the life and works of sascha schneider - ETD - Louisiana State ...
the life and works of sascha schneider - ETD - Louisiana State ...
the life and works of sascha schneider - ETD - Louisiana State ...
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Perhaps <strong>the</strong> most critical explanation for <strong>the</strong> near cult following <strong>of</strong> Karl May’s<br />
novels is <strong>the</strong> consistency <strong>of</strong> <strong>the</strong> hero. Near <strong>the</strong> end <strong>of</strong> <strong>the</strong> nineteenth century a sense <strong>of</strong><br />
restlessness permeated <strong>the</strong> nation, <strong>and</strong> <strong>the</strong> sentiment <strong>of</strong> <strong>the</strong> average German citizen was<br />
one <strong>of</strong> unease. Mimicking reality in his stories, May’s characters are also caught in<br />
various states <strong>of</strong> instability <strong>and</strong> upheaval. These situations are where <strong>the</strong> hero thrives.<br />
May’s leading role is not only physically strong <strong>and</strong> adept for most situations, he is also<br />
brilliant <strong>and</strong> a keen judge <strong>of</strong> character. While <strong>the</strong> literary critic might find <strong>the</strong><br />
unwavering strength <strong>and</strong> aptitude <strong>of</strong> <strong>the</strong> protagonist <strong>of</strong> <strong>the</strong>se stories too predictable to be<br />
interesting, <strong>the</strong> average German citizen looking for stability found comfort in <strong>the</strong><br />
consistency. These heroes were able to resolve conflicts <strong>and</strong> return order to mayhem,<br />
<strong>of</strong>ten times ab<strong>and</strong>oning strength <strong>and</strong> brutality in favor <strong>of</strong> wit <strong>and</strong> logic. 38<br />
May acted as an “armchair traveler,” describing what o<strong>the</strong>rs had seen despite<br />
never having gone to <strong>the</strong> places he wrote about. However, this lack <strong>of</strong> travel experience<br />
did not deter him from attempting to imbue his writing with a sense <strong>of</strong> legitimacy.<br />
Although he wrote purely fictional <strong>works</strong> for his audience, many <strong>of</strong> his narratives were<br />
based loosely on facts. 39 This approach cultivated a writing style supported his secondh<strong>and</strong><br />
claim to au<strong>the</strong>nticity. May even included footnotes in his travel narratives, to give<br />
38<br />
George L. Mosse, The Image <strong>of</strong> Man: The Creation <strong>of</strong> Modern Masculinity (New<br />
York: Oxford University Press, 1996), 112-113, 138-139. Mosse states: “<strong>the</strong>y are<br />
singularly peaceful, <strong>the</strong> hero, Old Shatterh<strong>and</strong>, is strong <strong>and</strong> manly, but he avoids a fight<br />
if at all possible. Old Shatterh<strong>and</strong> conquers <strong>the</strong> prairie not by Fire <strong>and</strong> sword but with due<br />
regard for law <strong>and</strong> order. When he has defeated an evildoer, he does not kill him but<br />
brings him before a judge. May believed in <strong>the</strong> survival <strong>of</strong> <strong>the</strong> fittest <strong>and</strong> that <strong>the</strong> weak.<br />
must be subordinate to <strong>the</strong> strong. … May’s novels are marked by Pietistic traditions that<br />
serves to s<strong>of</strong>ten <strong>the</strong> cruelty that at times informs his triumphant heroes.”<br />
39<br />
One <strong>of</strong> <strong>the</strong> most sc<strong>and</strong>als aspects <strong>of</strong> Karl May’s <strong>life</strong> was his purchased PhD. He<br />
obtained a doctorate degree from a “degree mill” in called “The Chicago University in<br />
Germany.” He began illegally attaching PhD to his name in 1903, regardless <strong>of</strong> <strong>the</strong> fact<br />
that he did not earn this title.<br />
29