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tOMOrrOW's AnsWers tODAY - AkzoNobel

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22<br />

Our city skylines are changing. Where once there was a<br />

bland array of skyscrapers and tower blocks, peppered<br />

with the odd historic building or telecommunications<br />

tower, we now find ourselves in a space-aged, futuristic<br />

environment which wouldn’t look out of place in a sci-fi movie like<br />

Blade Runner.<br />

There can be no doubt that today’s architects have their eyes<br />

set firmly on both the functional and the fantastical. Whatever city<br />

you visit, there are buildings of different shapes, sizes, colors and<br />

types, featuring special materials or innovative solutions that make<br />

even the most unassuming office block look risqué.<br />

To the untrained eye, it might all appear a bit random. But there<br />

is some careful method to what at first appears to be design<br />

madness. You only need to take a look at the types of buildings<br />

which are winning some of the world’s major architectural design<br />

awards to appreciate what’s happening. Take the 2012 World<br />

Building of the Year, for example – the Cooled Conservatories at<br />

Gardens by the Bay in Singapore (pictured). Featuring two massive<br />

glass domes and 12 so-called Supertrees, it’s a visually stunning<br />

development which delivers a strong environmental message. It<br />

also just happens to feature around 50,000 liters of protective<br />

coatings supplied by <strong>AkzoNobel</strong>.<br />

Then there’s No.1 Bligh Street in downtown Sydney, Australia.<br />

Completed in May 2011, the office block has won a host of design<br />

and innovation honors. But what makes it particularly eye-catching<br />

is the fact that it looks, well, a bit ordinary. At 139 meters high, it<br />

certainly isn’t threatening the world’s tallest building record. And,<br />

while it has a pleasing elliptical shape, it’s not as iconic as buildings<br />

such as The Gherkin in London, or the cactus-inspired office tower<br />

currently being constructed in Qatar. In fact, it was a refusal to get<br />

drawn into the iconic which was highlighted as a key reason for the<br />

Sydney structure winning the 2012 International Highrise Award.<br />

So what’s going on? Alan Muse, Director of Built Environment<br />

Professional Groups at the UK’s Royal Institute of Chartered<br />

Surveyors, offers an explanation: “Modern building design evolves<br />

to meet the needs of society. Clearly, this is reflected in the importance<br />

of environmental and economic factors in modern building<br />

design, both through, for example, the use of energy efficient

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