />
<strong>Art</strong> Detour 2002-2003-2004 Mystery Gallery Phoenix, Arizona<br />
2Kaotik Guerilla <strong>Art</strong> Gallery Jan-Dec 2004 Phoenix, Arizona<br />
“Feed the Body, Feed the Soul” Fitton Center for the Creative <strong>Art</strong>s<br />
Hamilton Ohio 2001—Juror’s Choice Gallery, 1999- Honorable Mention<br />
1998-2nd Place<br />
“Light Sensitive” 1998 Mesa <strong>Art</strong>s Center Mesa, Arizona<br />
“Solarlobotomy”, “Mission to Mars” 1998 M.A.R.S. <strong>Art</strong>space Phoenix, AZ<br />
“Photo-Extreme” 1998 Prescott Fine <strong>Art</strong>s Assn Prescott, AZ (1st Place)<br />
M.A.R.S. Annual Blu-Lite Invitational 1997 M.A.R.S. <strong>Art</strong>space Phoenix, AZ<br />
<strong>Art</strong>lik, Inc.’s 1st Annual Juried Exhibition 1997 Hotel San Carlos Phoenix<br />
“La Phoeniquera XVII” 1997 M.A.R.S. <strong>Art</strong>space Phoenix, AZ<br />
“Photowork 96” 1996 Barrett House Galleries Poughkeepsie, NY<br />
Traveling Exhibitions:<br />
AZ Commission on the <strong>Art</strong>s 2000-2002 Traveling Exhibitions Program<br />
“Light Sensitive”<br />
Mesa <strong>Art</strong>s Center, Mesa, Arizona<br />
Biography<br />
Carol Ruff Franza<br />
Www.carolrufffranza.com<br />
A bit <strong>of</strong> the south lingers in the speech <strong>of</strong> Carol Ruff Franza; she<br />
was born in New Orleans and reared in southern states.<br />
Her art education began at Ringling School <strong>of</strong> <strong>Art</strong> in Sarasota,<br />
Florida. Carol continued her studies at The Atlanta School <strong>of</strong> <strong>Art</strong>,<br />
Callanwolde and Spruill Center for the <strong>Art</strong>s.<br />
In adulthood, Carol has lived in New York, Virginia, California,<br />
Georgia, Illinois, Arizona and Washington, before returning to Scottsdale,<br />
AZ. She has been exposed to many forms <strong>of</strong> art through her travels<br />
abroad.<br />
Early on Carol fell in love with sculpting. She studied sculpture at<br />
the Scottsdale <strong>Art</strong>ist School in Arizona, the Loveland Academy in<br />
Colorado, and Monterey, California. She studied portrait, figure, bas relief,<br />
equine, bird and animal sculpting with many fine masters.<br />
Relocation to Bainbridge Island, Washington brought the<br />
opportunity to participate in Bainbridge Island <strong>Art</strong> Walks. This was a<br />
tremendous success for Carol.<br />
In 2004, Carol was commissioned by Desert Mountain High<br />
School in Scottsdale, Arizona to sculpt a full-size wolf, the school's<br />
mascot, that will mark the tenth anniversary <strong>of</strong> the school's opening.<br />
The sculptor now resides in Scottsdale where she continues her work,<br />
creating classical bronze sculptures and terra cotta forms filled with<br />
energy, grace, and spirit.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 0<br />
John Gleason<br />
371 N Carriage Lane<br />
Chandler, AZ 85224<br />
www.Quantum<strong>Art</strong>Inc.com.<br />
Copper “A common metallic element that<br />
is ductile and malleable…”<br />
John L. Gleason is a nationally known sculptor<br />
whose vibrant spirit and generous nature extend<br />
into his creative state. He does not shy away from issues in life or in his<br />
art. John believes the function <strong>of</strong> art is to encourage thought—from the<br />
artist as well as from the viewer.<br />
As the artist, he feels it is important to search out challenges in<br />
creativity and composition. He expects his work to feel fresh and be<br />
fascinating to its viewer. In our chaotic world, his sculptural works in<br />
copper and other metals seem to evoke feelings <strong>of</strong> comfort.<br />
For the art spectator, John thinks art should describe the<br />
concerns, passions, and intentions <strong>of</strong> our culture—from pleasure to<br />
artistic freedoms to social awareness. “I have developed my skills with<br />
metals, my intrigue for contemporary composition, and my passion for<br />
changing the Earth’s elements into art. <strong>Art</strong> is not just something I want to<br />
do, it is something I MUST do…I have been pulled in art’s direction since I<br />
was small. Today I find that while my energy for creating is obsessive, it is<br />
also centered…my art is fulfilling…I hope you will find it satisfying, too.”<br />
Through the process <strong>of</strong> heating established metal compounds, John<br />
creates diverse sculptures with 20 th century technology such as solder,<br />
oxygen acetylene torches, and MIG welding. John works in copper as well<br />
as other tactile materials such as canvas, ceramics and glass.<br />
John is the owner <strong>of</strong> Quan’tum <strong>Art</strong>, Inc.—a Phoenix/Chandler<br />
based company specializing in fine art and commissioned work. QAI<br />
ships art worldwide and conducts open studio tours for groups like the<br />
Scottsdale Museum <strong>of</strong> Contemporary <strong>Art</strong>, Adventures in <strong>Art</strong>, various<br />
design groups, and also various non-pr<strong>of</strong>it groups. He has several <strong>pub</strong>lic<br />
art commissions in Chandler, Arizona. Among other exhibitions his work<br />
has been featured in solo and group shows at the Chandler (AZ) Center<br />
for the <strong>Art</strong>s and at Western International University. John’s artwork is<br />
collected by <strong>pub</strong>lic, corporate, and private art patrons and can be seen in<br />
collections across the nation. He is represented by Quan’tum <strong>Art</strong>, Inc.,<br />
and By Work <strong>of</strong> Mouth Gallery, Scottsdale, AZ. His work can also be seen<br />
on the web at www.Quantum<strong>Art</strong>Inc.com.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 7<br />
Biography<br />
Narciso Piu<br />
3019 w Walden Drive<br />
Anthem, AZ 85086<br />
623-879-3213<br />
A tribute to Native Americans everywhere—people<br />
vibrant with color, brimming with integrity, and full <strong>of</strong> character.<br />
This collection blends color, shape, form, character portrayal,<br />
soul, personality, and gratitude; with a stylized interpretation <strong>of</strong> Italian<br />
Impressionism.<br />
He utilizes more-than-life colors to depict the vibrant Native<br />
American people. In addition, he places color where there’s usually none’<br />
to build a third dimension in each painting.<br />
Narciso began drawing the hills and valleys <strong>of</strong> the Italian town<br />
where he grew up. He studied at the “Instituto Statale D’<strong>Art</strong>e” in Italy, and<br />
later at the school <strong>of</strong> Visual <strong>Art</strong>s in Manhattan, New York.<br />
When Narciso was 25, he became a United States citizen and<br />
was quickly discovered by Manhattan-based Metro Graphics; a leading<br />
newspaper advertising firm. He was later named “Feaure Illustrator” and<br />
was one <strong>of</strong> the most <strong>pub</strong>lished newspaper artists in the country. He now<br />
resides in Anthem, Arizona.<br />
Narciso was awarded Ribbon <strong>of</strong> Excellence at the Anthem<br />
Festival <strong>of</strong> Fine <strong>Art</strong>s 2006 for his oil on canvas.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 6<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 1<br />
Ken Newman<br />
2928 Hwy 71<br />
Cambridge, ID 83610<br />
Www.natureartists.com/ewmank.htm<br />
<strong>Art</strong>ist &<br />
Musician<br />
Greg Hale<br />
11368 W Locust Lane<br />
Avondale, AZ 85323<br />
Www.greghalemusic.com<br />
Biography<br />
Whether sculpting from a single raw form<br />
<strong>of</strong> wood or with clay, my goal is to create a respect for nature and man.<br />
Using a process that involves technique, craftsmanship and design<br />
combined with thought, beauty and emotion, I strive to create unique<br />
sculptures.<br />
Inspired by my travels and varied experiences, my sculptures are<br />
a reflection <strong>of</strong> personal and societal interpretations <strong>of</strong> nature and man’s<br />
interaction within the environment. As man becomes distanced from the<br />
natural world, I hope to capture a unique view <strong>of</strong> nature, where personal<br />
discovery becomes a focal point.<br />
Traveling and researching extensively in remote as well as with<br />
urban cities, my sculptural ideas are based on a foundation <strong>of</strong> abstract<br />
designs, complex compositions and story lines. Driven by my pure love<br />
and appreciation for wood and wildlife I suppose is the challenge that<br />
drives me on the path <strong>of</strong> a sculptor.<br />
PERSPECTIVE ON THE ARTIST<br />
More than 40 years <strong>of</strong> outdoor experience serves as the<br />
inspiration for wildlife artist Ken Newman. An avid outdoorsman,<br />
Newman grew up along California’s Redwood Coast, where at an early<br />
age he developed an awareness <strong>of</strong> nature and a passion for wood.<br />
Although each <strong>of</strong> Newman’s wood and bronze sculptures<br />
captures the essence <strong>of</strong> its subject, they express his reaction to<br />
conditions, forces or people in society. In Ken’s sculptures, there is always<br />
more than just a beautiful figure <strong>of</strong> wildlife—the composition and finish—<br />
all direct the viewer’s eyes and mind to a broader perception <strong>of</strong> nature.<br />
Greg Hale is both a masterfully accomplished painter<br />
and an extraordinarily gifted musician and composer.<br />
With a seemingly endless flow <strong>of</strong> energy and inspiration, he revels in the<br />
creative process, and the images and sounds that emanate from his work<br />
are suffused with both a potent life force and a deeply ingrained spirituality.<br />
As meaningful as the fruits <strong>of</strong> Hale's artistic endeavors - which are<br />
so elegantly showcased on One Mind-- is the uplifting philosophy that drives<br />
his vision, both creatively and in his personal sphere. Hale is deeply<br />
committed to putting forth a consistently positive message in tandem with<br />
his art, stressing core values <strong>of</strong> integrity, family, loyalty, forthrightness, and<br />
the aim to always "Do what's right. That may not be the easiest thing in the<br />
short term," says Greg, "but there's a balance that occurs, metaphysically,<br />
when you do the right thing, and ultimately you have to trust the universe<br />
for you. I've learned," he continues, "that yesterday ended last night. No<br />
matter what the situation, you need to find a way to move forward and let<br />
the life force flow through you, or else you can't be true to who you are.<br />
"During meditation," explains Hale, "I <strong>of</strong>ten experience my<br />
paintings as if they already exist…I gain glimpses <strong>of</strong> forms, shapes, colors,<br />
and the 'feeling' <strong>of</strong> a particular piece. My intention is to raise consciousness<br />
through expressing these images."<br />
Hale's new work fluently emerged in a dynamic, modernistic style,<br />
incorporating elements <strong>of</strong> cubism, abstract expressionism and<br />
surrealism among the tools in its visual vocabulary. Executed with a<br />
luminous palette, magnificently rendered detail and mature painterly<br />
technique, Greg's canvases both shimmer with the pure beauty <strong>of</strong> their<br />
surface and resonate with the spiritual and metaphysical messages that<br />
inspired their creation.<br />
"Ever since I was in college," says Hale, "I felt that music and art<br />
can co-exist in the same space, with synchronicity. Then, I couldn't get to a<br />
point where I could actually conceive it. It's been cooking all this time." The<br />
paintings, he explains, are "Not an exact image <strong>of</strong> what the songs are about,<br />
but a starting point for people to see, and then go on from there."<br />
In fact, in Hale's creative process, it is unpredictable whether the picture…or<br />
the melody, comes first. synergy and enhanced levels <strong>of</strong> meaning they will<br />
lend each other. As Hale continues to pursue his multi-sensory life passions,<br />
he will do so always with an aim to elevate and uplift. "I think people<br />
will be receptive," he says. "We need that now."
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 2<br />
Paul Hawkins & Susan Zalindt<br />
PO Box 531<br />
Camp Verde, AZ 86322<br />
Www.alabaster.net<br />
Biography<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 5<br />
Biography<br />
Jane Nassano<br />
PO Box 7229<br />
Phoenix, AZ 85011-7229<br />
Jnassano@cox.net<br />
We are reviving a rare material<br />
and seldom used gemstone that<br />
conjures up images <strong>of</strong> King Tut and Renaissance sculpture. Alabaster.<br />
We have trekked over seven states to unearth a full plate,<br />
prospecting rare colored stone to create unique and functional forms.<br />
Because Alabaster has been little used in the last hundred<br />
years, traditional tooling was not adequate. New forms require new tools,<br />
and a system for working the stone had to be engineered. By marrying<br />
ancient carving techniques with space age tools a high degree <strong>of</strong><br />
spontaneity and delicacy with the material has been achieved.<br />
The creations reflect nature’s simple elegance—its shapes,<br />
flowers, rockscapes, colors, faces and figures. The functional formscontainers,<br />
bowls, and lamps invite personal involvement. The work is a<br />
celebration <strong>of</strong> the materials <strong>of</strong> the Earth. We combine Alabasters with<br />
other gemstones, rare fossils, mineral specimens, crystals and fine<br />
woods. The medium and the functional aspect <strong>of</strong> the work make this a<br />
most singular art form.<br />
Transforming raw stone into vessels <strong>of</strong> beauty is the creative<br />
process that engages most <strong>of</strong> our time. It is a dialogue between the<br />
maker and the piece. The stone speaks. When we listen and respond a<br />
harmony is created and we sing together. The resulting pieces speak for<br />
themselves—they have a life <strong>of</strong> their own.<br />
Selling and promoting the work is the completion <strong>of</strong> our process.<br />
Just as we have a dialogue with the stone so too do we have one with our<br />
patrons. There happens a trinity between the buyer, the maker, and the<br />
piece. The energy from that exchange is exhilarating and helps to initiate<br />
new beginnings.<br />
While recognized throughout the western United<br />
States for her vibrant pastel paintings, artist Jane Nassano is the best<br />
known for her diversity. Her large scale, s<strong>of</strong>t pastel florals, nudes and<br />
landscapes captivate her viewers and collectors.<br />
Jane Nassano holds a Bachelor’s Degree in Fine <strong>Art</strong>s from<br />
Arizona State University, with a specialization in Graphic Design and has<br />
completed her Post Graduate work at the <strong>Art</strong> Center College <strong>of</strong> Design in<br />
Pasadena, California.<br />
Nassano’s art and business experience is extensive, having<br />
founded and managed her own design firm in Orange County, California.<br />
Her background also includes a twenty-four month project in Barbados,<br />
West Indies, developing a neon design-production plant. As both founder<br />
and Senior Designer, Nassano integrated the disciplines <strong>of</strong> graphic<br />
design, fine art and technical acumen in her role.<br />
With the Arizona desert calling her back, Nassano’s return to<br />
Arizona in 1992 was accompanied by a shift in her career commitment to<br />
fine art, where she continues to be a working artist. Nassano has<br />
exhibited at sites in Canada, California, Colorado, Wyoming, Nevada, Utah<br />
and throughout Arizona. Currently she is represented by the Norby Gallery<br />
in Cave Creek, Arizona where she will be the featured artist for the month<br />
<strong>of</strong> February 2006, showing her latest series <strong>of</strong> nudes. She is also<br />
exhibiting this year at the prestigious Arizona Fine <strong>Art</strong> Expo in Scottsdale.<br />
Nassano accepts commissions for a wide range <strong>of</strong> subject<br />
matter. For more information visit www.janenassano.com.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 4<br />
Troy Moody<br />
1127 W 17th Street<br />
Tempe, AZ 85281<br />
Troymoody@yahoo.com<br />
Biography<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 3<br />
Pr<strong>of</strong>ile <strong>of</strong> a Painter<br />
Cindy W. Hill<br />
1455 Ocean Dr. #1104<br />
Miami Beach, FL 33139<br />
Cindyhillus@yahoo.com<br />
Troy Moody is a visual artist<br />
working in contemporary art glass.<br />
Although the traditional techniques<br />
he uses to create his art has<br />
changed very little in nearly 900<br />
years, his modern appreciation <strong>of</strong> design and line composition gives his<br />
work a fresh originality. As an artist Troy explores the use <strong>of</strong> translucent,<br />
transparent and opaque glass to create a subtle interplay <strong>of</strong> color, texture<br />
and visual pulsation. His art glass panels show intuitive color selection<br />
and a confidence in spontaneity.<br />
Troy Moody has been honored to study with some <strong>of</strong> the leading<br />
glass masters working in America today and continues to seek out<br />
opportunities to expand his glass repertoire. He has completed<br />
numerous commissioned installations for religious, commercial and<br />
private spaces in Arizona, New Hampshire, Massachusetts and Maine.<br />
Color, texture, narrative integrated<br />
with abstraction and all defining a unique<br />
sense <strong>of</strong> style and design meet the art <strong>of</strong><br />
Cindy Hill.<br />
Adamar Fine <strong>Art</strong>s in Miami chose to feature Ms. Hill in its recent<br />
Summer Showcase. Adamar is a leading, if not the leading gallery, in the<br />
culturally diverse and sophisticated South East.<br />
“Entertainments News and Views” appropriate featured Ms.<br />
Hill’s paintings in a recent issue. The painting featured was a<br />
silhouette <strong>of</strong> a mysterious man seated under an umbrella. A powerful<br />
image.<br />
Cindy is most generous with her work, having made multi-year<br />
contributions <strong>of</strong> her art to Victory School, a school for Autistic<br />
Children in Miami.<br />
Ms. Hill, a graduate <strong>of</strong> the School <strong>of</strong> <strong>Art</strong> Institute <strong>of</strong> Chicago,<br />
now resides and paints in South Beach.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 4<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 3<br />
Dan Hill<br />
9045 South 1300 East<br />
Sandy, Utah 84094<br />
Www.danhillsculpture.com<br />
Sculptor<br />
Dottie Mitchell<br />
12725 W Roanoke Avenue<br />
Avondale, AZ 85323<br />
Www.artzbiz.com<br />
The <strong>Art</strong> <strong>of</strong> People at Play aptly describes<br />
the bronze sculpture <strong>of</strong> Utah artist Dan L.<br />
Hill. His works capture the charm <strong>of</strong><br />
children on their own terms, the drama<br />
and energy <strong>of</strong> outdoor action activities, and the exquisite grace and<br />
beauty <strong>of</strong> the ballet. Dan’s sculpture specialty is undoubtedly children. He<br />
attempts to capture, in a realistic way, the fleeting expressions,<br />
uninhibited playfulness, and sense <strong>of</strong> wonder that children exhibit on a<br />
daily basis. Dan spends a great deal <strong>of</strong> time unobtrusively observing and<br />
photographing children in their natural environments before he begins<br />
work on a new sculpture. Once he decides on a particular composition, he<br />
works extensively with live models to capture the realism he hopes to<br />
convey with his sculpture.<br />
Dan’s talent for sculpting emerged accidentally when he created<br />
a small bust bearing a remarkable likeness <strong>of</strong> actor Lee Marvin while<br />
playing around with some children’s play dough. Dan began sculpting on<br />
a full-time basis in 1995 with remarkable results. His first life-size<br />
sculpture, the expressive little "Cowboys Don't Take Naps," won several<br />
awards and found its’ way into the permanent collections <strong>of</strong> the<br />
Springville, Utah <strong>Art</strong> Museum and the <strong>City</strong> <strong>of</strong> Loveland, Colorado. Since<br />
that time Dan has created an impressive collection <strong>of</strong> life-size bronze<br />
sculpture <strong>of</strong> children and he always has several new works in progress.<br />
His special talent for capturing expression and likenesses also keeps him<br />
busy with commission work. Dan’s work appears in <strong>pub</strong>lic and private<br />
collections throughout the country.<br />
Dan was born and raised in Salt Lake <strong>City</strong>, Utah. After<br />
graduating from San Diego State College in 1951, he served two years in<br />
the military. Dan was awarded the Bronze Star Medal for Meritorious<br />
Achievement in Ground Operations Against the Enemy. Dan married<br />
Helen Sheppard in 1955. Dan and Helen have three adult children and<br />
seven grandchildren. Dan's grandchildren are a favorite source <strong>of</strong><br />
inspiration for his sculpture.<br />
Dan’s sculpture studio is located at the Hill Gallery & Sculpture<br />
Park, Sandy, Utah. Dan’s entire collection <strong>of</strong> bronze sculpture is on<br />
display at the gallery, including numerous outdoor bronzes tastefully<br />
displayed among the beautiful perennial gardens, stone work, and<br />
waterfall <strong>of</strong> the Sculpture Park.<br />
Abstract Design, Photography,<br />
Water & Mixed Media<br />
Dottie studied art in college and rekindled her interest by taking<br />
a watercolor class with a friend in 1989.<br />
She believes that art is the appreciation <strong>of</strong> color, value and<br />
balance and how they work together to make an exciting painting or<br />
photograph.<br />
Dottie moved to Phoenix, Arizona, from Missouri in 1996. Soon<br />
after moving she started painting with new friends. She has studied with<br />
Dick Phillips, Annie Wu, Diane Maxey, Tanya and Pat Lambrecht and<br />
more.<br />
She is a member <strong>of</strong> <strong>Art</strong> League West, Phoenix <strong>Art</strong>ist Guild,<br />
Arizona <strong>Art</strong> Alliance, and West Valley <strong>Art</strong>s Council.<br />
Her work is displayed at the Arizona State Capitol and Palm<br />
Valley Rehab Center. Her most recent sales include the collection <strong>of</strong> Bob<br />
Serger. See her latest work at the Litchfield Park Festival <strong>of</strong> the <strong>Art</strong>s—<br />
Spring and Fall Shows.<br />
Dottie <strong>of</strong>fers custom painting in the form <strong>of</strong> acrylics, water<br />
media or mixed media on paper or canvas. She also <strong>of</strong>fers murals done in<br />
your home. She can custom paint in your decorating colors and work<br />
from the pictures you provide.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 2<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 5<br />
Sarah McAnerny<br />
Tre Sorelle Home Designs, Inc.<br />
3717 W Fetlock Trail<br />
Phoenix, AZ 85085<br />
www.tresorellehomedesigns.com<br />
Biography<br />
Biography<br />
Feng Jin<br />
Www.dreamcatcherarts.com<br />
Sarah McAnerny, is a co-owner and artist <strong>of</strong> Tre<br />
Sorelle Home Designs, Inc., a decorative arts firm that specializes in fine<br />
hand-painted artwork and home accessories for the sophisticated home.<br />
They <strong>of</strong>fer unique hand-painted tile murals, leather tapestries, furniture,<br />
children’s décor, wall hangings, accessories, and giftware.<br />
Sarah has studied and worked in the fine studio and decorative<br />
arts for over 12 years, with a degree from Grand Canyon University. Her<br />
companies have been featured several times in the Arizona Re<strong>pub</strong>lic and<br />
Channel 3’s “Good Evening Arizona.” She studied European gardens,<br />
architecture, and décor that surrounded her. She is also inspired by<br />
Asian and contemporary themes. Her style is colorful and whimsical,<br />
ranging from the dramatic to the ethereal. His favorite subject matters<br />
are gardens, and scenes from nature. A native <strong>of</strong> Phoenix, she loves to<br />
capture the cool and refreshing scenes <strong>of</strong> beautiful outdoor places and<br />
gardens to bring inside, a nice escape from the arid desert she knows so<br />
well.<br />
Sarah is married to a Phoenix Police Officer, and they just had their first<br />
child, son Robby, in September <strong>of</strong> 2005. They reside in North Phoenix.<br />
Born in Harbin, China <strong>of</strong> Korean descent, Jin grew<br />
up as the son <strong>of</strong> a machinist. His creativity came<br />
from early childhood. The young Feng Jin <strong>of</strong>ten played in his father’s work<br />
place and fell in love with hand tools, old gears and other bent metals.<br />
After graduating from high school, Jin went to the Central Institute <strong>of</strong> Fine<br />
<strong>Art</strong>s <strong>of</strong> China, Beijing, putting in five years <strong>of</strong> studying and creating<br />
sculptures.<br />
Although most <strong>of</strong> the <strong>Art</strong> Institutes in China did not cover metal<br />
sculpture at that time, Jin was encouraged by teachers to move forward<br />
into metal sculpture’s design and production. Due to the limitation <strong>of</strong><br />
tools and materials, producing metal sculptures proved to be difficult and<br />
challenging for a college student. Jin <strong>of</strong>ten needed to lean on his father<br />
for use <strong>of</strong> metal welding and fabricating equipment in the governmentowned<br />
machine shop. The materials he used were mostly scrap metals<br />
and parts from some machines. Since then, Jin has self trained in metal<br />
work and being more interested in abstract sculpture making.<br />
After graduating from college, Jin became a pr<strong>of</strong>essor teaching<br />
sculpture and art history in the Fine <strong>Art</strong>s Department <strong>of</strong> Xuan Wu Hong Qi<br />
Vocational University, Beijing. Three years later, he decided to come to the<br />
U.S. to continue refining his style and improving production techniques in<br />
metal. Jin works in a variety <strong>of</strong> metals: bronze, steel, stainless steel and<br />
cast iron. His work represents a variety <strong>of</strong> styles and subjects, with forms<br />
ranging from realistic bust/figure sculptures to large abstract metal<br />
pieces.<br />
Creating large sculptures is Jin’s goal. His dream is to have a<br />
sculpture park in which his metal <strong>of</strong>fspring can run free.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 6<br />
Michael Jones<br />
1059 Halverson Road<br />
Bigfork, MT 59911<br />
Www.michaeljonessculpture.com<br />
Biography<br />
At seven years old, Michael found<br />
his first arrowhead. This discovery ignited<br />
in him a passion for ancient history and<br />
prehistoric cultures. This passion, combined with his love for the beauty<br />
and enduring qualities <strong>of</strong> fabricated steel, fuels his artistic career.<br />
Michael was born and raised in Napa Valley in northern<br />
California. Since 1975, he and his wife Karen, have made their home in<br />
Bigfork, which is in the beautiful Flathead Valley in northwestern<br />
Montana. They own an original log homestead on 65 acres, which they<br />
have restored and preserved. They have four grown children and 4<br />
grandchildren.<br />
For more than twenty years, Michael has followed his heart and<br />
created pieces that edify and educate. The joy and excitement <strong>of</strong> that<br />
first discovery have only continued to grow in his life and it is this force<br />
that infuses his work.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 1<br />
Biography<br />
Bill Leibow<br />
5516 N Camelback Canyon Drive<br />
Phoenix, AZ 85018<br />
Weleibow2msn.com<br />
Bill Leibow is a large format, black and white, photographer who<br />
has turned his passion for photography into beautiful works <strong>of</strong> art.<br />
Ranging from landscapes to still life, Bill’s images provide a unique vision<br />
<strong>of</strong> the world. His use <strong>of</strong> the subtle range <strong>of</strong> tones in black and white express<br />
the emotion <strong>of</strong> the moment.<br />
Throughout his extensive travels, Bill has photographed ancient<br />
ruins; breathtaking scenery and intimate close ups <strong>of</strong> nature, architecture<br />
and sculpture. All <strong>of</strong> his work is printed by hand. Each image displays the<br />
play <strong>of</strong> light and shadow and a rich range <strong>of</strong> tones.<br />
A Dentist by pr<strong>of</strong>ession, Bill has had a life long love <strong>of</strong> art. He<br />
discovered large format photography ten years ago. Since that time he<br />
participates in all aspects <strong>of</strong> creating photographic images; from<br />
photographing in the field, printing in the dark room to matting and<br />
framing the work. He brings the same attention to detain and focus<br />
demanded by dentistry to his art. The results are beautiful, sensitively<br />
printed, images.<br />
Bill’s work can be found in numerous private, corporate and<br />
government, collections throughout the United States. He has presented<br />
a solo exhibition at the Cultural Exchange Gallery in Scottsdale, Arizona.<br />
He has participated in photographic exhibitions at the Desert Caballeros<br />
Museum in Wickenburg, Arizona and at the Chandler Center for the <strong>Art</strong>s in<br />
Chandler, Arizona. He participated in the Scottsdale Museum <strong>of</strong><br />
Contemporary <strong>Art</strong>s’ Studio Tours 04. He received the “Best in Show”<br />
award from Photographic competition sponsored by Robb and Stucky. He<br />
is a juried member <strong>of</strong> the Sonoran <strong>Art</strong> League and Imageworks. He<br />
participates in their fall and spring exhibitions.<br />
Bill is currently represented by the Larsen Gallery in Scottsdale,<br />
Arizona. For more information or to view his complete portfolio visit the<br />
website www.leibowfineart.com You can visit his darkroom and gallery by<br />
appointment at Camelback Canyon Studios, Leibow Fine <strong>Art</strong> phone:<br />
602-840-8441.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 3 0<br />
Ellen Leibow<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 7<br />
Jacque Keller<br />
5516 N Cambelback Canyon Drive<br />
Phoenix, AZ 85018<br />
Www.leibowfineart.com<br />
Biography<br />
14025 S 5th Street<br />
Phoenix, AZ 85048<br />
Info@quantumartinc.com<br />
Passion “A desire or emotion;<br />
opposing thought and reason”<br />
Ellen Leibow loves color. Her paintings regardless <strong>of</strong><br />
the medium reflect her delight in colors and<br />
textures. Ellen has had a life long love for art and<br />
has been painting and drawing for as long as she can remember. Her<br />
serious art study began ten years ago. She has pursued her work through<br />
academic courses, study with guest artists at the Scottsdale <strong>Art</strong>ist School<br />
and workshops throughout the world. Ellen works in various mediums<br />
from watercolor, pastel, and acrylic and now oils. She enjoys many forms<br />
<strong>of</strong> expression from landscapes to still life to abstract design. Her current<br />
passion is to express the emotion <strong>of</strong> the moment through painting in the<br />
Plien Air tradition. Her work reflects the immediacy <strong>of</strong> the light and<br />
atmosphere in color and shape.<br />
Ellen and her husband Bill, who is a photographer, travel<br />
extensively throughout the world recording the light and mood <strong>of</strong> the<br />
places they visit. Her greatest joy is to paint on location, capturing the<br />
essence <strong>of</strong> the time and place. She also explores the changing desert<br />
landscape from her studio at the foot <strong>of</strong> Camelback Mountain in Arizona.<br />
Ellen has participated in exhibitions from the Arizona Watercolor<br />
Society to juried shows at the Chandler Center for the <strong>Art</strong>s. She has had<br />
exhibitions <strong>of</strong> her work at the Norby Gallery, <strong>Art</strong>ismo Gallery, Phoenix<br />
Chamber <strong>of</strong> Commerce, and the <strong>of</strong>fices <strong>of</strong> Banner Health South. As a<br />
juried member <strong>of</strong> the Sonoran <strong>Art</strong>s League, she exhibits in their fall and<br />
spring shows in Cave Creek, Arizona. Her work can be found in private<br />
and corporate collections throughout the United States and Canada.<br />
You can visit her studio in Cambelback Canyon by appointment.<br />
Commission pieces to your specifications are available. For more<br />
information contact Leibow Fine <strong>Art</strong> at 602-840-8441 or visit the website<br />
at www.leibowfineart.com.<br />
Jacque Lynn Keller has been drawing and painting since she<br />
was 8 years old. In the farm country <strong>of</strong> northwest Ohio, she was<br />
encouraged by teachers and family to explore this passion. Throughout<br />
her childhood she was a student at the Toledo Museum <strong>of</strong> <strong>Art</strong>’s Youth<br />
Studies Program. Jacque began painting pr<strong>of</strong>essionally in the early<br />
1980’s after attending the University <strong>of</strong> Toledo and Arizona State<br />
University’s School <strong>of</strong> <strong>Art</strong>. She began as a muralist and specializes in<br />
trompe l’oeil and commissioned artwork. One <strong>of</strong> Jacque’s goals is image<br />
diversity…”Each painting has its own lessons for me. I am an explorer <strong>of</strong><br />
color and form…you will see everything from portraiture to nonrepresentational<br />
work. I need diversity in painting as in life. I want the<br />
viewer to think, to smile, to enjoy…”<br />
Jacque is a signature member <strong>of</strong> the International Society <strong>of</strong><br />
Acrylic Painters. “Nature Watch” was exhibited to great reviews in<br />
England. It is now in the registry at the Royal Academy <strong>of</strong> <strong>Art</strong>, London. In<br />
recent years, she has been in numerous international and national<br />
exhibitions including those in England, Washington, Louisiana, Florida,<br />
Illinois and Arizona including a solo exhibition at the Chandler Center for<br />
the <strong>Art</strong>s, Chandler, Arizona. “Mama”, a realistic portrait <strong>of</strong> her deceased<br />
99 year-old grandmother, was included in a national exhibition in Florida<br />
honoring the history <strong>of</strong> women. She was the winning artist in the national<br />
art competition for the 1998 Bashas-Chandler Ostrich Festival, Arizona,<br />
creating the colorful ostriches in “Where’s the Party?” In January 2004<br />
her work, Hope, was included in a national War Forum Exhibition in<br />
Chicago. In March 2004, her work Red Corners was included in an<br />
International Exhibition <strong>of</strong> ISAP in Seattle, WA. The <strong>City</strong> <strong>of</strong> Chandler (AZ)<br />
commissioned Jacque to paint three large paintings <strong>of</strong> their historic<br />
downtown; they hang in the city’s Planning & Development Office. Silent<br />
Without You and other works by Jacque will be used by the Chandler<br />
Center for the <strong>Art</strong>s (AZ) as the featured artwork in their 2005-06 yearly<br />
event brochure and playbills.<br />
Jacque’s works on wood and canvas are included in prestigious<br />
private, corporate, and <strong>pub</strong>lic collections, and are eagerly collected and<br />
commissioned nationwide. Her work is represented by Quan’tum <strong>Art</strong>, Inc.<br />
and By Word <strong>of</strong> Mouth Gallery, Scottsdale, Arizona.
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 8<br />
Lauren Knode<br />
3537 E North Lane<br />
Phoenix, AZ 85028<br />
Laurenknode@cox.net<br />
Biography<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 2 9<br />
Biography<br />
Marc Leone<br />
1424 West Meseto Avenue<br />
Mesa, AZ 85202<br />
Twenty8twenty3@hotmail.com<br />
Born in Portland, Oregon, Lauren<br />
Knode left a career in teaching to become<br />
a full-time artist.<br />
Knode's themes include flora,<br />
fruit, landscapes and the Southwest. Her<br />
art bursts forth with color which creates<br />
excitement and inspiration. Unique use <strong>of</strong> light & shadow distinguishes<br />
Lauren's work, which she creates in oil, pastel and acrylic.<br />
Lauren is a member <strong>of</strong> the prestigious Northwest Pastel Society.<br />
Her award-winning work has been featured in such <strong>pub</strong>lications as <strong>Art</strong> in<br />
the American West, High Sonoran and Southwest <strong>Art</strong> Magazine. Knode<br />
originals are in private and corporate collections across the United States.<br />
Marc Leone is a painter who uses the expressive<br />
components <strong>of</strong> materials to evoke inward reaching, geologic landscapes,<br />
that express something <strong>of</strong> the mystery <strong>of</strong> matter in regards to the<br />
spiritual. More specifically, Leone’s work is physical, generally large in<br />
scale, and takes many months to complete a single work. His work<br />
incorporates two dimensional drawing and painting with a strong<br />
sculptural presence.<br />
Leone has had solo and group exhibitions in New York, Los<br />
Angeles, Chicago, Dallas, Phoenix (Phoenix <strong>Art</strong> Museum in May) and<br />
Tucson among others. He holds a B.F.A. from <strong>Art</strong> Center College <strong>of</strong><br />
Design in Pasadena, CA., and a M.F.A. from Arizona State University. He<br />
has taught at ASU, Central Arizona College, and currently teaches<br />
drawing, painting and 2-Dimensional design at Xavier College Preparatory.<br />
Additionally, he is co-director <strong>of</strong> the Start Gallery.<br />
<strong>Art</strong>ist's Statement<br />
"Simplicity <strong>of</strong> form, color and light captivate me. Juxtaposed warm and<br />
cool hues create energy and excitement. The sun radiating through the<br />
translucent petals <strong>of</strong> a flower, or casting intriguing shadows and reflections,<br />
fills me with inspiration."