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Exhibitions at the Art Museums of Colonial Williamsburg DeWitt ...

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The <strong>Colonial</strong> <strong>Williamsburg</strong> Found<strong>at</strong>ion<br />

Office <strong>of</strong> Communic<strong>at</strong>ions<br />

<strong>Williamsburg</strong>, VA 23187-1776<br />

www.history.org<br />

<strong>Exhibitions</strong> <strong>at</strong> <strong>the</strong> <strong>Art</strong> <strong>Museums</strong> <strong>of</strong> <strong>Colonial</strong> <strong>Williamsburg</strong><br />

<strong>DeWitt</strong> Wallace Decor<strong>at</strong>ive <strong>Art</strong>s Museum<br />

New <strong>Exhibitions</strong><br />

Richard Newsham’s Fire Engine -- Richard Newsham’s Fire Engine explores fire and fire<br />

fighting in <strong>the</strong> 18th century with <strong>the</strong> display <strong>of</strong> an original fire engine built in <strong>the</strong> mid-18th<br />

century, and on view for <strong>the</strong> first time. Initially granted a p<strong>at</strong>ent on December 26, 1721, Richard<br />

Newsham’s “new w<strong>at</strong>er engine for quenching and extinguishing fires” became <strong>the</strong> clear choice<br />

for anyone in England or America who was serious about comb<strong>at</strong>ing <strong>the</strong> flames. So effective<br />

were Newsham’s engines th<strong>at</strong> some were used for more than a century. This exhibition is made<br />

possible by <strong>the</strong> Ambrose and Ida Frederickson Found<strong>at</strong>ion. Opens Feb. 18, 2012.<br />

Tall Case Clocks -- This exhibition fe<strong>at</strong>ures more than 20 clocks from <strong>the</strong> <strong>Colonial</strong><br />

<strong>Williamsburg</strong> collection. The dual importance <strong>of</strong> a clock’s monetary value and family importance<br />

have made <strong>the</strong>m <strong>the</strong> ideal object to be passed down through gener<strong>at</strong>ions as family heirlooms.<br />

This exhibit will explore <strong>the</strong> clock mechanism and wooden casework, <strong>the</strong> history <strong>of</strong> <strong>the</strong> form, <strong>the</strong><br />

trade practices <strong>of</strong> <strong>the</strong> makers, ownership and cost, and showcase a group <strong>of</strong> Sou<strong>the</strong>rn clocks.<br />

Opens April 7, 2012.<br />

Ongoing exhibitions<br />

“More than Meets <strong>the</strong> Eye: Maps and Prints <strong>of</strong> Early America” – This exhibition<br />

illustr<strong>at</strong>es how maps and prints aided colonial expansionists by conveying <strong>at</strong>titudes and<br />

values th<strong>at</strong> swayed public opinion. Portraits depicted N<strong>at</strong>ive Americans as deferential subjects <strong>of</strong><br />

<strong>the</strong> king. Maps, regarded as scientific and authorit<strong>at</strong>ive documents, were designed to impart a<br />

perception <strong>of</strong> power and control over <strong>the</strong> environment, claim land and establish boundaries.<br />

This exhibition is made possible by <strong>the</strong> Nicholas and Eleanor Chabraja Found<strong>at</strong>ion, Lake Forest,<br />

Ill. Through August 2012.<br />

“‘A True North Britain:’ The Furniture <strong>of</strong> John Shearer 1790-1820” – This<br />

groundbreaking, traveling exhibition organized by <strong>the</strong> Daughters <strong>of</strong> <strong>the</strong> American Revolution<br />

Museum in Washington, D.C., examines <strong>the</strong> furniture <strong>of</strong> John Shearer, a joiner who worked in<br />

<strong>the</strong> backcountry <strong>of</strong> Virginia and Maryland from ca. 1790-1820. Through <strong>the</strong> use <strong>of</strong> inlay and<br />

inscriptions, Shearer’s furniture demonstr<strong>at</strong>ed his loyalty to Gre<strong>at</strong> Britain. Shearer’s continued<br />

allegiance to Gre<strong>at</strong> Britain and her Royal Navy after <strong>the</strong> American Revolution underscores <strong>the</strong><br />

evolving political landscape <strong>of</strong> <strong>the</strong> new United St<strong>at</strong>es. Through March 5, 2012.<br />

“Fashion Accessories from Head to Toe” – This exhibition fe<strong>at</strong>ures costume accessories<br />

from <strong>the</strong> l<strong>at</strong>e 17th through <strong>the</strong> early 19th century. Women and men enhanced <strong>the</strong>ir appearance<br />

with <strong>the</strong> addition <strong>of</strong> h<strong>at</strong>s, purses, jewelry, shoes and more. These objects kept pace with changes<br />

in fashion and present a visually rich overview <strong>of</strong> <strong>the</strong> period. The exhibition is made possible by<br />

Mary and Clinton Gilliland <strong>of</strong> Menlo Park, Calif., and <strong>the</strong> Turner-Gilliland Family Fund <strong>of</strong> <strong>the</strong><br />

Silicon Valley Community Found<strong>at</strong>ion. Through December 2012.<br />

“Dollars, Farthings & Fables: Money & Medals From <strong>the</strong> <strong>Colonial</strong> <strong>Williamsburg</strong><br />

Collection” – This exhibition explores many <strong>of</strong> <strong>the</strong> highlights and extremes <strong>of</strong> <strong>Colonial</strong><br />

<strong>Williamsburg</strong>’s comprehensive numism<strong>at</strong>ics collection. The Cornell Hoard <strong>of</strong> pre-Revolutionary<br />

North Carolina paper currency is fe<strong>at</strong>ured alongside <strong>the</strong> first true American coins and a host <strong>of</strong>


<strong>Exhibitions</strong> <strong>at</strong> <strong>the</strong> <strong>Art</strong> <strong>Museums</strong> <strong>of</strong> <strong>Colonial</strong> <strong>Williamsburg</strong> – Page 2<br />

o<strong>the</strong>r types <strong>of</strong> money and medals with fascin<strong>at</strong>ing stories to tell. This exhibition includes many<br />

objects don<strong>at</strong>ed by <strong>the</strong> Joseph R. Lasser Family <strong>of</strong> New York.<br />

“Rebuilding Charlton’s C<strong>of</strong>feehouse” - This exhibition explores <strong>the</strong> recent reconstruction<br />

<strong>of</strong> R. Charlton’s C<strong>of</strong>feehouse, <strong>the</strong> first ground-up reconstruction along Duke <strong>of</strong> Gloucester Street<br />

in several decades which involved every department and trade in <strong>the</strong> Found<strong>at</strong>ion. Visitors<br />

discover how such a building could be so accur<strong>at</strong>ely constructed and furnished when seemingly<br />

very little was left <strong>of</strong> <strong>the</strong> original structure. Through archaeological, architectural, archival,<br />

decor<strong>at</strong>ive arts and trades components, guests discover <strong>the</strong> process <strong>of</strong> rebuilding <strong>the</strong> history,<br />

structure and interiors <strong>of</strong> <strong>the</strong> c<strong>of</strong>feehouse. Visitors learn firsthand wh<strong>at</strong> it took to bring <strong>the</strong><br />

project to completion through video, graphics, original objects and touchable reproductions. The<br />

reconstruction <strong>of</strong> R. Charlton’s C<strong>of</strong>feehouse was made possible with a generous gift from Forrest<br />

Mars.<br />

“Conserv<strong>at</strong>ion: Where <strong>Art</strong> and Science Meet” - This exhibition presents <strong>the</strong> way museum<br />

objects are conserved before <strong>the</strong>y are exhibited. Visitors will discover <strong>the</strong> variety <strong>of</strong> techniques<br />

used by conserv<strong>at</strong>ors to investig<strong>at</strong>e each object and ensure its preserv<strong>at</strong>ion for <strong>the</strong> future. This<br />

exhibition was made possible in part by Friends <strong>of</strong> Heritage Preserv<strong>at</strong>ion and <strong>the</strong> Stone Family<br />

Fund. Through August 2012.<br />

“Introduction to <strong>the</strong> <strong>Museums</strong>” – This exhibition orients visitors to <strong>the</strong> <strong>DeWitt</strong> Wallace<br />

Decor<strong>at</strong>ive <strong>Art</strong>s Museum, <strong>the</strong> Abby Aldrich Rockefeller Folk <strong>Art</strong> Museum and <strong>the</strong> many tours,<br />

family programs and auditorium productions to be found in <strong>the</strong> <strong>Art</strong> <strong>Museums</strong> <strong>of</strong> <strong>Colonial</strong><br />

<strong>Williamsburg</strong>.<br />

“Treasure Quests: Gre<strong>at</strong> Silver Collections from <strong>Colonial</strong> <strong>Williamsburg</strong>” - This<br />

exhibition in <strong>the</strong> Mary Jewett Gaiser Gallery displays selections from <strong>the</strong> Found<strong>at</strong>ion’s vast<br />

collection <strong>of</strong> 18th-century British silver.<br />

“Identifying Ceramics: The Who, Wh<strong>at</strong> and Ware” - This exhibition takes a closer look<br />

<strong>at</strong> <strong>the</strong> production and decor<strong>at</strong>ion <strong>of</strong> ceramic wares <strong>of</strong> <strong>the</strong> 18th century. Find out <strong>the</strong> difference<br />

between stoneware, ear<strong>the</strong>nware and porcelain and discover how ornament was cre<strong>at</strong>ed or<br />

applied.<br />

“Masterworks from <strong>the</strong> <strong>Colonial</strong> <strong>Williamsburg</strong> Collection” – The selected objects are<br />

arranged in chronological order and have been chosen for <strong>the</strong>ir artistic merit, <strong>the</strong>ir historical<br />

significance and <strong>the</strong>ir excellent st<strong>at</strong>e <strong>of</strong> preserv<strong>at</strong>ion.<br />

“Selections from <strong>the</strong> Henry H. Weldon Collection” – This exhibit fe<strong>at</strong>ures a few select<br />

pieces from <strong>the</strong> collection <strong>of</strong> more than 725 pieces <strong>of</strong> 18th-century British pottery don<strong>at</strong>ed to<br />

<strong>Colonial</strong> <strong>Williamsburg</strong> by Mr. and Mrs. Henry H. Weldon.<br />

“Lock, Stock & Barrel: Early Firearms from <strong>the</strong> <strong>Colonial</strong> <strong>Williamsburg</strong> Collection”<br />

– This exhibition showcases military and civilian firearms, including muzzle-loading, ignition<br />

systems and <strong>the</strong> evolution <strong>of</strong> <strong>the</strong> standard British infantry musket pre-1800.<br />

“Revolution in Taste” – The exhibition covers <strong>the</strong> variety <strong>of</strong> wares manufactured in <strong>the</strong><br />

period th<strong>at</strong> <strong>of</strong>fered colonists a wide range <strong>of</strong> goods associ<strong>at</strong>ed with dining, drinking and<br />

decor<strong>at</strong>ion.<br />

The Abby Aldrich Rockefeller Folk <strong>Art</strong> Museum<br />

New exhibition<br />

Quilts in <strong>the</strong> Baltimore Manner -- The quilts <strong>of</strong> Baltimore, Maryland, are noted for <strong>the</strong>ir<br />

strong design, excellent craftsmanship, and brilliant colors. The designs <strong>of</strong> Baltimore influenced<br />

<strong>the</strong> wider community <strong>of</strong> quilters, including areas beyond Baltimore, such as Nor<strong>the</strong>rn Virginia.


<strong>Exhibitions</strong> <strong>at</strong> <strong>the</strong> <strong>Art</strong> <strong>Museums</strong> <strong>of</strong> <strong>Colonial</strong> <strong>Williamsburg</strong> – Page 3<br />

This exhibit fe<strong>at</strong>ures 12 quilts from Baltimore and surrounding areas, d<strong>at</strong>ing from <strong>the</strong> 1820s<br />

through <strong>the</strong> 1860s. Opens May 2012.<br />

Ongoing exhibitions<br />

“The Old Plant<strong>at</strong>ion: The <strong>Art</strong>ist Revealed” – This exhibition explores <strong>the</strong> clues th<strong>at</strong> led to<br />

finally identifying <strong>the</strong> artist who cre<strong>at</strong>ed this 18th-century w<strong>at</strong>ercolor. This important piece<br />

depicting slave life has been in <strong>the</strong> collection for more than 70 years but little was known <strong>of</strong> its<br />

cre<strong>at</strong>or or <strong>the</strong> subjects. Now <strong>the</strong> mystery is solved and <strong>the</strong> exhibition reveals <strong>the</strong> history <strong>of</strong> <strong>the</strong><br />

drawing and <strong>the</strong> identity <strong>of</strong> <strong>the</strong> artist.<br />

“<strong>Art</strong> in Clay: Masterworks <strong>of</strong> North Carolina Ear<strong>the</strong>nware” – This loaned exhibition<br />

showcases one <strong>of</strong> <strong>the</strong> most important and aes<strong>the</strong>tically significant American pottery traditions.<br />

It fe<strong>at</strong>ures dazzling slip-decor<strong>at</strong>ed wares and richly glazed sculptural bottles made between 1755<br />

and 1850. The exhibition was sponsored by Old Salem <strong>Museums</strong> & Gardens, <strong>the</strong> Chipstone<br />

Found<strong>at</strong>ion and <strong>the</strong> Caxambas Found<strong>at</strong>ion. Through July 29, 2012, in <strong>the</strong> Gladys & Franklin<br />

Clark Found<strong>at</strong>ion Gallery.<br />

“M<strong>at</strong>erial Witnesses: Quilts and <strong>the</strong>ir Makers” – This exhibition fe<strong>at</strong>ures 12 quilts and<br />

three woven coverlets. Each piece reveals <strong>the</strong> story <strong>of</strong> <strong>the</strong> person who made it, whe<strong>the</strong>r it was a<br />

young woman or a pr<strong>of</strong>essional weaver or a group <strong>of</strong> friends. All stand as evidence <strong>of</strong> <strong>the</strong> lives <strong>of</strong><br />

people from <strong>the</strong> past. This exhibition was made possible by Mary and Clinton Gilliland <strong>of</strong> Menlo<br />

Park, Calif., through <strong>the</strong> Turner-Gilliland Family Fund. Through April 2012.<br />

“Sidewalks to Ro<strong>of</strong>tops: Outdoor Folk <strong>Art</strong>” – This exhibition presents signboards,<br />

storefront figures, we<strong>at</strong>her vanes, marine carvings, whirligigs, carousel animals and o<strong>the</strong>r<br />

objects originally intended for use outdoors. This exhibition was made possible by a gift from<br />

Barry M. Boone in loving memory <strong>of</strong> his wife, Linda. Through January 2013.<br />

“An Introduction to American Folk <strong>Art</strong>” – Guests are introduced to <strong>the</strong> museum and to<br />

<strong>the</strong> collector Abby Aldrich Rockefeller.<br />

“Conserving <strong>the</strong> Carolina Room” – This exhibition highlights <strong>the</strong> current research and<br />

conserv<strong>at</strong>ion on a 19th-century painted room acquired by <strong>the</strong> museum in <strong>the</strong> 1950s. The<br />

conserv<strong>at</strong>ion <strong>of</strong> <strong>the</strong> Carolina Room has been partially underwritten by Rex and P<strong>at</strong> Lucke <strong>of</strong><br />

Elkhorn, Neb., and <strong>the</strong> N<strong>at</strong>ional Endowment for <strong>the</strong> <strong>Art</strong>s. The room is on display in <strong>the</strong> Rex and<br />

P<strong>at</strong> Lucke Gallery.<br />

“Inspir<strong>at</strong>ion and Ingenuity: American Stoneware” – “American Stoneware” fe<strong>at</strong>ures<br />

stoneware pieces from <strong>the</strong> 19th century through <strong>the</strong> present day. The exhibition explores <strong>the</strong><br />

tradition <strong>of</strong> decor<strong>at</strong>ing utilitarian stoneware and its evolution into an art form.<br />

“Down on <strong>the</strong> Farm” – This family-friendly exhibition fe<strong>at</strong>ures animals in paintings,<br />

sculpture and toys.<br />

“Cross Rhythms: Folk Musical Instruments” – This exhibition fe<strong>at</strong>ures banjos, fiddles<br />

and dulcimers from <strong>the</strong> 19th century and early 20th century. Highlights include a piano built<br />

into a chest <strong>of</strong> drawers and a record-playing hippocerous.<br />

For more inform<strong>at</strong>ion, visit us <strong>at</strong> our website <strong>at</strong> www.history.org.


<strong>Exhibitions</strong> <strong>at</strong> <strong>the</strong> <strong>Art</strong> <strong>Museums</strong> <strong>of</strong> <strong>Colonial</strong> <strong>Williamsburg</strong> – Page 4<br />

Media contact:<br />

Jim Bradley<br />

(757) 220-7281<br />

01/12

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