16 + GUIDE - British Film Institute
16 + GUIDE - British Film Institute
16 + GUIDE - British Film Institute
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DAILY TELEGRAPH<br />
22 nd April 2000, p.7<br />
Leader of the gangsters, by Clark Collis<br />
An account of how real-life gangsters and criminals provided inspiration before and during the<br />
making of THE LONG GOOD FRIDAY, and how the film nearly didn’t get a theatrical release on<br />
completion.<br />
THE OBSERVER<br />
20 th February 2000, pp.6-7<br />
Hanging around in the hood…, by Akin Ojumu<br />
Made-up from series of interviews with Bob Hoskins and the filmmakers of THE LONG GOOD<br />
FRIDAY, their recollections provide an interesting account of the making of the film.<br />
DAILY STAR<br />
18 th November 1980<br />
Cut! The scenes they don’t want you to see on TV, by Brian Wesley<br />
A contemporary report on how Bob Hoskins and Helen Mirren attempted to buy back the<br />
rights to the film from Lord Grade (owner of the production company) after he threatened to<br />
have the film heavily re-cut and shown only on television, for fear of terrorist reprisals.<br />
THE TIMES<br />
21 st November 1980<br />
Cinematic vigour to be wasted on television, by David Robinson<br />
A contemporary review of THE LONG GOOD FRIDAY that praises the film, but criticises the<br />
production company Black Lion <strong>Film</strong>s for not only deciding to heavily edit the film and<br />
consigning it to television in Britain, but also for deciding to have Bob Hoskins voice redubbed<br />
for the American release.<br />
THE SCOTSMAN<br />
26 th August 1980<br />
<strong>British</strong> back in business, by Julie Davidson<br />
This review praises the film and notes its stylistic roots in television drama.<br />
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