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2013|14 season - The National Ballet of Canada

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“Impressively original... mysterious, innovative<br />

and enthralling”<br />

Channel Rivera, Cannes, France<br />

presents<br />

Spectre<br />

de la Rose<br />

Spectre de la Rose &<br />

Opus 19/<strong>The</strong> Dreamer &<br />

the second detail<br />

May 28—June 1, 2014<br />

Michel Fokine’s landmark 1911 ballet Le Spectre de la Rose has been lavishly re-imagined<br />

by the exciting young Choreographer-in-Residence with Stuttgart <strong>Ballet</strong>, Marco Goecke.<br />

While preserving the central dynamic between <strong>The</strong> Young Girl and <strong>The</strong> Spirit <strong>of</strong> the Rose,<br />

Goecke has added both dancers and music to the ballet, creating a broader thematic and<br />

choreographic context in which the work can unfold. Goecke’s fresh reading <strong>of</strong> this great<br />

modern classic is a genuine revelation.<br />

Jerome Robbins’ work traversed the spectrum <strong>of</strong> modern dance, from Broadway<br />

shows to severe abstraction, but whether in narrative or non-narrative situations, his<br />

ballets always take delight in the emotive and expressive possibilities <strong>of</strong> human movement.<br />

His late work Opus 19/<strong>The</strong> Dreamer is the abstract Robbins and, set to Prok<strong>of</strong>iev’s Violin<br />

Concerto No.1 in D Major, exemplifies beautifully the tensions in his work and personality<br />

between the bold experimenter and the inconsolable romantic.<br />

<strong>The</strong> arch antagonist <strong>of</strong> received ballet wisdom, William Forsythe’s choreographic<br />

provocations have earned him as much notoriety as acclaim. Yet beneath the anarchic<br />

comedy, the fiercely deconstructive and random-seeming surface <strong>of</strong> a work such as the<br />

second detail there lurks an ungainly but defiant elegance, a vision <strong>of</strong> dance that forces us<br />

to look anew at ballet’s meanings and potentialities.<br />

Xiao Nan Yu and Guillaume Côté in Opus 19/<strong>The</strong> Dreamer<br />

Sonia Rodriguez in the second detail<br />

Nathalie Nordquist <strong>of</strong> Les <strong>Ballet</strong>s de Monte-Carlo in Spectre de la Rose<br />

Spectre de la Rose<br />

Choreography: Marco Goecke<br />

Staged by: Giovanni di Palma<br />

Music: Carl Maria von Weber<br />

Costume Design: Michaela Springer<br />

Lighting Design: Udo Haberland<br />

Spectre de la Rose is supported by<br />

<strong>The</strong> Producers’ Circle.<br />

Opus 19/<strong>The</strong> Dreamer<br />

Choreography: Jerome Robbins<br />

Staged by: Jean-Pierre Frohlich<br />

Music: Sergei Prok<strong>of</strong>iev,<br />

Violin Concerto No. 1 in D Major<br />

Costume Design: Ben Benson<br />

Lighting Design: Jennifer Tipton<br />

Opus 19/<strong>The</strong> Dreamer is made possible<br />

by a generous contribution from David &<br />

Torunn Banks.<br />

the second detail<br />

Choreography: William Forsythe<br />

Staged by: Jill Johnson<br />

Music: Thom Willems<br />

Costume, Set and Lighting Design:<br />

William Forsythe<br />

White dress: Issey Miyake<br />

the second detail is a gift from<br />

<strong>The</strong> Volunteer Committee,<br />

<strong>The</strong> <strong>National</strong> <strong>Ballet</strong> <strong>of</strong> <strong>Canada</strong>.<br />

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