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SEPARATION ANXIETIES - Lsu - Louisiana State University

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composed of more than gender (21), and that no one aspect of identity necessarily saves one<br />

from all forms of oppression (21); that “One axis of identity, such as gender, must be understood<br />

in relation to other axes, such as sexuality and race” (22); that identity “resists fixity” and “shifts<br />

fluidly from setting to setting” (23); and that identity can be hybridized through “the cultural<br />

grafting that is the production of geographical migration” (24).<br />

Through this description, Friedman accounts for how and why our identities change and<br />

how complicated they are. Particularly useful for my study are the ideas that critics must take<br />

into account multiple “axes of identity,” that these axes often intersect with varied and<br />

sometimes contradictory results, and that identity can change when one changes locations and/or<br />

situations. In the study that follows, I will use these concepts as the basis for much of my own<br />

specific analysis. As will be seen below, I have organized my chapters around texts that utilize<br />

representations of a certain kind of separatist community. This would seem, at first glance, an<br />

overly reductive theoretical approach on my part, given what Friedman argues. And in the<br />

chapters I do sometimes use the principles of one branch of literary theory more than others—for<br />

instance, feminist theories in the chapter on representations of lesbian feminist communities.<br />

Generally speaking, though, I use such theories as a starting point for analysis, not as an<br />

exclusive means of reading the texts. Part of what I will do, in fact, is build on Friedman’s<br />

theories of identity by exploring how they are connected to concepts of place and particular<br />

political situations represented within the confines of specific fictional texts.<br />

I am particularly indebted to critics like Friedman, whose concepts are so broadly<br />

applicable, because relatively little attention has been devoted to exploring representations of<br />

separatist communities in American literature and film. However, some critical works provide a<br />

historical/theoretical guideline for analyzing representations of a particular kind of separatism.<br />

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