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the life and works of sascha schneider - ETD - Louisiana State ...

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Judas Ischarioth was particularly popular at <strong>the</strong> show, <strong>and</strong> Schneider went on to describe<br />

it as such, “Judas, could be me. These are situations that go beyond <strong>the</strong> strength <strong>of</strong> a<br />

person…so I forgive him.” 18 It depicts Judas in <strong>the</strong> nude with his body bound with thorncovered<br />

vines. He is trudging over <strong>the</strong> thirty silver pieces that are red-hot <strong>and</strong> sear his<br />

feet. A vision <strong>of</strong> <strong>the</strong> cross appears before him <strong>and</strong> <strong>the</strong> angel <strong>of</strong> justice presides in <strong>the</strong><br />

background, judging Judas for his deed. Many who have analyzed this painting, along<br />

with Schneider’s comments, believe it to be a self-portrait. 19<br />

Figure 3, Sascha Schneider, Mammon und Sklave (The Mammon <strong>and</strong> Its Slave), Wood<br />

Engraving, 1894, 18 x 24.2 cm., Published by JJ Weber in Leipzig.<br />

18<br />

19<br />

Günter, Schneider <strong>and</strong> May, 8.<br />

H<strong>of</strong>stätter, Kingdom <strong>of</strong> <strong>the</strong> Soul, 224.<br />

13

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