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16 + GUIDE - British Film Institute

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INTERVIEW<br />

March 1999, pp.68-70<br />

Guy about town, by David Furnish<br />

This is an interview with the director of LOCK, STOCK AND TWO SMOKING BARRELS, Guy<br />

Ritchie about the film and his career to date.<br />

INTERVIEW<br />

February 1999, p.81<br />

Testosterone in trouble, by Graham Fuller<br />

Fuller’s short article focuses on the masculinity of the film; no major female characters, the<br />

violence, the casting, and how the film is heavily indebted to RESERVOIR DOGS. Fuller<br />

seems to be implying that all the displays of machismo may mean the men have something to<br />

worry about.<br />

Press Articles<br />

THE OBSERVER<br />

3 rd September 2000, p.7<br />

One in three young criminals is armed, by Tony Thompson<br />

A report on the police and governments growing concern over Britain’s “gun culture”, which<br />

has seen, claims the report, one in three criminals under the age of 25 either own a gun or<br />

have access to a firearm. Police believe one of the reasons for this, is the “gangster chic”<br />

made popular by films such as LOCK, STOCK AND TWO SMOKING BARRELS.<br />

THE GUARDIAN<br />

5 th September 1998, p.3<br />

Bang to rights, by Bruce Reynolds<br />

Former Great Train Robber, Bruce Reynolds review starts by noting that while it is not the<br />

best <strong>British</strong> gangster film he has seen it is the “most audacious debut”. In a review that is<br />

mainly positive, he describes the film as being “derivative and innovative at the same time”.<br />

THE GUARDIAN<br />

28 th August 1998, p.8<br />

Guns on the run, by Gaby Wood<br />

In her review, Wood notes that while stylistically following on from Tarantino, Guy Ritchie has<br />

translated the formula in an “already established <strong>British</strong> genre” and that it is a natural followon<br />

in a long line of <strong>British</strong> gangster films, such as PERFORMANCE, GET CARTER and THE<br />

LONG GOOD FRIDAY.<br />

65

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