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The Salamanca Corpus: Yeoman Fleetwood (1900 ... - Gredos

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<strong>The</strong> <strong>Salamanca</strong> <strong>Corpus</strong>: <strong>Yeoman</strong> <strong>Fleetwood</strong> (<strong>1900</strong>)<br />

"Susan, I have come to see your master because I think he wants cheering up —indeed,<br />

he is so dull and lonely here that I believe I shall soon have to come here for good.”<br />

“Ma'am!" cried Susan, and fell to clapping her hands and rocking herself backwards and<br />

forwards, and laughing and crying together; while Dolly from the background kept up a<br />

rapturous and continuous murmur to the effect that it was “a lovely match –it was that.<br />

It was a<br />

[261]<br />

beautiful match —a body couldn't wish to see a nicer. It was a gradely match, aye, that<br />

it was!"<br />

At length, after Rachel had actually kissed her, the old woman was so much overcome<br />

that she was obliged to retire with her apron to her face, the underling escorting her, and<br />

assuring her that she oughtn't to be that taken-to when such a match was going for'ard.<br />

<strong>The</strong>n Simon wheeled forward the chair; and Rachel took her place, as he had pictured,<br />

at the head of the table, with a little demure air which charmed him mightily.<br />

“Now sit you down," said she; "you must not wait on me any more. This is going to be a<br />

rehearsal, Simon. Imagine, if you please, that I am already Mrs. <strong>Fleetwood</strong> —no, no,<br />

stay where you are! You and I are staid old married folk, and there is no need for<br />

transports.<br />

Now Farmer <strong>Fleetwood</strong> has come home after a long day in the fields. He is tired, and<br />

glad to rest. He has put on the slippers which Mrs. Farmer <strong>Fleetwood</strong> has thoughtfully<br />

left ready for him in the hall. Pray don't interrupt —I know a farmer's wife should have<br />

her husband's slippers ready for him. (We must imagine that part of the performance has<br />

been gone through, however). So the Gaffer —isn't that the proper title? —draws nigh<br />

to the table tired and hungry, and the Missus, having made his tea most beautifully and<br />

just as he likes it, now proceeds to pour it out. ‘Two lumps, my dear? Cream?' I do not<br />

know that on butter-making days I shall be able to spare any cream; I mean my dairy to<br />

be a model, do you know, Simon? Yes, indeed, I intend to be a notable housewife; do<br />

not think, sir, that you will have a frivolous being for your wife. Not at all; I mean to do<br />

my share of the work, I can tell you. No, you must not leave your chair, my poor tired<br />

husband — I will bring your tea to you."

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