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The Salamanca Corpus: Yeoman Fleetwood (1900 ... - Gredos

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<strong>The</strong> <strong>Salamanca</strong> <strong>Corpus</strong>: <strong>Yeoman</strong> <strong>Fleetwood</strong> (<strong>1900</strong>)<br />

"I am afraid it must be very painful to you to show it to a stranger," cried Rachel<br />

impulsively. "I did not know — I did not think"<br />

She stopped, blushing, and added, after a pause, up-lifting her eyes, sweeter to him than<br />

ever now that their brightness was dimmed by tears, "I am sure, I beg your pardon".<br />

"I like you to be here," returned he simply. "I can never look on you as a stranger."<br />

"Ah, you remember how often I used to come as a child," cried Rachel. "I loved this<br />

room. I used to bring my little stool close to your mother's sofa, and she taught me all<br />

sorts of things. See, here are rushes like those she set me to peel — we made such funny<br />

little houses with the pith. And do you know, Mr. Simon, that I worked this sampler? I<br />

am sure it was not worthy of being framed. But she taught me the stitch, and when it<br />

was finished I gave it to her. You see my initials here, R, C.? One on each branch of this<br />

very fine tree. Is<br />

[77]<br />

it not a fine tree? <strong>The</strong>re are quite seven leaves to it."<br />

<strong>The</strong>y were standing opposite the sampler now. Simon had not known it to be Rachel's<br />

handiwork, as it had been presented during his absence from home, and he looked at it<br />

with a pleased interest, which was presently succeeded by a vein of deeper emotion. It<br />

seemed to him that this quaint relic of her childhood made, as it were, a link between<br />

them.<br />

"Do you mind my running on like this?” inquired Rachel shyly, for she marvelled at his<br />

taciturnity.<br />

"No, indeed; I like it,” he returned; adding, after a short pause, "No one ever speaks of<br />

— of old times to me, and I find it sweet."<br />

"I am so glad," exclaimed the girl, "for, do you know, of all things I like talking of old<br />

times. Your mother taught me how to make shell-boxes, too — ah, here are the shells in<br />

this drawer, just where she always kept them. She had such little dainty fingers, I<br />

remember, fit for the work. I suppose she never made jam?" she added, looking at<br />

Simon with a curious little pensive air.<br />

"Oh, no," cried he, almost indignantly, "I cannot imagine her doing anything of the kind<br />

— my father would never have allowed it."

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