29.12.2013 Views

16 + GUIDE - British Film Institute

16 + GUIDE - British Film Institute

16 + GUIDE - British Film Institute

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

THE GUARDIAN<br />

12th July 1999, p.17<br />

In the family way, by Mark Lawson<br />

Lawson discusses the shows use of cultural references such as the GOODFELLAS/<br />

GODFATHER acknowledgements and also questions whether THE SOPRANOS works as a<br />

social commentary on end-of-the-century America.<br />

THE OBSERVER<br />

6th June 1999<br />

The Sopranos, by Josephine Monroe<br />

A well-written article that examines how THE SOPRANOS has managed to shift the Mafia<br />

movie genre from its place in American cultural heritage, into the modern cultural landscape.<br />

EVENING STANDARD<br />

14th May 1999, p.29<br />

He’s balding, fat and nearly 40 – meet America’s latest sex god, by Barbara McMahon<br />

Assesses the up-coming first series of THE SOPRANOS to be screened on Channel 4 and how<br />

the series and its lead character, Tony Soprano, have taken America and in particular its<br />

female audience, by storm.<br />

THE GUARDIAN<br />

27th April 1999, p.10+11<br />

They’re Sopranos but they ain’t no choirboys, by Mike Ellison<br />

This article outlines the new 13 part series coming to Channel 4 with a few choice quotes<br />

used in the series. Also looks at the reasons why the major networks declined to commission<br />

the series, namely, nudity, language and violence.<br />

VILLAGE VOICE<br />

12th January 1999, p.5<br />

Even mobsters get the blues, by Tom Carson<br />

An early article written before the first series began in the UK that outlines the general plot as<br />

well as making some useful acknowledgments to the influences inherent in THE SOPRANOS.<br />

82

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!