FINE BOOK # 4 Aesopus semper vivus - Peter Bichsel · Fine Books
FINE BOOK # 4 Aesopus semper vivus - Peter Bichsel · Fine Books
FINE BOOK # 4 Aesopus semper vivus - Peter Bichsel · Fine Books
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A E S O P U S S E M P E R V I V U S<br />
âges»), both signed by the artist; 5 orig. ink drawings (2 of them mounted on China, unsigned;<br />
3 signed), 5 ink drawings (4 red-stamped with Chadel’s monogram, 1 with autograph letter by<br />
Chadel on verso) interleaved to the extra suite; 1 ink drawing with Chadel’s red stamp; 1 leaf<br />
with orig. figurative studies in ink (with autograph letter on verso); 1 autograph letter with Chadel’s<br />
red stamp; 3 autograph letters with orig. ink drawing or watercolour (2); printed letter by<br />
Henri Prost announcing the publication of the present book; invitation, program and menu of<br />
the «La Fontaine» dinner held by the Cent Bibliophiles on January 31, 1928; text booklet for the<br />
occasion of the book exhibition in the Palais du Louvre in March/April 1927 containing a biography<br />
of Chadel by Ulrich Odin (a doublette additionally mounted on single leaves); six orig.<br />
signed pencil sketches by Yvonne Couïbes regarding her ivory relief on the front cover; 7 autograph<br />
letters by Couïbes to Daniel Zierer.<br />
The woodblocks, cut with the assistance of Germaine de Coster, were hand-printed in Paris by<br />
Yoshijiro Urushibara under the direction of Jules Chadel (1870–1941). It was Urushibara, an<br />
excellent Japanese master, who tought Chadel this printing technique which requires up to 8<br />
blocks and several printing processes per illustration. – Bodemann 415.1; Fabula docet p. 60f.;<br />
Carteret III, 200 and IV, 229 («Bel ouvrage, très recherché et très coté»); Monod 6735; Zierer<br />
cat. (1960), no. 182; Garrigou, Georges Cretté (1984), no. 279. – Unique copy. Unsurpassed.<br />
47 HARWERTH. – Lessing, Gotthold Ephraim. Klingspor-Kalender<br />
1929. Mit Fabeln von G. E. Lessing. Printed in red and black. Illus. throughout<br />
with coloured wood engravings by Willi Harwerth. 18 unn. leaves. 12mo. Orig. illus.<br />
boards (outer hinges cracking).<br />
Offenbach, Gebr. Klingspor, (1928). CHF 30.– (EUR 20.–)<br />
Set in «Kleist»-Fraktur and printed on Zerkall paper. Tho book artist W. Harwerth (1894–1982)<br />
worked for Klingspor where he designed the calendars from 1922 to 1939. – Minor browning.<br />
48 Klemm, Walther. Reineke Fuchs. Ein Tierbuch in 40 Holzschnitten.<br />
Mit einem Geleitwort von Edwin Redslob und Textworten nach Goethes<br />
Dichtung. With 40 woodcuts in black and white (some full-page) by W. Klemm. 47,<br />
(1) pp. Large 8vo. Orig. half cloth with illus. front board and dust-jacket (the latter<br />
with tears and small spots).<br />
Berlin, Furche, (1928). CHF 130.– (EUR 87.–)<br />
First edition. Influenced by Cuno Amiet and Emil Orlik, Walter Klemm (1885–1957), became<br />
professor at the Weimar academy in 1913. Besides the present work Klemm got famous with his<br />
illustrations to «Robinson Crusoe» and Kipling’s «Jungle Book». – A good to very good copy.<br />
26