16 + GUIDE - British Film Institute
16 + GUIDE - British Film Institute
16 + GUIDE - British Film Institute
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THE GUARDIAN<br />
12th July 1999, p.17<br />
In the family way, by Mark Lawson<br />
Lawson discusses the shows use of cultural references such as the GOODFELLAS/<br />
GODFATHER acknowledgements and also questions whether THE SOPRANOS works as a<br />
social commentary on end-of-the-century America.<br />
THE OBSERVER<br />
6th June 1999<br />
The Sopranos, by Josephine Monroe<br />
A well-written article that examines how THE SOPRANOS has managed to shift the Mafia<br />
movie genre from its place in American cultural heritage, into the modern cultural landscape.<br />
EVENING STANDARD<br />
14th May 1999, p.29<br />
He’s balding, fat and nearly 40 – meet America’s latest sex god, by Barbara McMahon<br />
Assesses the up-coming first series of THE SOPRANOS to be screened on Channel 4 and how<br />
the series and its lead character, Tony Soprano, have taken America and in particular its<br />
female audience, by storm.<br />
THE GUARDIAN<br />
27th April 1999, p.10+11<br />
They’re Sopranos but they ain’t no choirboys, by Mike Ellison<br />
This article outlines the new 13 part series coming to Channel 4 with a few choice quotes<br />
used in the series. Also looks at the reasons why the major networks declined to commission<br />
the series, namely, nudity, language and violence.<br />
VILLAGE VOICE<br />
12th January 1999, p.5<br />
Even mobsters get the blues, by Tom Carson<br />
An early article written before the first series began in the UK that outlines the general plot as<br />
well as making some useful acknowledgments to the influences inherent in THE SOPRANOS.<br />
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