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Art Auction Brochure.pub - City of Glendale

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S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 1 4<br />

Pamela S. Creamer<br />

924 E Westcott Drive<br />

Phoenix, AZ 85024<br />

S A HUA RO RAN C H F O UN D A T IO N &<br />

GLE N D A LE A RTS CO M M ISS IO N P A GE 4 3<br />

Charles Taube<br />

17641 N 33rd Lane<br />

Phoenix, AZ 85053<br />

Biography<br />

Born in Wichita, Kansas, she began as a small child being<br />

nurtured by her mother to draw and paint. Living all over the US and<br />

Canada while her father served in the Army provided Pamela with<br />

exposure to many different environments. Pamela spent much time in<br />

both Wichita on her Grandparents cattle ranch as well as the coast <strong>of</strong><br />

Maine with other Grandparents where much <strong>of</strong> her childhood was spent<br />

fishing and camping. The Maine wilderness always provided a wide array<br />

<strong>of</strong> nature to enjoy. It’s with her collection <strong>of</strong> memories that she was<br />

drawn to paint what seems to come naturally to her, nature and wildlife in<br />

all <strong>of</strong> it’s beauty.<br />

Her studies in college lead her to a BFA in oil painting. A very<br />

successful career as a mural painter was her next step. From 1994 to<br />

the present Pamela’s work can be seen in mostly private residences and<br />

select corporate environments. Taking her journey another step further in<br />

2003, Pamela traveled to Arizona to work for a client and was truly<br />

captivated with the desert and its wildlife. Creating images on canvas has<br />

provided Pamela with an outlet for her passion for nature that she has<br />

had all <strong>of</strong> her life. She expresses her love <strong>of</strong> nature and her talent in<br />

design by painting primarily life-size images in both natural settings and<br />

with colorful backgrounds.<br />

Pamela currently divides her time between Maine and Arizona.<br />

“After all <strong>of</strong> these years I feel I have truly found the outlet for my passion<br />

by painting nature and its inhabitants in all <strong>of</strong> their beauty.”<br />

Biography<br />

Envisions by: Taube<br />

After 28 years as a pr<strong>of</strong>essional carpenter and owning a<br />

successful business building entry doors and gates for custom homes,<br />

Charles’s life took an interesting turn. In 1996 as one <strong>of</strong> the founding<br />

members <strong>of</strong> “Southwest Woodies” (an antique car club dedicated to the<br />

preservation <strong>of</strong> the “Woodie Automobile”), Charles created his first<br />

hardwood sculpture given as an award to their show winner.<br />

In August <strong>of</strong> 1997, Charles suffered a serious accident affecting<br />

the use <strong>of</strong> his left hand and arm. Three operations and hours <strong>of</strong> physical<br />

therapy left him with the loss <strong>of</strong> 70% use <strong>of</strong> his left hand. However, while<br />

searching for some meaning <strong>of</strong> the life he had before the accident, with<br />

his right hand, Charles created a second sculpture. Many more followed.<br />

A negative comment from a loved one also pushed him to<br />

pursue his dream. Those who didn’t believe in him now are proud and<br />

represent him at many <strong>of</strong> his shows. He now has over 80% <strong>of</strong> the use<br />

back in his left hand simply from forcing himself to use it over and over in<br />

his sculptures.<br />

Self-taught, Charles’ contemporary free-flowing hardwood<br />

sculptures are uniquely individual in themselves. Each sculpture<br />

composes distinction in one or more various hardwoods. He carefully<br />

selects kiln-dried hardwood with special grain patterns and color. He<br />

cuts, laminates, and shapes each created form smooth, applies several<br />

layers <strong>of</strong> clear finish, color-sands the finish, then polishes the sculpture.<br />

He signs, dates, applies felt to the base and the sculpture begins to “sing”<br />

in its completion <strong>of</strong> movement, form and natural color.<br />

“I envision each sculpture, bring it to life and my spirit is set<br />

free”

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