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From Disinterestedness to Engagement - OpenArchive@CBS

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Index<br />

Chapter 0 Prologue p.7<br />

Chapter 1 In Medias Res p.9<br />

Canapes Are Not Provided p.12<br />

An Existential Crisis p.13<br />

A Facelifte Dead Body – Who Cares? p.14<br />

1.1 There Is Something Rotten....In the Cultural Sec<strong>to</strong>r p.16<br />

A Crisis of Legitimacy? Situating the Project p.20<br />

Research Aim – Jamming the System p.23<br />

1.2 Designing the Research Project p.24<br />

The Research Question p.26<br />

On Reflexivity – a Few Precautionay Words p.27<br />

Construction an Empirical Field – the Cultural Sec<strong>to</strong>r p.29<br />

Constructing a Research Focus – Performing Leadership Narratively p.31<br />

Theoretical Framwork p.33<br />

1.3 The Thesis p.33<br />

Chapter 2 Epistemological Framework, Methodological Reflections,<br />

Methods p.36<br />

Doing Social Constructionist Research p.36<br />

2.1 Some Key Assumptions p.38<br />

2.2 Narratives – Plot, Meaning and Performativity p.43<br />

Narratives – Structural Aspects p.45<br />

Plot as Process – the Best Fit p.51<br />

Making Meaning p.54<br />

Performativity of Narratives p.60<br />

2.3 Methodology and Methods p.61<br />

Chapter 3 The Quest for Freedom p.70<br />

3.1 The Problem of Aesthetics p.73<br />

Kantian <strong>Disinterestedness</strong> – Aesthetic Judgments and the Genius p.76<br />

Kant’s Contributions and the Hero of Knowledge p.80<br />

Reserving Au<strong>to</strong>nomy <strong>to</strong> Artworks p.81<br />

3.2 Art for Art’s Sake p.82<br />

Contributions by the Art for Art’s Sake Movement p.87<br />

3.3 Cultural Policies and the Arm’s Length Principle p.88<br />

Supporting, but not Steering p.93<br />

Democratization of Culture p.97<br />

Contribution of the Arm’s Length Principle and Cultural Policies p.99<br />

3.4 What Counts as Leadership in the Cultural Sec<strong>to</strong>r p.100<br />

<strong>From</strong> Au-delà <strong>to</strong> a Cultural Sec<strong>to</strong>r p.103<br />

Chapter 4 Challenging the Myth p.106<br />

4.1 White Cube for Some and White Queue for Others p.110<br />

4.2 Expressive Lives and the Cultural Entrepreneur p.116<br />

Blurring the Borders of the Artworld p.117<br />

The Post Highbrow-Snob World p.120<br />

4

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