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16 + GUIDE - British Film Institute

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DAILY TELEGRAPH<br />

22 nd April 2000, p.7<br />

Leader of the gangsters, by Clark Collis<br />

An account of how real-life gangsters and criminals provided inspiration before and during the<br />

making of THE LONG GOOD FRIDAY, and how the film nearly didn’t get a theatrical release on<br />

completion.<br />

THE OBSERVER<br />

20 th February 2000, pp.6-7<br />

Hanging around in the hood…, by Akin Ojumu<br />

Made-up from series of interviews with Bob Hoskins and the filmmakers of THE LONG GOOD<br />

FRIDAY, their recollections provide an interesting account of the making of the film.<br />

DAILY STAR<br />

18 th November 1980<br />

Cut! The scenes they don’t want you to see on TV, by Brian Wesley<br />

A contemporary report on how Bob Hoskins and Helen Mirren attempted to buy back the<br />

rights to the film from Lord Grade (owner of the production company) after he threatened to<br />

have the film heavily re-cut and shown only on television, for fear of terrorist reprisals.<br />

THE TIMES<br />

21 st November 1980<br />

Cinematic vigour to be wasted on television, by David Robinson<br />

A contemporary review of THE LONG GOOD FRIDAY that praises the film, but criticises the<br />

production company Black Lion <strong>Film</strong>s for not only deciding to heavily edit the film and<br />

consigning it to television in Britain, but also for deciding to have Bob Hoskins voice redubbed<br />

for the American release.<br />

THE SCOTSMAN<br />

26 th August 1980<br />

<strong>British</strong> back in business, by Julie Davidson<br />

This review praises the film and notes its stylistic roots in television drama.<br />

63

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