LDK Family of Cameras Brochure - Grass Valley
LDK Family of Cameras Brochure - Grass Valley
LDK Family of Cameras Brochure - Grass Valley
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<strong>LDK</strong><br />
family <strong>of</strong> cameras<br />
Imaging beyond imagination.<br />
grassvalley.com/ldk
imaging beyond<br />
imagination<br />
No other camera has the “look” <strong>of</strong> an <strong>LDK</strong> camera. And no other live production<br />
camera has the pedigree <strong>of</strong> an <strong>LDK</strong> camera.<br />
<strong>Grass</strong> <strong>Valley</strong> <strong>LDK</strong> camera systems are the world’s leading high-end acquisition<br />
systems with a history <strong>of</strong> more than 50 years <strong>of</strong> innovative developments and the<br />
recipient <strong>of</strong> six Emmy ® Awards. A tribute to our design and engineering excellence.<br />
For over half a century, <strong>Grass</strong> <strong>Valley</strong> cameras have captured the world’s highest-pr<strong>of</strong>ile,<br />
most prestigious events all over the world. The reason is simple:<br />
The unique <strong>LDK</strong> look. Picture quality that is unmatched by any other camera.<br />
<strong>LDK</strong> cameras are designed with the absolute highest-quality mechanical, electrical,<br />
and signal processing systems. We developed our own proprietary imagers—the<br />
Emmy Award-winning HD-DPM+ sensor and the all new Xensium imager—the most<br />
critical part <strong>of</strong> any camera, to give you the format and image flexibility that you<br />
need and expect.<br />
But <strong>Grass</strong> <strong>Valley</strong> technical innovation doesn’t stop at the camera head. Our new<br />
3G Transmission system, available for both Triax and Fiber, can handle all video<br />
formats up to and including 1080p50/60—to meet your camera transmission<br />
needs today... and tomorrow.<br />
We invite you to discover why <strong>LDK</strong> camera systems are the first and only choice for<br />
high-end acquisition.<br />
© ® ATAS / NATAS
case study<br />
Alfacam (Belgium)<br />
ldk innovation<br />
Handcrafted Excellence.<br />
Quality You Can Rely On.<br />
Application: Outside broadcast truck<br />
Client: Alfacam, Belgium<br />
Alfacam is one <strong>of</strong> the world’s largest OB<br />
companies with over 20 HD trucks being<br />
used all over the world supporting the most<br />
prestigious events, including those in 3D.<br />
Alfacam has been an early adopter <strong>of</strong> <strong>Grass</strong><br />
<strong>Valley</strong> Super SloMo cameras, starting in<br />
1998 with the <strong>LDK</strong> 23. Today, Alfacam owns<br />
34 <strong>LDK</strong> 8300 Super SloMo cameras, which<br />
have been used in Beijing, Vancouver, South<br />
Africa, and other diverse locations.<br />
The unique AnyLight feature—which<br />
compensates for flicker in artificial lighting<br />
situations—combined with the flexibility to<br />
operate in 1X, 2X, and 3X mode, makes the<br />
<strong>LDK</strong> 8300 the super slow-motion camera <strong>of</strong><br />
choice for Alfacam.<br />
“Producing lthe world’s most prestigious<br />
live events, with tens <strong>of</strong> millions <strong>of</strong> viewers<br />
worldwide, requires highly reliable and<br />
top-quality acquisition tools. With the <strong>LDK</strong><br />
8300 and the <strong>LDK</strong> 8000 Elite cameras in our<br />
fleet <strong>of</strong> over 250 HD cameras, we have the<br />
confidence to meet any client’s challenge.”<br />
Gabriel Fehervari<br />
CEO, Alfacam<br />
At <strong>Grass</strong> <strong>Valley</strong>, we have a history <strong>of</strong><br />
technological design and engineering which<br />
has changed how the industry acquires<br />
images.<br />
Each <strong>LDK</strong> camera is expertly and<br />
painstakingly assembled by hand—a process<br />
unheard <strong>of</strong> in today’s mechanized world—in<br />
a facility that has been responsible for the<br />
development <strong>of</strong> some <strong>of</strong> the most important<br />
camera and optical revolutions used in almost<br />
every broadcast camera in the world today.<br />
From imager development to optical front-end<br />
assembly and calibration in a special clean<br />
room environment, <strong>Grass</strong> <strong>Valley</strong> guarantees<br />
full quality control <strong>of</strong> all camera systems with<br />
absolute attention to ergonomic excellence.<br />
Technology For Today & Tomorrow.<br />
In addition to extensive and rigorous quality<br />
and reliability testing during development,<br />
all critical components are selected on an<br />
individual, one-on-one basis and carefully<br />
matched to each other for each camera during<br />
the assembly process.<br />
At final assembly, full camera system<br />
specifications are verified for the entire<br />
camera system: the camera head, adapter<br />
back, base station, viewfinder, and operational<br />
control panel (OCP), all working together to<br />
ensure that you are getting the best camera<br />
system in the world.<br />
Finally, the full camera system is subjected to<br />
a 24-hour burn-in with extensive heat testing<br />
at 45°C (113°F) and vibration tests.<br />
Our unique 9.2-million pixel FT CCD imagers in combination with our 14-bit A/D converters and<br />
34 bits <strong>of</strong> digital signal processing (DSP) power <strong>of</strong>fers outstanding image quality combined with<br />
extremely high levels <strong>of</strong> production flexibility, giving you the <strong>LDK</strong> look demanded the world over.<br />
The <strong>LDK</strong> Elite’s signal processing gives you the most convenient operational features:<br />
• Switchable matrix positions for the best<br />
possible flexibility in camera matching to<br />
other <strong>LDK</strong> cameras or any camera system<br />
on the market, regardless <strong>of</strong> the limited<br />
resolution <strong>of</strong> other cameras.<br />
• Multi-vector secondary color corrector,<br />
which enables precise color rendition <strong>of</strong> up to<br />
six corrections per scene that can be stored<br />
and recalled as needed.<br />
• <strong>Grass</strong> <strong>Valley</strong>’s Emmy Award-winning Dual<br />
Skin Tone, for the best possible look <strong>of</strong> any<br />
talent in front <strong>of</strong> the camera.<br />
• For 3D productions, image rotation within<br />
the camera head allows you to flip the image<br />
when using special optics, shooting through<br />
mirrors, or upside-down camera mounting<br />
systems, without introducing any latency or<br />
having to use any additional equipment.
<strong>LDK</strong> 8300<br />
K2 Dyno<br />
Quite simply, the world’s best<br />
super slow-motion camera.<br />
Replay System<br />
When you need unmatched operational flexibility and the best slow-motion images possible, the<br />
<strong>LDK</strong> 8300 Live Super SloMo Camera delivers.<br />
The Emmy Award-winning <strong>LDK</strong> 8300 is the world’s only broadcast slow-motion camera that can<br />
capture the action at 1X, 2X, and 3X speeds, at 1080i or 720p, all at the touch <strong>of</strong> a menu button.<br />
In fact, you can use the <strong>LDK</strong> 8300 as both a slow-motion and regular-speed camera at the same<br />
time. This provides you with unmatched production flexibility:<br />
• At 1X, the <strong>LDK</strong> 8300 perfectly matches and operates<br />
exactly the same as our <strong>LDK</strong> 8000 Elite and <strong>LDK</strong> 4000<br />
Elite cameras, and uses the same control systems<br />
and accessories as all <strong>of</strong> our <strong>LDK</strong> 8000-series<br />
cameras.<br />
• At 2X, you can capture and replay fast-paced events<br />
and quickly return to live coverage.<br />
• At 3X, you can critically analyze action at 150 or<br />
180 frames per second to reveal the intricacies and<br />
emotions <strong>of</strong> any sporting event.<br />
With its exclusive AnyLight feature, the <strong>LDK</strong> 8300 automatically eliminates the annoying visual<br />
flicker associated with artificial lighting, giving you the cleanest slow-motion replays possible.<br />
Providing settings for a much wider range <strong>of</strong> new, advanced lighting systems that have challenged<br />
previous flicker reduction systems, AnyLight’s algorithm operates on a pixel-by-pixel basis so that<br />
corrections are only made in affected areas <strong>of</strong> the picture.<br />
To handle the high data rate <strong>of</strong> 3X super slow-motion capture, we’ve developed a new bi‐directional<br />
fiber transmission system to flawlessly deliver the camera’s signal to the base station and on to<br />
your slow-motion server.<br />
The <strong>Grass</strong> <strong>Valley</strong> K2 Dyno <br />
Replay System is a powerful,<br />
cost-effective, and easy to learn<br />
complement to the <strong>LDK</strong> 8300.<br />
The K2 Dyno Replay System<br />
works without costly s<strong>of</strong>tware<br />
and hardware add-ons to manage<br />
and move content throughout<br />
production environments. The<br />
K2 Dyno Replay System and the<br />
<strong>LDK</strong> 8300 bring high-performance<br />
and affordable super slow-motion<br />
to any production, studio, or<br />
outside broadcast vehicle.
case study<br />
NEP Visions (UK)<br />
Application: Premier League Coverage<br />
Client: NEP Visions, UK<br />
NEP Visions choose the <strong>LDK</strong> 8000 Elite with<br />
3G Triax transmission for Premier League<br />
coverage.<br />
NEP Visions, one <strong>of</strong> the UK’s leading outside<br />
broadcast companies, is one <strong>of</strong> the first<br />
customers to use <strong>Grass</strong> <strong>Valley</strong>’s revolutionary<br />
3G Triax systems. Their first order for 20<br />
systems was used to future pro<strong>of</strong> its new<br />
Gemini OB truck.<br />
Using <strong>LDK</strong> 8000 Elite WorldCam cameras<br />
with 3G Triax transmission <strong>of</strong>fers NEP Visions<br />
the ultimate in acquisition format flexibility<br />
while keeping the robustness and reliability<br />
that triax is renowned for. Native 720p, 1080i,<br />
and 1080p50/60 formats can be delivered to<br />
the base station over current triax cabling.<br />
“Our customers are very demanding, and<br />
they should be! Covering multiple Premier<br />
League soccer matches every week<br />
requires the highest quality equipment—<br />
equipment you can rely on. We know<br />
that this is a secure investment with the<br />
historically proven reliability <strong>of</strong> triax and<br />
the future security <strong>of</strong> uncompromised<br />
production in 1080p.”<br />
Stephen Jenkins<br />
Managing Director,<br />
NEP Visions Europe<br />
<strong>LDK</strong> 8000 Elite Series<br />
That <strong>LDK</strong> look that sets you<br />
apart from the competition.<br />
Elite. The word itself means something special. And that is exactly what you<br />
get with the <strong>LDK</strong> 8000 Elite Series—the best possible performance with the<br />
most flexibility and most comprehensive feature set available today.<br />
Based on next-generation HD-DPM+ sensors, 14-bit A/D sampling, and<br />
34‐bit DSP resolution, <strong>LDK</strong> 8000 Elite cameras are the only cameras available<br />
that can capture true progressive HD images natively, and instantly switch<br />
formats and frame rates. And the <strong>LDK</strong> 8000 Elite WorldCam is the first<br />
camera in the world with 1080p50/60 from the base station, which means<br />
you’re not only ready for today, you’re ready for tomorrow.<br />
Set-up<br />
It’s easy to pre-configure the <strong>LDK</strong> 8000 Elite for a variety <strong>of</strong> different settings—from sports<br />
and drama applications to commercial and non-broadcast studio settings—by storing<br />
operational and image settings on low-cost smart cards. Not only can these camera settings<br />
be recalled quickly, you can also write to the cards and transfer them between cameras for<br />
fast reconfiguration. Settings established <strong>of</strong>f-line in rehearsals can be quickly and accurately<br />
repeated during a live show. You can also have dedicated set-ups saved for a variety <strong>of</strong><br />
venues and camera positions making set-up quick and easy when you return to a venue.
WITH THE <strong>LDK</strong> 8000 ELITE SERIES,<br />
YOU GET:<br />
• <strong>Grass</strong> <strong>Valley</strong>’s Emmy Award-winning dual skincontour<br />
circuitry that makes talent look their best,<br />
and now we’ve added new negative contours for a<br />
wider control range <strong>of</strong> skin detail<br />
• Our secondary “store-and-recall” color corrector<br />
enables precise color rendition, with 16 vector<br />
selection and control, with up to six corrections per<br />
scene<br />
• Quickly move from portable hand-held applications<br />
to full featured studio use with your choice <strong>of</strong><br />
SuperXpander large lens adapters<br />
WORLDCAM<br />
everything you need… and more<br />
The WorldCam version <strong>of</strong> the <strong>LDK</strong> 8000 Elite gives<br />
you the ultimate in format flexibility with traditional<br />
1080i/720p HD formats in both 50 and 59.94 Hz and<br />
1080p50/60 acquisition for the highest quality HD<br />
imaging, with selectable support for film-like formats<br />
in 1080p and 720p.<br />
WorldCam also provides convenient built-in framerate<br />
conversion for easy connection to existing<br />
HD peripherals. As a result, you get cost-effective<br />
monitoring and recording combined with the motion<br />
portrayal <strong>of</strong> film cameras. The 1080p format at<br />
23.98 Hz, for example, can be converted using 3:2<br />
pulldown to 1080i at 59.94 Hz right inside the camera.<br />
<strong>LDK</strong> 4000 Elite<br />
That <strong>LDK</strong> look OPTIMIZED FOR SINGLE-FORMAT USE.<br />
ENTERPRISE<br />
The ultimate in traditional HD acquisition<br />
The Enterprise version <strong>of</strong> the <strong>LDK</strong> 8000 Elite supports<br />
1080i/720p HD formats in both 50 and 59.94 Hz. And<br />
when you need more, you can update your Enterprise<br />
camera to the WorldCam version at any time.<br />
If you know what format you need, why should you pay for formats you don’t?<br />
The <strong>LDK</strong> 4000 Elite has been specifically designed for situations where you<br />
have selected a single HD format for your HD productions. Based on the<br />
same superior technologies found in the <strong>LDK</strong> 8000 Series—including HD-DPM+<br />
sensors, 14-bit A/D sampling, and 34-bit DSP resolution—the <strong>LDK</strong> 4000 Elite<br />
supports 1080i or 720p and is switchable between 50 and 59.94 Hz, all with<br />
that sought-after <strong>LDK</strong> look.
case study<br />
Fox Sports+ Mexico<br />
Application: Sports Programming<br />
Client: Fox Sports+ Mexico<br />
Programming for the Fox Sports+ Mexico<br />
network originates from a new, HD production<br />
facility in Mexico City, which includes numerous<br />
<strong>Grass</strong> <strong>Valley</strong> file-based production and<br />
distribution equipment and systems.<br />
At the heart <strong>of</strong> the facility is a totally tapeless<br />
workflow that features 12 <strong>LDK</strong> 3000+ HD<br />
cameras that support in-studio and remote<br />
production. One reason Fox Sports+ Mexico<br />
selected the <strong>LDK</strong> 3000+ is that it contains<br />
powerful colorimetry and color-matching<br />
capabilities, including two independent<br />
skin-contour circuits. These circuits allow<br />
an operator to select any two color values<br />
and adjust contour processing in those<br />
areas, allowing dramatic improvement in the<br />
appearance <strong>of</strong> facial tones.<br />
“The <strong>LDK</strong> 3000+ <strong>of</strong>fers many benefits to<br />
Fox Sports Network Control. Design, image<br />
quality, reliability, and versatility as well as<br />
its ergonomic design allow easy manipulation<br />
in the studio or in the field. All backed by<br />
the quality we expect from <strong>Grass</strong> <strong>Valley</strong>.”<br />
Hector Manuel Sánchez Castro<br />
Engineering/Operations Manager,<br />
Fox Sports Network Control<br />
<strong>LDK</strong> 3000+<br />
HIGHER QUALITY FOR SMALLER STUDIOS.<br />
The <strong>LDK</strong> 3000+ camera system is the latest design from one <strong>of</strong> the best-known imaging<br />
design teams in the world, <strong>of</strong>fering you great flexibility and high picture quality combined<br />
with a favorable cost <strong>of</strong> ownership for smaller studios and production facilities.<br />
The <strong>LDK</strong> 3000+ is a multiformat HD camera supporting both 1080i50/60 and 720p50/60 for<br />
worldwide use. The <strong>LDK</strong> 3000+ is based on three Xensium 2/3-inch 2.4-million pixel imagers<br />
specially developed by <strong>Grass</strong> <strong>Valley</strong> for broadcast applications.<br />
With the <strong>LDK</strong> 3000+, you get the precision and functionality you expect from <strong>Grass</strong> <strong>Valley</strong>:<br />
• DDS—Double Digital Sampling—<br />
• Advanced selectable color matrix<br />
for improved fixed pattern noise<br />
• Unique viewfinder focus-assist tools—<br />
performance<br />
including a crawler for creating an<br />
• Dual integrated, on-chip A/D converters active edge around all objects in focus<br />
for high-quality, razor-sharp pictures<br />
and instant push-button electronic<br />
zoom for enlarging a subject to focus<br />
• 34-bit precision DSP—including all<br />
on fine details<br />
major camera functions such as<br />
gamma, knee, contour, and advanced • CLASS—Chromatic Lens Aberration<br />
selectable color matrix<br />
Sharpness Solution<br />
• Emmy Award-winning dual skincontour<br />
circuit<br />
Upgrading to <strong>LDK</strong> 3000+ Capabilities<br />
• Advanced secondary color corrector<br />
Bringing legacy <strong>LDK</strong> 3000 cameras up to <strong>LDK</strong> 3000+ functionality is as easy as a simple<br />
field upgrade.
Transmission<br />
The <strong>LDK</strong>’s unique dockable approach<br />
gives you A choice <strong>of</strong> 3G transmission<br />
systems: TRIAX or FIBER.<br />
After years <strong>of</strong> working with both triax and fiber transmission technologies,<br />
<strong>Grass</strong> <strong>Valley</strong> has developed a unique solution that merges the benefits <strong>of</strong> both<br />
into a single digital transmission platform, called 3G Transmission.<br />
With 3G Transmission, you no longer have to worry about what type <strong>of</strong> cable<br />
has been pre-installed at a venue. And when it’s time for long fiber runs,<br />
you’ll know that you have the equipment that’s needed to support it.<br />
The new <strong>LDK</strong> 4420 3G Twin Base Station gives you the choice to use either<br />
triax or fiber to carry 1080i, 720p, or 1080p50/60 video (along with the full<br />
set <strong>of</strong> transmission features and diagnostics), with the ability to handle<br />
multiplexed pairs <strong>of</strong> 720p or 1080i signals for stereoscopic 3D applications.<br />
As an added benefit, 3G Transmission extends the range <strong>of</strong> triax coverage<br />
by 25 percent, to a conservative minimum <strong>of</strong> 1,500m (4,921 ft.)—closely<br />
replicating the performance <strong>of</strong> SMPTE hybrid fiber, while getting more out <strong>of</strong><br />
those pre-installed triax cables.<br />
With 3G Transmission, you can work in virtually any venue or location and<br />
with any format—SD, HD, and even 3D.<br />
3G Converter Boxes<br />
Sometimes camera connectivity is not as simple as camera-to-cable-to-base<br />
station. Sometimes connectivity will need to jump between triax, SMPTE<br />
hybrid fiber, and dark fiber.<br />
To help complete the 3G Transmission system, we’ve developed two 3G<br />
Transmission converter boxes.<br />
<strong>LDK</strong> 4426 3G Triax Camera to 3G Fiber Converter—<br />
Takes single mode (dark) fiber and provides a full 3G<br />
triax connection to the camera.<br />
<strong>LDK</strong> 4425 3G Fiber Power Converter—Converts<br />
single mode (dark) fiber to full SMPTE hybrid fiber for<br />
connection to a 3G fiber camera.<br />
Additional 3G Transmission converter boxes under<br />
development.<br />
Whether it’s 1080i, 720p, 1080p, or 3D, on triax or fiber, <strong>LDK</strong> 8000 Elite users<br />
are no longer limited by the transmission system they choose.<br />
With agnostic 3G transmission, there are no more limitations and no more<br />
differences.<br />
For less demanding applications, our renowned HD Triax transmission system<br />
for the <strong>LDK</strong> 3000+ is the perfect solution. This robust and reliable Emmy Awardwinning<br />
technology has been tailored to meet today’s requirements for the full<br />
performance required by any <strong>of</strong> the 1.5 Gb/s HD formats.
Control Systems<br />
OCP 400<br />
<strong>LDK</strong> Camera <strong>Family</strong> Operational Control Panel<br />
Our OCP 400 operational control panel allows the camera shader to<br />
“paint” each camera using all <strong>of</strong> their talents and skills. It features a highquality<br />
joystick for intricate control <strong>of</strong> iris and master-black with directaccess<br />
buttons, easy access to all levels <strong>of</strong> operational and technical<br />
parameters, and a smart card slot to store the preferred settings <strong>of</strong> any<br />
<strong>LDK</strong> camera.<br />
For 3D productions, a sophisticated master/slave relationship can be<br />
created between Left-Eye and Right-Eye cameras. This ensures that the<br />
“differences” between the two camera/lens chains can be matched,<br />
simplifying your 3D production.<br />
MCP 400<br />
Master Control<br />
Panel For Centralized<br />
Camera Control<br />
Our MCP 400 master control<br />
panel gives you total control <strong>of</strong><br />
your cameras. Regardless <strong>of</strong><br />
the number <strong>of</strong> cameras in your<br />
production, the MCP 400 provides<br />
centralized camera control and<br />
health monitoring for C2IP camera<br />
control networks. With the MCP<br />
400, you get fast and full graphical<br />
control <strong>of</strong> all camera and base<br />
station functions, as well as<br />
touchscreen capabilities with<br />
multiple, ganged camera control.<br />
<strong>LDK</strong> Connect gateway<br />
Control is everything<br />
As part <strong>of</strong> Fusion, <strong>Grass</strong> <strong>Valley</strong>’s commitment to provide tighter integration<br />
and control between <strong>Grass</strong> <strong>Valley</strong> products, <strong>LDK</strong> Connect Gateway opens<br />
up camera control in ways you’ve never thought possible.<br />
<strong>LDK</strong> Connect Gateway is a dedicated platform that can simultaneously<br />
access the C2IP camera control network and a public Ethernet-based<br />
network. The overall scope <strong>of</strong> the <strong>LDK</strong> Connect Gateway is to provide a<br />
platform for both the C2IP XML Gateway as well as for future s<strong>of</strong>tware<br />
applications such as dynamic OCP number assignment (“follow the<br />
router”) up to a central point where the diagnostics <strong>of</strong> all connected<br />
camera components are monitored and acted upon to guarantee your<br />
uptime and forms a bridge between the C2IP network and the rest <strong>of</strong> the<br />
Ethernet-based world.<br />
The <strong>LDK</strong> Connect Gateway<br />
also contains an <strong>LDK</strong><br />
diagnostics tool which gives<br />
an immediate update <strong>of</strong> the<br />
diagnostics data available<br />
in the <strong>LDK</strong> components via<br />
the C2IP network. Types <strong>of</strong><br />
cameras, s<strong>of</strong>tware packages,<br />
temperatures, video format,<br />
transmission diagnostics, and<br />
more are available in userfriendly<br />
overviews. Alerts<br />
will be generated when<br />
discrepancies occur.
Accessories<br />
everything<br />
your ldk needs<br />
Sometimes it’s the littlest things that make the biggest impact. <strong>Grass</strong><br />
<strong>Valley</strong> <strong>LDK</strong> camera accessories are designed to specifically enhance the<br />
operation <strong>of</strong> our <strong>LDK</strong> cameras. Whether it’s our lighted script board, our<br />
rain covers, or our universal transport cases, <strong>LDK</strong> accessories complete<br />
the outfitting <strong>of</strong> your working environment.<br />
<strong>LDK</strong> 4475 & 4488<br />
REFLEX SuperXpander & SUPERXPANDER Kits<br />
Fully compatible with our 3G Transmission system, the RefleX SuperXpander (<strong>LDK</strong> 4475) turns a<br />
shoulder-type camera into a full-function studio-type camera in seconds that supports box-type<br />
lenses, teleprompters, and high-resolution viewfinders.<br />
<strong>LDK</strong> viewfinders<br />
DESIGNED TO MEET YOUR<br />
EXACTING REQUIREMENTS<br />
<strong>Grass</strong> <strong>Valley</strong> <strong>of</strong>fers a complete range <strong>of</strong><br />
high-definition <strong>LDK</strong> viewfinders from 2-inch<br />
black and white CRTs to large 16:9 color flat<br />
panels, for stand-alone EFP use and large<br />
lens SuperXpander use.<br />
All <strong>Grass</strong> <strong>Valley</strong> viewfinders are designed<br />
to provide precision focusing and operator<br />
convenience, because your viewfinder is<br />
more than just a monitor.<br />
The camera can easily be mounted in the RefleX SuperXpander and connects through<br />
a convenient hot shoe connection that directly powers the RefleX SuperXpander<br />
from the camera.<br />
The RefleX SuperXpander features a camera-control<br />
panel at its rear, putting fine operational<br />
adjustments in the hands <strong>of</strong> the operator. Secure<br />
connectors for intercom, teleprompter feed, and<br />
other accessories are located on the base. The<br />
RefleX SuperXpander also provides secure mounting<br />
and balancing for the largest teleprompter heads.<br />
For the <strong>LDK</strong> 3000 with HD Triax transmission, the<br />
<strong>LDK</strong> 4488 SuperXpander is available, <strong>of</strong>fering the same operator conveniences<br />
as our RefleX SuperXpander. The kit also provides secure mounting and<br />
balancing for the largest teleprompter heads.
Global Services<br />
Your Solutions Partner<br />
Local and regional Customer Support & Pr<strong>of</strong>essional<br />
Services contacts can be found by visiting<br />
www.grassvalley.com/support<br />
SALES<br />
Local and regional sales<br />
contacts can be found by visiting<br />
www.grassvalley.com/sales<br />
CAM-4060M-3<br />
© 2011 <strong>Grass</strong> <strong>Valley</strong> USA, LLC. All rights reserved. <strong>Grass</strong> <strong>Valley</strong>, AnyLight, HD-DPM+, K2 Dyno, K2 Solo, K2 Summit,<br />
Kayenne, and Xensium are trademarks <strong>of</strong> GVBB Holding S.a.r.l. All other trademarks referenced are trademarks,<br />
registered trademarks, or service marks <strong>of</strong> their respective companies. Specifications subject to change without notice.