the life and works of sascha schneider - ETD - Louisiana State ...

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Figure 7, Max Klinger, Eine Liebe: Neue Träume von Glück (A Love: New Dreams of Happiness), Etching, 1894, 45.3 x 35 cm., Found in Hans Wolfgang Singer’s Catalog “Mix Klingers Radierungen Stiche und Stein Drucke” 19
Figure 8, Max Klinger, Brahmsphantasie: Entführung des Prometheus (Brahms Fantasy: Abduction of Prometheus), 1894, 24.1 x 36.4 cm., Aquatint, Hans Wolfgang Singer’s Catalog “Mix Klingers Radierungen Stiche und Stein Drucke” Figure 9, Max Klinger, Christus im Olymp (Christ on Olympus), 1897, Oil on Canvas, 24.1 x 36.4 cm., Leipzig Museum of Fine Arts. 20
Page 1 and 2: MONSTERS AND MEN: THE LIFE AND WORK
Page 3 and 4: ABSTRACT Sascha Schneider was an ar
Page 5 and 6: importance of such relationships, s
Page 7 and 8: May met at the beginning of Schneid
Page 9 and 10: Russia’s socio-cultural context a
Page 11 and 12: intellectual and visual stimulation
Page 13 and 14: [t]he essential trait of Symbolist
Page 15 and 16: mysticism for which Schneider’s w
Page 17 and 18: Figure 4, Sascha Schneider, Eins Is
Page 19 and 20: Figure 6, Sascha Schneider, Judas I
Page 21: human emotions, and in this way bec
Page 25 and 26: analysis of the painting by evoking
Page 27 and 28: Figure 11, Sascha Schneider, Der Wa
Page 29 and 30: John Heckwelder’s Account of the
Page 31 and 32: etween the years 1880 and 1893. 36
Page 33 and 34: them a scholarly appearance. 40 May
Page 35 and 36: Schneider’s history of traveling
Page 37 and 38: Figure 14, Sascha Schneider, Durchs
Page 39 and 40: May’s most popular works would al
Page 41 and 42: Figure 17, Sascha Schneider, Winnet
Page 43 and 44: working relationships. Karl May wri
Page 45 and 46: elieved that the human figure was
Page 47 and 48: Weimar, Schneider wrote to Karl May
Page 49 and 50: Figure 19, Gürtelbinder (The Belt
Page 51 and 52: Figure 20, Sascha Schneider, Kriegs
Page 53 and 54: Figure 22, Sascha Schneider, Waffen
Page 55 and 56: Figure 24, Sascha Schneider, Gegen
Page 57 and 58: Figure 26, Otto Dix, Sturmtruppe ge
Page 59 and 60: Friedrich Ludwig Jahn in the early
Page 61 and 62: focus of the new direction in his a
Page 63 and 64: Figure 31, Sascha Schneider, Selbst
Page 65 and 66: audience, including many young male
Page 67 and 68: Lewis, Beth Irwin. Art for All: The
Page 69: VITA Alice Wolfe was born and raise

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