the life and works of sascha schneider - ETD - Louisiana State ...

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Figure 18, Sascha Schneider, Winnetou III, 1903, Lithograph of Charcoal, 65.5 x 38.8 cm., Book Cover. 39
working relationships. Karl May writes: So I am always with you, my friend, and it gives me true and noblest pleasure to be able to see your tree grow, which unfortunately does not see itself grow, but only feel that it grows. Far above ground in the light are rich branches, and much farther down there in the darkness are the roots of life and creative concerns. 47 The two would remain in close contact up until the final years before May’s death, and even after his death Schneider continued his friendship with Karl’s wife Klara. 47 Röder, Sascha Schneider, 37. 40
Page 1 and 2: MONSTERS AND MEN: THE LIFE AND WORK
Page 3 and 4: ABSTRACT Sascha Schneider was an ar
Page 5 and 6: importance of such relationships, s
Page 7 and 8: May met at the beginning of Schneid
Page 9 and 10: Russia’s socio-cultural context a
Page 11 and 12: intellectual and visual stimulation
Page 13 and 14: [t]he essential trait of Symbolist
Page 15 and 16: mysticism for which Schneider’s w
Page 17 and 18: Figure 4, Sascha Schneider, Eins Is
Page 19 and 20: Figure 6, Sascha Schneider, Judas I
Page 21 and 22: human emotions, and in this way bec
Page 23 and 24: Figure 8, Max Klinger, Brahmsphanta
Page 25 and 26: analysis of the painting by evoking
Page 27 and 28: Figure 11, Sascha Schneider, Der Wa
Page 29 and 30: John Heckwelder’s Account of the
Page 31 and 32: etween the years 1880 and 1893. 36
Page 33 and 34: them a scholarly appearance. 40 May
Page 35 and 36: Schneider’s history of traveling
Page 37 and 38: Figure 14, Sascha Schneider, Durchs
Page 39 and 40: May’s most popular works would al
Page 41: Figure 17, Sascha Schneider, Winnet
Page 45 and 46: elieved that the human figure was
Page 47 and 48: Weimar, Schneider wrote to Karl May
Page 49 and 50: Figure 19, Gürtelbinder (The Belt
Page 51 and 52: Figure 20, Sascha Schneider, Kriegs
Page 53 and 54: Figure 22, Sascha Schneider, Waffen
Page 55 and 56: Figure 24, Sascha Schneider, Gegen
Page 57 and 58: Figure 26, Otto Dix, Sturmtruppe ge
Page 59 and 60: Friedrich Ludwig Jahn in the early
Page 61 and 62: focus of the new direction in his a
Page 63 and 64: Figure 31, Sascha Schneider, Selbst
Page 65 and 66: audience, including many young male
Page 67 and 68: Lewis, Beth Irwin. Art for All: The
Page 69: VITA Alice Wolfe was born and raise

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