Art Auction Brochure.pub - City of Glendale
Art Auction Brochure.pub - City of Glendale
Art Auction Brochure.pub - City of Glendale
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S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 4 2<br />
Peggy Pettigrew Stewart<br />
5830 E Cielo Run South<br />
Cave Creek, AZ 85331<br />
GlasshopperAz@aol.com<br />
Biography<br />
Desert Glasshopper Studio<br />
Peggy was born and raised in the San Francisco Bay Area<br />
(Pleasanton). In junior high school she began beading, making jewelry<br />
and using looms. In high school she learned Lost Wax jewelry casting,<br />
lapidary skills, metalsmith skills, and leather tooling. Her first gallery show<br />
was at age 16. The show was held in Mission San Jose, at the Historic<br />
Mission.<br />
While still in high school, she found a love <strong>of</strong> photography and<br />
cinematography. One memorable project was a film documentary about<br />
an Alternative High School for At Risk teens. Peggy married and moved<br />
with her husband moved to Colorado. There she worked in a commercial<br />
cinematography lab. Her next endeavor was photographing motorcycle<br />
races throughout Colorado, Kansas, Wyoming, South Dakota, and Texas.<br />
After moving to Arizona, she worked as a free lance photographer for<br />
Cycle News Magazine (a national <strong>pub</strong>lication)<br />
A few years ago, she enrolled in a glass lampworking class<br />
(hoping to make glass beads). Finding it frustrating, She has routinely said<br />
that she couldn’t make a glass bead to save her life. Later she took a<br />
glass fusing class, and fell madly in love with fusing. Local classes were<br />
rare, so she sought out classes taught by the top glass artists and<br />
instructors around the country..<br />
Last summer Peggy studied at Pilchuck International Glass<br />
School (the facility created by Dale Chihuly) in Washington. Also last<br />
summer, she traveled to Barcelona Spain, and participated in an<br />
intensive study program with Philippa Beveridge and Rene Culler.<br />
She has studied with many <strong>of</strong> the top glass artists around the globe.<br />
She has become one <strong>of</strong> the most “in demand” instructors in the<br />
world <strong>of</strong> glass art. She conducts workshops at Desert GlassHopper Studio<br />
in Carefree & Scottsdale. Currently her work is held in many private and<br />
<strong>pub</strong>lic collections around the world. Her glasswork has been <strong>pub</strong>lished in<br />
many national and international <strong>pub</strong>lications – and has graced the cover<br />
<strong>of</strong> several <strong>of</strong> these. Her work is exhibited in many top galleries in the<br />
United States. Currently her gallery & workshop studio is located in the<br />
beautiful Carefree Resort & Villas in Carefree Arizona.<br />
S A HUA RO RAN C H F O UN D A T IO N &<br />
GLE N D A LE A RTS CO M M ISS IO N P A GE 1 5<br />
Biography<br />
Keith Dagley<br />
888 E. 2850 N<br />
Odgen, UT<br />
Http://keithdagley.tripod.com<br />
Keith A. Dagley received a Bachelor <strong>of</strong> <strong>Art</strong>s Degree at Utah State<br />
University and taught art for 33 years. He currently produces art work full<br />
time. Most recently, Keith was featured at the 2005 & 2006 Celebration<br />
<strong>of</strong> Fine <strong>Art</strong>s in Scottsdale, George Phippen Museum’s 31st Annual<br />
Western <strong>Art</strong> Show, Prescott, Logan (Utah) Summerfest 2005, Annual<br />
Invitational Traces <strong>of</strong> the West Show, Utah 2005, Invitational Festival <strong>of</strong><br />
the American West, Utah 2005, and Odgen (Utah) <strong>Art</strong>s Festival 2005.<br />
Keith was presented Best <strong>of</strong> Show at Roy Utah Heritage<br />
Foundation Show 2005;<br />
A versatile artist working primarily in oil, Keith uses both brush<br />
and knife techniques. He also works in pastel graphite and prisma pencil,<br />
and is <strong>of</strong>ten inspired by his own experiences. A love <strong>of</strong> family, horses and<br />
ranch life, wildlife, Native Americans and their culture, both past and<br />
present, provides a wide range in the body <strong>of</strong> his work.<br />
“Recording life, whether wild, domestic, present or historical,<br />
through my artwork fulfills a great need that I have. Capturing the<br />
personality <strong>of</strong> each animal, person, or event and sharing these<br />
experiences is the principle behind my painting,” says Keith Dagley.