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ABSTRACT Title of Dissertation / Thesis: “LIVING ON PAPER ...

ABSTRACT Title of Dissertation / Thesis: “LIVING ON PAPER ...

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33 “By the end <strong>of</strong> the [nineteenth] century, the proliferation <strong>of</strong> magazines and illustrated books significantly<br />

increased opportunities for women graphic artists.” Wright, Women Graphic Artists, 11. The 1890 United<br />

States census listed almost 11,000 women artists, sculptors, and teachers <strong>of</strong> art. Swinth, Painting<br />

Pr<strong>of</strong>essionals, 3.<br />

34 Pollitzer, Woman on Paper, 78. Pollitzer, an ardent suffragist, tended to stress any potentially feminist<br />

elements in O’Keeffe’s background, so it is hard to say how accurate she was in this observation.<br />

35 Quoted in Robinson, O’Keeffe: A Life, 18.<br />

36 O’Keeffe, O’Keeffe, initial essay.<br />

37 Ibid. This story is earlier cited in Ernest W. Watson, “Georgia O'Keeffe,” American Artist (June 1943),<br />

6.<br />

38 See Daniel Catton Rich, Georgia O'Keeffe (Chicago: Art Institute <strong>of</strong> Chicago, 1943), 9.<br />

39 Lynes, ed., Georgia O’Keeffe: Catalogue Raisonné, 1:29, and 2:1040, #3 and #1733.<br />

40 Lisle, Portrait: O’Keeffe, 23.<br />

41 O’Keeffe, O’Keeffe, initial essay. Only the darker version <strong>of</strong> the picture survives. See Lynes, ed.,<br />

Georgia O’Keeffe: Catalogue Raisonné, 1:29.<br />

42 O’Keeffe, O’Keeffe, initial essay.<br />

43 The engraving is “The Warning at Green Spring” by unknown engraver, <strong>of</strong> unknown date. It appears to<br />

date to the mid to late 19 th century. It is enclosed in Lakeville Drawing Book sketchbook, Georgia<br />

O’Keeffe: Catalogue Raisonné, numbers 1721-1741, Georgia O’Keeffe Museum Research Center, Santa<br />

Fe, New Mexico.<br />

44 Robinson, O’Keeffe: A Life, 31-33.<br />

45 O’Keeffe, O’Keeffe, initial essay. In 1930 O’Keeffe made a series <strong>of</strong> oil paintings <strong>of</strong> a jack-in-the-pulpit.<br />

The works are now in a private collection (Jack-in-Pulpit No. I), and the National Gallery <strong>of</strong> Art,<br />

Washington, D.C. (Jack-in-Pulpit – No. II, Jack-in-the-Pulpit No. III, Jack-in-the-Pulpit No. IV, Jack-in-<br />

Pulpit Abstraction – No. V, Jack-in-the-Pulpit No. VI), Lynes, ed., Georgia O’Keeffe: Catalogue Raisonné<br />

#s 715-720.<br />

46 Robinson, O’Keeffe: A Life, 33-34, 40.<br />

47 Catalogue <strong>of</strong> the Chatham Episcopal Institute, a School for Girls, Ninth Session. Chatham, Virginia:<br />

Chatham Episcopal Institute, 1903, 44.<br />

48 Lisle, Portrait: O’Keeffe, 32-35.<br />

49 Christine McRae Cocke, “Georgia O'Keeffe As I Knew Her,” The Angelos <strong>of</strong> Kappa Delta (1934): 30-<br />

31.<br />

50 O’Keeffe, O’Keeffe, initial essay.<br />

51 “Chatham Hall [the current name <strong>of</strong> Chatham Episcopal Institute] was founded in 1894 by Rev. C.<br />

Orlando Pruden to provide secondary school education for Virginia girls.” Chatham Hall, "Our Heritage<br />

Site," Web page, [accessed 30 July 2003], available at http://www.chathamhall.com/heritage; Frances<br />

151

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