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- Page 9 and 10: THE MUSIC OF HINDOSTAN BY A. H. FOX
- Page 11 and 12: ; PKEFACE HiNDOSTAN is, teclinicall
- Page 13 and 14: PREFACE vii who were ready to discu
- Page 15 and 16: TABLE OF CONTENTS ix CHAPTER V MODE
- Page 17 and 18: LIST OF ILLUSTRATIONS Rabindranath
- Page 19 and 20: INTRODUCTION 3 is the polyphony of
- Page 21 and 22: INTRODUCTION 5 are not transgressed
- Page 23 and 24: ; INTRODUCTION 7 Some try to pluck
- Page 25 and 26: INTRODUCTION 9 that of Lueknow or I
- Page 27 and 28: ; INTRODUCTION 11 " About four o^cl
- Page 29 and 30: ; INTRODUCTION 13 All this brings t
- Page 31: p. 14 PLATE 1
- Page 34 and 35: 16 INTRODUCTION But there are other
- Page 36 and 37: 18 A MUSICAL DIARY a new subject, a
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- Page 42 and 43: : 24 A MUSICAL DIARY Half a mile aw
- Page 44 and 45: 26 A MUSICAL DIARY About Krishna. H
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: JT^^J^. ; A MUSICAL DIARY 33 Two
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A MUSICAL DIARY 35 ^ (Phonogram end
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o A MUSICAL DIARY 37 minor, there w
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Ex. MJU-^.JS2=j^. 63.!a=^ A MUSICAL
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A MUSICAL DIARY 41 Unloading cargo.
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A MUSICAL DIARY 43 pistols and shie
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^ A MUSICAL DIARY 45 were accompani
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PLATE 3 Kashmiri bin-player. (Taken
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48 A MUSICAL DIARY I got the singer
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^ ,1^ I r I ' CHAPTEE II A MUSICAL
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J ' 53 A MUSICAL DIARY Ex.; 100.; A
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, h^—T = 54 A MUSICAL DIARY Buji
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56 A MUSICAL DIARY These were sung
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d 58 A MUSICAL DIARY 3rd version. ^
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: 60 A MUSICAL DIARY Surnai. J = 92
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; 62 A MUSICAL DIARY said lie was b
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A MUSICAL DIARY 63 unsuspected, as
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A MUSICAL DIARY 65 Lali pardare. Ph
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A MUSICAL DIAEY 67 Celestial carpen
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! A MUSICAL DIARY 69 No words obtai
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A MUSICAL DIARY 71 b b b "^~^^=^f~^
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PLATE 5
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74 LEGEND, HISTORY, AND THE PRESENT
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— 76 LEGEND, HISTORY, AND THE PRE
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— LEGEND, HISTORY, AND THE PRESEN
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PLATE Mughal drawing, seventeenth c
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80 LEGEND, HISTORY, AND THE PRESENT
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: LEGEND, HISTORY, AND THE PRESENT
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Portrait of Numa Khan Katawaut, a m
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: 84 LEGEND, HISTORY, AND THE PRESE
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: ' 86 LEGEND, HISTORY, AND THE PRE
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Kx. 173. : ^^- LEGEND, HISTORY, AND
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LEGEND, HISTORY, AND THE PRESENT DA
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— LEGEND, HISTORY, AND THE PRESEN
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LEGEND, HISTORY, AND THE PRESENT DA
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, LEGEND, HISTORY, AND THE PRESENT
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LEGEND, HISTORY, AND THE PRESENT DA
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: LEGEND, HISTORY, AND THE PRESENT
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ideas were held apart to THE SCALE
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THE SCALE 103 We have no hint as to
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. . : THE SCALE 105 about in variou
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' Natural ' means not a ' white ' n
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THE SCALE 109 us lies in the double
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THE SCALE 111 In favour of this exp
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': N C-l (M (M «
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) THE SCALE 115 round brackets. No.
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' I THE SCALE 117 o «pq Mm-^w ?c.
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: : 120 THE SCALE considered the na
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122 THE SCALE The diatonic is ubiqu
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. ;' 124 THE SCALE partial; there i
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: — 126 THE SCALE pentatonic scal
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: 1 128 THE SCALE We may notice in
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130 THE SCALE AAA two intervals con
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: for a major Third, as a deliberat
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— , ^ff CHAPTER V MODE The terms
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1*,^ : 136 MODE series of notes fro
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: 138 MODE The mode of D was, we sa
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140 MODE explains ^ that the Ma-grd
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— ; 142 MODE two tetrachords ' :
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: 144 MODE have the tessitura alway
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: 146 MODE one for others becomes m
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: 148 MODE leading to a substantive
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: : ; 150 MODE harmonid) to the oct
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; ; CHAPTER VI RAGA I'll take my pi
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' RAGA 153 accurate knowledge had b
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OLK30NG VARIANTS BorcLej' MclocLy .
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— 156 RAGA {svara) ; reduced the
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: : r 158 EAGA the phonogram of an
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160 RAGA What surprises us most in
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162 RAGA Brahma Samaj hymns. Bag So
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— : 164 RAGA it falsifies it by b
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I . 166 RAGA I '^ 1 -rj Jr k* Ir* k
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168 RAGA A-ma-ra ma - jha-re ni - j
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170 RAGA each other. Nop. 6-8 trans
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172 HAGA as a rule, and with the be
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174 BAGA Bhupkalidn Ex. =fc=
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176 RAGA Tya -
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: ' 178 RAGA discernible characteri
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—' 180 RAGA Attegretto ma non tro
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; 182 GRACE or we laugh with Spohr
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: 184 GRACE following example the c
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186 GRACE The true representative o
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: 188 GRACE ^^f=gE^^ vi-ha-ra-ti he
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: ; 190 GRACE viations would have b
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; — 193 TALA Tal Rupak. Ex. 3oa
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: ; — ; ; ; 194 TALA language whi
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: 196 TALA where the masculine elem
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, . 198 TALA m ^ u rT]f J. ||i r |
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: 200 TALA the 'first' or smallest
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: 203 TALA all the distinctions we
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yzTjTZ : ^ ; 204 TALA syllables and
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206 TALA. (3) Eag Dhira^ankarabhara
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: 208 TALA When three notes of neio
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: : / .^ : 210 TALA In rank A are t
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: 1 212 TALA The other possibilitie
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214 TALA Ata Tala. 5 + 5 + 2 + 2. (
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216 TALA Counting hy matra (Hindost
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J. 218 TALA long; Europe takes the
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: TALA -A &C. ^^^^^^m Passage ends.
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222 TALA length of three normal sec
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; 224 TALA truncations of rhythms w
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; Monsieur le CHAPTER IX DRUMMING G
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PLATE 12 Ta '. ' Na ' (borrowed fro
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228 DRUMMING the knee, the right is
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DRUMMING 229
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(Degambu Lahore Jhelum. (Pingle). A
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; : DRUMMING 233 which, though a st
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f ^j r^ ^^ DRUMMING 235 5 ITj^ j^ s
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: DRUMMING 237 The next is a Panjab
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: DRUMMING 239 The 46th of the fort
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DRUMMING 241 Pace {Idyd) and ' spee
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DRUMMING 243 The striking thing aho
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: DRUMMING 245 absence of harmony (
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^ : THE SAMAN CHANT 247 syllable. I
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^RE SAMAN CHANT 249 but the passage
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: ' THE SAMAN CHANT 251 the notatio
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: : THE SAMAN CHANT 253 On the othe
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' THE SAMAN CHANT 255 The verse, dg
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— ' — THE SAMAN CHANT 257 Scale
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O-H (MM-* LO tOI>00O5
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THE SAMAN CHANT 261 note, is the mo
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: THE SAMAN CHANT 263 We have other
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PLATE 14 Samagiih, Madras. ^^B Sama
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: 266 THE SAMAN CHANT sense of ' gr
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: : THE SAMAN CHANT 269 hi -ra nya
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: — THE SAMAN CHANT 271 The FJJ i
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-J — THE SAMAN CHANT 273 a - ra -
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. svdra : Ex. ' ^ '^ '- m 7 Ex. M^\
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THE SAMAN CHANT 277 itself therefor
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; THE SAMAN CHANT 279 St. Ursula, K
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: FORM 281 amh to the Maroj, its re
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FORM 283
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FORM 285 vPJ? ea-
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- FORM 287 for its ' liveliness ',
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FORM 289 Ka-ba ho . . ka - pi ^\Z7
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— FORM 291 me - re nai /f.bh) F
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FORM 293 £a-bahoka-pi ra-gho a wen
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FORM 295 ge Ka-ba ho , . ka-pl ra .
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FORM 297 Ka-baho . . ka-pl ^b' i, J
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EORM 299 JtA g^^^f Ka-baho . . ka-p
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* cr FORM 301 singers are content w
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FORM 303 CThe girl I left behind me
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FORM 305 Desh. Eka Trisra. Slow. Ex
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FORM 307 Myacha Malhar. Chautal. 4
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FORM 309 Dhanashri. Tital. Ex. 409.
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J 1 J^T^ '^ FORM 311 Pilu. Hupak. E
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FORM 313 Bhairau. Chautal. Todi. Eu
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FORM 315 Sohani. Tital. Paraja. Ex.
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: : : FORM Sir A European lias grea
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; FORM 319 In this kinematograph of
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; MELODY 321 the one note we do not
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MELODY 323 The leap ' die Wang' ' i
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: J : : MELODY 325 No less surprisi
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: MELODY 327 what a fine tune they
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: : ; MELODY 329 Sullivan. Take a p
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: j / : r-^ / enormously. MELODY 33
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MELODY 333 ears. We do not know, we
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MELODY 335 keep the melodic figure
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: MELODY 337 maximum of point and b
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MELODY 339 na mur - kha. The main i
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MELODY 341 umbrella, and, as Corney
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: ' APPENDIX I The scale of twelve
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: APPENDIX II It was not noticed un
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BIBLIOGRAPHY 347 Sanskrit Theory. 8
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BIBLIOGRAPHY 349 Notation. 24. O. A
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BIBLIOGRAPHY 351 45. Oskar Fleische
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; GLOSSARY AND INDEX Note.— Indiv
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: day, periods of, 153. -deflect',
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: GLOSSARY AND INDEX 357 Indian mus
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GLOSSARY AND INDEX 359 natyasastra
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GLOSSARY AND INDEX 361 yaga, partic
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Tal GLOSSARY AND INDEX 363
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3 5002 00238 1338 Fox Strangways, A