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Typology and variation in child consonant harmony - University of ...

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TYPOLOGY AND VARIATION IN CHILD CONSONANT HARMONY 5<br />

d. For the period under study, (~2;2), there is a total <strong>of</strong> 9641 transcribed<br />

utterances.<br />

We extracted all <strong>of</strong> the <strong>in</strong>itially stressed adult forms from the glosses <strong>of</strong> the<br />

shape C 1 (C)V 1 (C)C 2 (C)(V)(C), where the follow<strong>in</strong>g applied:<br />

(17) Restrictions on the data<br />

a. C 1 <strong>and</strong> C 2 are both oral stops<br />

b. Either C 1 or C 2 is a velar<br />

c. V 1 is stressed<br />

We elim<strong>in</strong>ated other word types to elim<strong>in</strong>ate factors other than those under<br />

study (e.g. the manner <strong>of</strong> the target or trigger, stress placement).<br />

We divided the words <strong>in</strong>to 8 classes, based on the place <strong>of</strong> C 1 <strong>and</strong> C 2 ,<br />

<strong>and</strong> whether V 1 was front or back (T, K, P = coronal, velar, labial <strong>consonant</strong>,<br />

O = back vowel, I = front vowel):<br />

(18) Word classes<br />

a. KOP c. KOT e. POK g. TOK<br />

b. KIP d. KIT f. PIK h. TIK<br />

To get a first approximation <strong>of</strong> the stages <strong>of</strong> Trevor’s development, for each<br />

<strong>of</strong> the 8 word types we measured the proportion <strong>of</strong> harmonized vs. nonharmonized<br />

forms attested <strong>in</strong> the period up to 1;5, <strong>and</strong> each <strong>in</strong>dividual month<br />

through 2:3<br />

We then def<strong>in</strong>ed more f<strong>in</strong>e-gra<strong>in</strong>ed stages that more closely matched<br />

the changes <strong>in</strong> the application <strong>of</strong> <strong>harmony</strong>, <strong>and</strong> constructed grammars to<br />

model the attested frequency <strong>of</strong> <strong>harmony</strong> <strong>in</strong> these stages<br />

4. The <strong>in</strong>fluence <strong>of</strong> the target<br />

4.1 Typological account<br />

As the constra<strong>in</strong>t motivat<strong>in</strong>g <strong>consonant</strong> <strong>harmony</strong>, we assume an AGREE<br />

constra<strong>in</strong>t (cf. Lombardi 1999, Bakovic 2000) that has a broader doma<strong>in</strong><br />

than the adult version.<br />

(19) Versions <strong>of</strong> AGREE<br />

a. AGREE: <strong>consonant</strong>s <strong>in</strong> doma<strong>in</strong> D must agree <strong>in</strong> place specification.<br />

b. <strong>child</strong> doma<strong>in</strong>: word<br />

c. adult doma<strong>in</strong>: str<strong>in</strong>g-adjacency (i.e. <strong>consonant</strong> clusters)<br />

One could also derive <strong>consonant</strong> <strong>harmony</strong> from constra<strong>in</strong>ts assumed to be<br />

active <strong>in</strong> adult grammars (e.g. Goad 1997), but this leads to prediction <strong>of</strong><br />

unattested patterns for adult languages<br />

Resistance <strong>of</strong> different places <strong>of</strong> articulation to assimilation accounted

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