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SEPARATION ANXIETIES - Lsu - Louisiana State University

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etween the two World Wars. Dawahare writes, “While nationalism proper . . . is not a major<br />

issue for most black writers in the interwar period, the desire to establish a black national identity<br />

and culture that coexists, however tenuously, with an American identity and culture, is of crucial<br />

importance” (xv) because “to be sure, nationalism has appeared to many as the best way to<br />

defeat racism” (xvii). To reiterate, these same nationalist principles could apply to separatist<br />

communities on a much smaller scale. For example, using a much smaller sense of scope, the<br />

artists studied herein—no matter the kind of community that they are constructing—explore how<br />

separatist group dynamics can help (or fail to help) an individual resist various forms of<br />

oppression. Dawahare also refers to how the “collective memory” of nationalists is disseminated<br />

through mythical narrative (5), which reinforces what other critics have said about origin myths.<br />

Finally, Dawahare also helps justify projects that examine phenomena like nationalism and<br />

separatism; he states that “Only by historicizing subjectivity can we demonstrate how our<br />

racialized/nationalized selves are politically forced, as Richard Wright argues, and not simply the<br />

result of an individual decision bearing little or no relationship to the dominant discourses and<br />

institutions of power” (138, original emphasis). I posit that projects examining artistic<br />

representations of these phenomena are equally important and have equal potential to reveal<br />

truth.<br />

Another work on Black Nationalism contributes heavily to my own conception of how<br />

separatism might be generally defined and ways that it might work—Madhu Dubey’s Black<br />

Women Novelists and the Nationalist Aesthetic. Like Gordon’s work, Dubey’s focuses<br />

specifically on Black Nationalism; unlike Gordon’s purely historical approach, Dubey examines<br />

how black women writers might fit in with Black Nationalism. 7 This critic’s discussion of how<br />

Black Nationalism initially devalued black women also can be applied to my readings of the<br />

15

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