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Exhibitions at the Art Museums of Colonial Williamsburg DeWitt ...

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<strong>Exhibitions</strong> <strong>at</strong> <strong>the</strong> <strong>Art</strong> <strong>Museums</strong> <strong>of</strong> <strong>Colonial</strong> <strong>Williamsburg</strong> – Page 2<br />

o<strong>the</strong>r types <strong>of</strong> money and medals with fascin<strong>at</strong>ing stories to tell. This exhibition includes many<br />

objects don<strong>at</strong>ed by <strong>the</strong> Joseph R. Lasser Family <strong>of</strong> New York.<br />

“Rebuilding Charlton’s C<strong>of</strong>feehouse” - This exhibition explores <strong>the</strong> recent reconstruction<br />

<strong>of</strong> R. Charlton’s C<strong>of</strong>feehouse, <strong>the</strong> first ground-up reconstruction along Duke <strong>of</strong> Gloucester Street<br />

in several decades which involved every department and trade in <strong>the</strong> Found<strong>at</strong>ion. Visitors<br />

discover how such a building could be so accur<strong>at</strong>ely constructed and furnished when seemingly<br />

very little was left <strong>of</strong> <strong>the</strong> original structure. Through archaeological, architectural, archival,<br />

decor<strong>at</strong>ive arts and trades components, guests discover <strong>the</strong> process <strong>of</strong> rebuilding <strong>the</strong> history,<br />

structure and interiors <strong>of</strong> <strong>the</strong> c<strong>of</strong>feehouse. Visitors learn firsthand wh<strong>at</strong> it took to bring <strong>the</strong><br />

project to completion through video, graphics, original objects and touchable reproductions. The<br />

reconstruction <strong>of</strong> R. Charlton’s C<strong>of</strong>feehouse was made possible with a generous gift from Forrest<br />

Mars.<br />

“Conserv<strong>at</strong>ion: Where <strong>Art</strong> and Science Meet” - This exhibition presents <strong>the</strong> way museum<br />

objects are conserved before <strong>the</strong>y are exhibited. Visitors will discover <strong>the</strong> variety <strong>of</strong> techniques<br />

used by conserv<strong>at</strong>ors to investig<strong>at</strong>e each object and ensure its preserv<strong>at</strong>ion for <strong>the</strong> future. This<br />

exhibition was made possible in part by Friends <strong>of</strong> Heritage Preserv<strong>at</strong>ion and <strong>the</strong> Stone Family<br />

Fund. Through August 2012.<br />

“Introduction to <strong>the</strong> <strong>Museums</strong>” – This exhibition orients visitors to <strong>the</strong> <strong>DeWitt</strong> Wallace<br />

Decor<strong>at</strong>ive <strong>Art</strong>s Museum, <strong>the</strong> Abby Aldrich Rockefeller Folk <strong>Art</strong> Museum and <strong>the</strong> many tours,<br />

family programs and auditorium productions to be found in <strong>the</strong> <strong>Art</strong> <strong>Museums</strong> <strong>of</strong> <strong>Colonial</strong><br />

<strong>Williamsburg</strong>.<br />

“Treasure Quests: Gre<strong>at</strong> Silver Collections from <strong>Colonial</strong> <strong>Williamsburg</strong>” - This<br />

exhibition in <strong>the</strong> Mary Jewett Gaiser Gallery displays selections from <strong>the</strong> Found<strong>at</strong>ion’s vast<br />

collection <strong>of</strong> 18th-century British silver.<br />

“Identifying Ceramics: The Who, Wh<strong>at</strong> and Ware” - This exhibition takes a closer look<br />

<strong>at</strong> <strong>the</strong> production and decor<strong>at</strong>ion <strong>of</strong> ceramic wares <strong>of</strong> <strong>the</strong> 18th century. Find out <strong>the</strong> difference<br />

between stoneware, ear<strong>the</strong>nware and porcelain and discover how ornament was cre<strong>at</strong>ed or<br />

applied.<br />

“Masterworks from <strong>the</strong> <strong>Colonial</strong> <strong>Williamsburg</strong> Collection” – The selected objects are<br />

arranged in chronological order and have been chosen for <strong>the</strong>ir artistic merit, <strong>the</strong>ir historical<br />

significance and <strong>the</strong>ir excellent st<strong>at</strong>e <strong>of</strong> preserv<strong>at</strong>ion.<br />

“Selections from <strong>the</strong> Henry H. Weldon Collection” – This exhibit fe<strong>at</strong>ures a few select<br />

pieces from <strong>the</strong> collection <strong>of</strong> more than 725 pieces <strong>of</strong> 18th-century British pottery don<strong>at</strong>ed to<br />

<strong>Colonial</strong> <strong>Williamsburg</strong> by Mr. and Mrs. Henry H. Weldon.<br />

“Lock, Stock & Barrel: Early Firearms from <strong>the</strong> <strong>Colonial</strong> <strong>Williamsburg</strong> Collection”<br />

– This exhibition showcases military and civilian firearms, including muzzle-loading, ignition<br />

systems and <strong>the</strong> evolution <strong>of</strong> <strong>the</strong> standard British infantry musket pre-1800.<br />

“Revolution in Taste” – The exhibition covers <strong>the</strong> variety <strong>of</strong> wares manufactured in <strong>the</strong><br />

period th<strong>at</strong> <strong>of</strong>fered colonists a wide range <strong>of</strong> goods associ<strong>at</strong>ed with dining, drinking and<br />

decor<strong>at</strong>ion.<br />

The Abby Aldrich Rockefeller Folk <strong>Art</strong> Museum<br />

New exhibition<br />

Quilts in <strong>the</strong> Baltimore Manner -- The quilts <strong>of</strong> Baltimore, Maryland, are noted for <strong>the</strong>ir<br />

strong design, excellent craftsmanship, and brilliant colors. The designs <strong>of</strong> Baltimore influenced<br />

<strong>the</strong> wider community <strong>of</strong> quilters, including areas beyond Baltimore, such as Nor<strong>the</strong>rn Virginia.

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