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3J03 The United States in the 1960s - McMaster University

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<strong>McMaster</strong> <strong>University</strong><br />

Course Syllabus<br />

HIS<strong>3J03</strong><br />

<strong>The</strong> <strong>United</strong> <strong>States</strong> <strong>in</strong> <strong>the</strong> <strong>1960s</strong><br />

(Fall 2007)<br />

“Shodd<strong>in</strong>ess can be found easily, <strong>in</strong> quantity. <strong>The</strong> road is smooth<br />

and it lies close by. But <strong>in</strong> front of excellence <strong>the</strong> immortal<br />

gods have put sweat, and long and steep is <strong>the</strong> way out.”<br />

Instructor:<br />

W<strong>in</strong>ston Churchill<br />

Dr. D. Azoulay (CNH 607/C)<br />

Office Hours: Mon. 4:30-6:30, Tues. 3:30-4:30, or by appo<strong>in</strong>tment<br />

Phone: (905)525-9140 ext. 27144<br />

Email: azoulay@mcmaster.ca<br />

Time/Location:<br />

Mon. 3:30, Tues. 4:30, JHE/264<br />

Course Content:<br />

This course will exam<strong>in</strong>e <strong>the</strong> key events, personalities, and ideological<br />

currents of <strong>the</strong> <strong>1960s</strong> <strong>in</strong> America. <strong>The</strong> emphasis will be on social protest,<br />

politics, and foreign policy.<br />

Course Requirements:<br />

<strong>The</strong>re will be two hours of lectures each week, as well as <strong>the</strong> occasional<br />

documentary film. <strong>The</strong>re will be no formal tutorials, but <strong>the</strong> third hour<br />

each week (Thurs. 3:30) will be set aside for an <strong>in</strong>formal “Question and<br />

Answer” session, at which time students may pose questions about <strong>the</strong><br />

lectures, read<strong>in</strong>gs, or assignments. Attendance at this session is optional.<br />

As for written work, students will be asked to submit one “Article Review”<br />

(max. 1200 words) and one Essay (max. 2500 words). <strong>The</strong>re will also be a<br />

two-hour f<strong>in</strong>al exam.<br />

Students will be graded as follows:<br />

Value:<br />

Due:<br />

Article Review: 20% Oct. 1<br />

Essay: 40% Nov. 5<br />

F<strong>in</strong>al Exam: 40% TBA<br />

1


Required Texts:<br />

T. Anderson, <strong>The</strong> Sixties, 3rd edition (Pearson-Longman, 2007)<br />

Email communication:<br />

It is <strong>the</strong> policy of <strong>the</strong> <strong>McMaster</strong> History department that all email<br />

communication between students and <strong>in</strong>structors (<strong>in</strong>clud<strong>in</strong>g TAs) must<br />

orig<strong>in</strong>ate from <strong>the</strong>ir official <strong>McMaster</strong> <strong>University</strong> email accounts. This<br />

policy protects <strong>the</strong> confidentiality and sensitivity of <strong>in</strong>formation and<br />

confirms <strong>the</strong> identities of both <strong>the</strong> student and <strong>in</strong>structor. History<br />

department <strong>in</strong>structors will delete messages that do not orig<strong>in</strong>ate from<br />

<strong>McMaster</strong> email accounts.<br />

LECTURE SCHEDULE AND READINGS<br />

PLEASE NOTE: Audio or visual record<strong>in</strong>gs of <strong>the</strong> course is forbidden<br />

without <strong>the</strong> explicit permission of <strong>the</strong> <strong>in</strong>structor. Lectures are <strong>the</strong><br />

<strong>in</strong>tellectual property of <strong>the</strong> <strong>in</strong>structor.<br />

Week of:<br />

Sept. 3<br />

Sept. 10<br />

READINGS:<br />

QUESTIONS:<br />

Introduction (Thurs)<br />

Roots of <strong>the</strong> Sixties<br />

<strong>The</strong> Sixties, “Introduction”<br />

1. In what ways were <strong>the</strong> 1950s very conformist and conservative?<br />

2. Can we detect <strong>in</strong> <strong>the</strong> 1950s <strong>the</strong> seeds of <strong>1960s</strong>’ phenomena?<br />

Sept. 17<br />

READINGS:<br />

QUESTIONS:<br />

Film: “Seeds of <strong>the</strong> 60s” / Civil Rights Movement:<br />

Orig<strong>in</strong>s and Beg<strong>in</strong>n<strong>in</strong>gs (I)<br />

S. Oates, “Trumpet of Conscience: Mart<strong>in</strong> Lu<strong>the</strong>r K<strong>in</strong>g<br />

Jr.” (ON RESERVE)<br />

1. Why did Mart<strong>in</strong> Lu<strong>the</strong>r K<strong>in</strong>g assume <strong>the</strong> role he did <strong>in</strong> <strong>the</strong> civil<br />

rights struggle?<br />

2. How was he important to <strong>the</strong> movement?<br />

3. How did his views and tactics change by <strong>the</strong> mid-60s?<br />

Sept. 24<br />

Civil Rights Movement: Orig<strong>in</strong>s and Beg<strong>in</strong>n<strong>in</strong>gs(II)/<br />

Film: “No Easy Walk”<br />

READINGS: <strong>The</strong> Sixties, pp. 19-31<br />

QUESTIONS:<br />

2


1. What accounts for <strong>the</strong> spread of <strong>the</strong> civil rights movement <strong>in</strong> <strong>the</strong><br />

early <strong>1960s</strong>?<br />

2. What was <strong>the</strong> significance of JFK’s victory <strong>in</strong> 1960?<br />

3. What impact did <strong>the</strong> violence directed at civil rights activists<br />

have on o<strong>the</strong>r Americans and on <strong>the</strong> Kennedy adm<strong>in</strong>istration?<br />

Oct. 1<br />

JFK: Style over Substance / JFK and <strong>the</strong> World<br />

ARTICLE REVIEW DUE<br />

READINGS: <strong>The</strong> Sixties, pp. 31-44<br />

QUESTIONS:<br />

1. Who or what was to blame for <strong>the</strong> deterioration <strong>in</strong> U.S.-Soviet<br />

relations dur<strong>in</strong>g <strong>the</strong> Kennedy years?<br />

2. What was <strong>the</strong> significance of Birm<strong>in</strong>gham as far as <strong>the</strong> civil rights<br />

movement is concerned?<br />

3. What causes JFK to pursue, by 1963, a more idealistic approach to<br />

domestic and foreign affairs?<br />

Oct. 8<br />

Oct. 9<br />

NO CLASS<br />

LBJ: Substance over Style<br />

READINGS: <strong>The</strong> Sixties, ch. 2<br />

QUESTIONS:<br />

1. Why was 1964 an important year <strong>in</strong> <strong>the</strong> civil rights and student<br />

movements?<br />

2. What were <strong>the</strong> ma<strong>in</strong> grievances of university students <strong>in</strong> <strong>the</strong> early<br />

<strong>1960s</strong>? Were <strong>the</strong>se grievances resolved?<br />

3. In what ways were <strong>the</strong> early <strong>1960s</strong>, especially 1964-65, <strong>the</strong><br />

“p<strong>in</strong>nacle of liberalism”, as Anderson puts it?<br />

Oct. 15<br />

Vietnam<br />

READINGS: J. Clifford, “Vietnam <strong>in</strong> Historical Perspective”;<br />

R. Hammer, “One Morn<strong>in</strong>g <strong>in</strong> <strong>the</strong> War”<br />

QUESTIONS:<br />

1. Why does <strong>the</strong> U.S. take so long to withdraw from Vietnam?<br />

2. What accounts for <strong>the</strong> behaviour of American soldiers at Xom<br />

Lang(and elsewhere)?<br />

Oct. 22<br />

Film: “America <strong>in</strong> Vietnam” / <strong>The</strong> Rise of Black<br />

Militancy<br />

READINGS: <strong>The</strong> Sixties, ch. 3<br />

QUESTIONS:<br />

1. What was so important about <strong>the</strong> Watts riot of 1965?<br />

2. What effect did <strong>the</strong> rise of black power and violence have on <strong>the</strong><br />

3


civil rights movement and on white Americans?<br />

Oct. 29<br />

<strong>The</strong> Youth Rebellion<br />

READINGS: <strong>The</strong> Sixties, ch. 5<br />

QUESTIONS:<br />

1. Why were youth so “alienated” from American society by <strong>the</strong> late<br />

<strong>1960s</strong>?<br />

2. Who were <strong>the</strong> hippies and what did <strong>the</strong>y stand for?<br />

3. Why did <strong>the</strong> counter culture disappear for <strong>the</strong> most part?<br />

Nov. 5<br />

Film: “Break<strong>in</strong>g Boundaries, Test<strong>in</strong>g Limits” / <strong>The</strong><br />

Women’s Movement<br />

ESSAY DUE<br />

READINGS:<br />

QUESTIONS:<br />

S. Evans, “<strong>The</strong> Rebirth of <strong>the</strong> Women’s Movement <strong>in</strong> <strong>the</strong><br />

<strong>1960s</strong>”(ON RESERVE)<br />

1. Why did <strong>the</strong> issue of women’s rights become so prom<strong>in</strong>ent by <strong>the</strong><br />

early ‘60s?<br />

2. How did <strong>the</strong> women’s liberation movement differ from <strong>the</strong> ma<strong>in</strong>stream<br />

women’s movement?<br />

3. What problems plagued <strong>the</strong> movement as a whole?<br />

Nov. 12<br />

1968 / Film: “In a Dark Time”<br />

READINGS: <strong>The</strong> Sixties, ch. 4<br />

QUESTIONS:<br />

1. What impact did <strong>the</strong> assass<strong>in</strong>ations of K<strong>in</strong>g and Kennedy have on<br />

America?<br />

2. What was so important about <strong>the</strong> Columbia <strong>University</strong> strike?<br />

3. What accounts for <strong>the</strong> heightened turbulence of 1968?<br />

Nov. 19<br />

Richard Nixon / Gay and Ethnic Power<br />

READINGS: <strong>The</strong> Sixties, ch. 6<br />

QUESTIONS:<br />

1. What was Nixon’s Vietnam policy, and how did it differ from<br />

Johnson’s?<br />

2. How did social protest change <strong>in</strong> <strong>the</strong> years 1969-70?<br />

3. In what ways were women treated as second-class citizens <strong>in</strong> <strong>the</strong><br />

<strong>1960s</strong>?<br />

4. What were <strong>the</strong> domestic consequences of <strong>the</strong> <strong>in</strong>vasion of Cambodia <strong>in</strong><br />

1970?<br />

Nov. 26 Pop Culture / Legacies of <strong>the</strong> ‘60s<br />

4


READINGS: <strong>The</strong> Sixties, pp. 177-193<br />

QUESTIONS:<br />

1. What factors account for <strong>the</strong> grow<strong>in</strong>g disillusionment of <strong>the</strong> American<br />

public with <strong>the</strong> Nixon adm<strong>in</strong>istration <strong>in</strong> <strong>the</strong> early 70s?<br />

2. Why did support for <strong>the</strong> Vietnam war almost totally disappear by<br />

1971?<br />

3. What sorts of social protest emerged <strong>in</strong> <strong>the</strong> early ‘70s, and were<br />

<strong>the</strong>se movements successful?<br />

FINAL EXAM: TBA<br />

ARTICLE REVIEW<br />

Students will be required to submit an "Article Review"(AR). <strong>The</strong><br />

purpose of <strong>the</strong> AR is to foster critical th<strong>in</strong>k<strong>in</strong>g and analytical skills<br />

<strong>in</strong> relation to <strong>in</strong>terpretive historical literature. Basically, it is an<br />

opportunity for you to evaluate <strong>the</strong> content and merits of a piece of<br />

scholarly literature <strong>in</strong> <strong>the</strong> discipl<strong>in</strong>e.<br />

For this assignment you must write a review of ONE of <strong>the</strong> follow<strong>in</strong>g<br />

articles, all of which are on 2-hour Reserve <strong>in</strong> Mills Library:<br />

T. McKeown, “<strong>The</strong> Cuban Missile Crisis and Politics as Usual” (U.S.<br />

foreign policy)<br />

L. Berman, “Com<strong>in</strong>g to Grips with Lyndon Johnson’s War” (Vietnam)<br />

J. Mayer, “Nixon Rides <strong>the</strong> Backlash to Victory: Racial Politics <strong>in</strong> <strong>the</strong><br />

1968 Presidential Campaign”<br />

See <strong>the</strong> "Brief Guide to Prepar<strong>in</strong>g Article Reviews" below for<br />

<strong>in</strong>formation on how to write an Article Review<br />

Deadl<strong>in</strong>es and Late Penalties:<br />

<strong>The</strong> AR is due Oct. 1st and should not exceed 1200 words <strong>in</strong> length. No<br />

paper <strong>in</strong> excess of this limit will be accepted. Extensions will be<br />

granted <strong>in</strong> exceptional circumstances only and must be requested before<br />

<strong>the</strong> due date. In fairness to those who submit <strong>the</strong>ir essay on time, late<br />

submissions will be penalized at a rate of 5% per day, exclud<strong>in</strong>g<br />

weekends, to a maximum of 40%. PLEASE NOTE: No AR will be accepted<br />

after Oct. 15th.<br />

Brief Guide to Prepar<strong>in</strong>g Article Reviews<br />

Your AR should consist of three ma<strong>in</strong> sections:<br />

a) A brief <strong>in</strong>troduction outl<strong>in</strong><strong>in</strong>g <strong>the</strong> author(s), title, and subject of<br />

<strong>the</strong> article and a summary of <strong>the</strong> <strong>the</strong>sis or ma<strong>in</strong> argument of <strong>the</strong><br />

article.<br />

5


) A central section consist<strong>in</strong>g of <strong>the</strong> ma<strong>in</strong> arguments presented to<br />

support <strong>the</strong> <strong>the</strong>sis, with particular examples.<br />

c) And a critical evaluation or critique of <strong>the</strong> article, also with<br />

examples.<br />

Note: sections a) and b) should constitute no more than 1/2 to 3/4 of<br />

<strong>the</strong> AR.<br />

Th<strong>in</strong>gs to keep <strong>in</strong> m<strong>in</strong>d while read<strong>in</strong>g <strong>the</strong> article and prepar<strong>in</strong>g <strong>the</strong> AR:<br />

a. read<strong>in</strong>g<br />

-to improve your read<strong>in</strong>g efficiency, bear <strong>in</strong> m<strong>in</strong>d <strong>the</strong> follow<strong>in</strong>g po<strong>in</strong>ts.<br />

Most articles will conta<strong>in</strong> all or most of <strong>the</strong> follow<strong>in</strong>g components: an<br />

<strong>in</strong>troduction, a central body, a conclusion, and footnotes/endnotes. <strong>The</strong><br />

<strong>in</strong>troduction usually conta<strong>in</strong>s useful <strong>in</strong>formation about why <strong>the</strong> author<br />

th<strong>in</strong>ks <strong>the</strong> topic is important and what s/he th<strong>in</strong>ks <strong>the</strong> contribution of<br />

<strong>the</strong> article makes to <strong>the</strong> exist<strong>in</strong>g literature on <strong>the</strong> subject. More<br />

important, <strong>the</strong> <strong>in</strong>troduction and conclusion will often tell you what <strong>the</strong><br />

ma<strong>in</strong> argument of <strong>the</strong> article is (i.e. <strong>the</strong> <strong>the</strong>sis). If you read <strong>the</strong><br />

<strong>in</strong>troduction and conclusion first, you will be alert to <strong>the</strong> ma<strong>in</strong><br />

argument and will <strong>the</strong>refore be better able to identify and determ<strong>in</strong>e<br />

<strong>the</strong> strength of <strong>the</strong> support<strong>in</strong>g arguments.<br />

-<strong>the</strong> footnotes/endnotes (if <strong>in</strong>cluded <strong>in</strong> <strong>the</strong> article) will list <strong>the</strong><br />

sources or written/oral evidence on which <strong>the</strong> article is based. <strong>The</strong>se<br />

sources fall <strong>in</strong>to two ma<strong>in</strong> categories: primary sources, which are<br />

orig<strong>in</strong>al documents like letters, diaries, newspapers, statistics, and<br />

government reports written at <strong>the</strong> time of <strong>the</strong> historical event or<br />

phenomenon under discussion, and secondary sources, such as books or<br />

articles written some time after <strong>the</strong> event, usually by o<strong>the</strong>r<br />

historians. When you discuss <strong>the</strong> evidence on which <strong>the</strong> article is<br />

based, you will want to comment on <strong>the</strong> types of sources <strong>the</strong> author uses<br />

and whe<strong>the</strong>r <strong>the</strong>se are sufficient or reliable <strong>in</strong> your view.<br />

b. writ<strong>in</strong>g<br />

-with reference to <strong>the</strong> first two sections of your AR (<strong>the</strong>sis and<br />

support<strong>in</strong>g arguments), ask yourself such questions as "What is <strong>the</strong><br />

author try<strong>in</strong>g to prove to me, <strong>the</strong> reader, <strong>in</strong> this article?" Bear <strong>in</strong><br />

m<strong>in</strong>d that <strong>the</strong> <strong>the</strong>sis may be explicitly or implicitly stated and is<br />

often found <strong>in</strong> <strong>the</strong> <strong>in</strong>troductory or conclud<strong>in</strong>g portions of <strong>the</strong> article.<br />

If, however, <strong>the</strong> author’s <strong>the</strong>sis is not clear, this can be one of your<br />

criticisms.<br />

-with reference to <strong>the</strong> third section of <strong>the</strong> AR (critical evaluation /<br />

critique), ask yourself such general questions as "How well has <strong>the</strong><br />

author proven her/his <strong>the</strong>sis?" and "Is <strong>the</strong> general or ma<strong>in</strong> argument<br />

persuasive?" Here are some of <strong>the</strong> more specific criteria you may wish<br />

to use <strong>in</strong> assess<strong>in</strong>g <strong>the</strong> strengths/weaknesses of <strong>the</strong> article:<br />

6


-how is <strong>the</strong> article organized or structured and does this help or<br />

h<strong>in</strong>der <strong>the</strong> po<strong>in</strong>t(s) <strong>the</strong> author is try<strong>in</strong>g to convey?<br />

-what evidence is presented to prove <strong>the</strong> <strong>the</strong>sis; is it sufficient<br />

and reliable; and can this evidence be <strong>in</strong>terpreted <strong>in</strong> o<strong>the</strong>r ways?<br />

-what k<strong>in</strong>ds of assumptions are made <strong>in</strong> <strong>the</strong> article (if any) and<br />

are <strong>the</strong>y valid?<br />

-has <strong>the</strong> author overstated or understated certa<strong>in</strong> facts, as<br />

far as you know?<br />

-does <strong>the</strong> article conta<strong>in</strong> errors <strong>in</strong> reason<strong>in</strong>g?<br />

-is <strong>the</strong> writ<strong>in</strong>g style effective (is <strong>the</strong> article easy to read?)<br />

(Note: you are not expected to use all of <strong>the</strong>se criteria <strong>in</strong> evaluat<strong>in</strong>g<br />

<strong>the</strong> article, but should address at least some of <strong>the</strong>se questions <strong>in</strong><br />

your critique).<br />

-be sure to <strong>in</strong>dicate both <strong>the</strong> good and bad po<strong>in</strong>ts of <strong>the</strong> article <strong>in</strong><br />

your evaluation.<br />

-remember, too, that although <strong>the</strong> article has been written by a<br />

scholar, it is still open to question<strong>in</strong>g <strong>in</strong> terms of its assumptions,<br />

conclusions, evidence and so on. In o<strong>the</strong>r words, do not be afraid to<br />

challenge po<strong>in</strong>ts on which you may disagree with <strong>the</strong> author, provided<br />

that your criticisms are rational and reasonable.<br />

PLEASE NOTE: we are not look<strong>in</strong>g for a summary of <strong>the</strong> article's<br />

contents, but a careful and clearly written review of its <strong>the</strong>sis and<br />

support<strong>in</strong>g arguments, as well as a thoughtful assessment of <strong>the</strong><br />

article's strengths and weaknesses.<br />

ESSAY<br />

<strong>The</strong> follow<strong>in</strong>g list of essay questions covers most of <strong>the</strong> ma<strong>in</strong> topics <strong>in</strong><br />

<strong>the</strong> course and has been devised to satisfy a wide variety of <strong>in</strong>terests.<br />

More important, <strong>the</strong> topics have been specially chosen to facilitate<br />

<strong>the</strong> primary purpose of <strong>the</strong> essay exercise, which is to present a clear<br />

and well-substantiated argument (i.e. "<strong>in</strong>terpretation") <strong>in</strong> relation to<br />

a specific historic event or process. As such, you must select your<br />

topic from this list.<br />

See <strong>the</strong> "Brief Guide to Essay Preparation" below for <strong>in</strong>formation on how<br />

to write historical essays.<br />

Deadl<strong>in</strong>es and Late Penalties:<br />

<strong>The</strong> essay is due Nov. 5th and should not exceed 2500 words <strong>in</strong> length.<br />

No paper <strong>in</strong> excess of this limit will be accepted. Extensions will be<br />

granted <strong>in</strong> exceptional circumstances only and must be requested before<br />

<strong>the</strong> due date. In fairness to those who submit <strong>the</strong>ir essay on time, late<br />

submissions will be penalized at a rate of 5% per day, exclud<strong>in</strong>g<br />

weekends, to a maximum of 40%. Please note: no essay will be accepted<br />

after Nov. 19th.<br />

7


Appeals:<br />

As far as resubmitt<strong>in</strong>g assignments is concerned, <strong>the</strong> policy <strong>in</strong> this<br />

course is that students will not be allowed to rewrite and resubmit<br />

papers which have already been graded. If, however, students have<br />

concerns about <strong>the</strong>ir graded papers, <strong>the</strong>y are encouraged to first<br />

approach <strong>the</strong> TA who marked <strong>the</strong> paper, and if this fails to br<strong>in</strong>g<br />

satisfaction, should <strong>the</strong>n approach <strong>the</strong> Instructor. <strong>The</strong>re are, as well,<br />

certa<strong>in</strong> formal appeal procedures which may be <strong>in</strong>voked should a student<br />

cont<strong>in</strong>ue to feel that his/her paper has not received <strong>the</strong> consideration<br />

it is due.<br />

Sources:<br />

You will note that certa<strong>in</strong> books have been cited under each essay<br />

topic. It is expected that <strong>the</strong>se will be used <strong>in</strong> research<strong>in</strong>g <strong>the</strong> essay,<br />

if available, <strong>in</strong> addition to o<strong>the</strong>r books, scholarly articles, and if<br />

necessary “primary” materials (i.e. written by participants <strong>in</strong>, or<br />

direct observers of, <strong>the</strong> historical phenomenon <strong>in</strong> question).<br />

For additional sources, see <strong>the</strong> “Additional Read<strong>in</strong>g” section at <strong>the</strong><br />

back of <strong>the</strong> course text. Ano<strong>the</strong>r good research tool is <strong>the</strong> <strong>McMaster</strong><br />

<strong>University</strong> On-l<strong>in</strong>e Library Catalogue, called “Morris”, at<br />

http://morris.mcmaster.ca. From here students can easily search for<br />

books by key word etc., and for scholarly articles by search<strong>in</strong>g <strong>the</strong> E-<br />

Article Databases, such as “America, History and Life.” Overall, at<br />

least 3 books deal<strong>in</strong>g more or less directly with <strong>the</strong> topic should be<br />

used, <strong>in</strong> addition to several scholarly articles and, if necessary,<br />

primary materials.<br />

Note: Internet-based “secondary” sources are f<strong>in</strong>e, as long as <strong>the</strong>y are<br />

written by scholars and documented with footnotes or endnotes;<br />

Internet-based “primary” sources are also acceptable.<br />

However, general survey texts (eg. Garraty’s A Short History of <strong>the</strong><br />

American Nation) as well as <strong>the</strong> course text, are not acceptable as<br />

bibliographic items and should only be used to <strong>in</strong>troduce students to<br />

<strong>the</strong>ir chosen topic or to locate sources. Nor should <strong>the</strong> lectures be<br />

considered a source.<br />

Academic Dishonesty:<br />

Academic dishonesty consists of misrepresentation by deception or by<br />

o<strong>the</strong>r fraudulent means and can result <strong>in</strong> serious consequences, e.g. <strong>the</strong><br />

grade of zero on an assignment, loss of credit with a notation on <strong>the</strong><br />

transcript (notation reads: “Grade of F assigned for academic<br />

dishonesty”), and/or suspension or expulsion from <strong>the</strong> university.<br />

It is your responsibility to understand what constitutes academic<br />

dishonesty. For <strong>in</strong>formation on <strong>the</strong> various k<strong>in</strong>ds of academic dishonesty<br />

please refer to <strong>the</strong> Academic Integrity Policy, specifically Appendix 3,<br />

located at http://www.mcmaster.ca/univsec/policy/AcademicIntegrity.pdf<br />

8


<strong>The</strong> follow<strong>in</strong>g illustrates only three forms of academic dishonesty:<br />

1. Plagiarism, e.g. <strong>the</strong> submission of work that is not one’s own or<br />

for which o<strong>the</strong>r credit has been obta<strong>in</strong>ed.<br />

2. Improper collaboration <strong>in</strong> group work<br />

3. Copy<strong>in</strong>g or us<strong>in</strong>g unauthorized aids <strong>in</strong> tests and exam<strong>in</strong>ations.<br />

In this course we will be us<strong>in</strong>g software (eg. turnit<strong>in</strong>.com) designed to<br />

reveal plagiarism. Students are <strong>the</strong>refore required to submit an<br />

electronic version of <strong>the</strong>ir essay (ei<strong>the</strong>r by email or on disk) as well<br />

as a hard copy <strong>in</strong> class. Failure to do so will result <strong>in</strong> a mark of zero<br />

on <strong>the</strong> essay. Students may also be asked to submit <strong>the</strong>ir research notes<br />

and rough drafts or to defend <strong>the</strong>ir papers orally. Failure to provide<br />

such notes on request may result <strong>in</strong> an "F" grade on <strong>the</strong> essay.<br />

Essay Questions:<br />

1. Why did <strong>the</strong> Kennedy adm<strong>in</strong>istration <strong>in</strong>troduce <strong>the</strong> “Peace Corps,” and<br />

why did so many young people volunteer to serve <strong>in</strong> it?<br />

F. Fischer, Mak<strong>in</strong>g <strong>The</strong>m Like Us<br />

M. Latham, Modernization as Ideology<br />

D. Burner, John F. Kennedy and a New Generation<br />

2. Discuss <strong>the</strong> significance of <strong>the</strong> 1960 Greensboro “sit-<strong>in</strong>” to <strong>the</strong><br />

black civil rights movement.<br />

M. Wolff, Lunch at <strong>the</strong> Five and Ten<br />

W. Chafe, Civilities and Civil Rights<br />

C. Carson, In Struggle<br />

3. Why did “poverty” become such an important issue to Americans <strong>in</strong> <strong>the</strong><br />

<strong>1960s</strong>, a time of unprecedented prosperity?<br />

M. Katz, In <strong>the</strong> Shadow of <strong>the</strong> Poorhouse<br />

J. Patterson, America’s Struggle Aga<strong>in</strong>st Poverty<br />

M. Harr<strong>in</strong>gton, Fragments of a Century<br />

4. Discuss <strong>the</strong> <strong>in</strong>fluence of Rachel Carson’s 1962 book, Silent Spr<strong>in</strong>g,<br />

on America.<br />

T. Dunlap, DDT<br />

S. Hays, Beauty, Health and Permanence<br />

K. Sale, <strong>The</strong> Green Revolution<br />

R. Nash, <strong>The</strong> Rights of Nature<br />

5. What stra<strong>in</strong>s did <strong>the</strong> <strong>1960s</strong> youth rebellion, <strong>in</strong> all its forms, br<strong>in</strong>g<br />

to American families?<br />

T. Powers, <strong>The</strong> War at Home<br />

T. Wells, <strong>The</strong> War With<strong>in</strong><br />

R. Hansel, Like Fa<strong>the</strong>r, Like Son, Like Hell<br />

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6. Discuss <strong>the</strong> most important legal ga<strong>in</strong>s made by women <strong>in</strong> <strong>the</strong> <strong>1960s</strong><br />

and early ‘70s <strong>in</strong> <strong>the</strong>ir struggle for equality.<br />

W. Chafe, Women and Equality<br />

F. Davis, Mov<strong>in</strong>g <strong>the</strong> Mounta<strong>in</strong><br />

R. Rosen, <strong>The</strong> World Split Open<br />

7. Aside from <strong>the</strong> immediate destruction <strong>the</strong>y caused, what effect did<br />

<strong>the</strong> ghetto riots of <strong>the</strong> late <strong>1960s</strong> have on <strong>the</strong> civil rights movement<br />

and on America generally?<br />

H. Sitkoff, <strong>The</strong> Struggle for Black Equality (selected chapters)<br />

R. Fogelson, Violence as Protest<br />

J. Feag<strong>in</strong>, Ghetto Revolts<br />

J. Button, Black Violence<br />

8. Describe <strong>the</strong> 1967 “Human Be-In” <strong>in</strong> San Francisco, and more<br />

importantly, <strong>the</strong> significance or mean<strong>in</strong>g of what transpired at this<br />

event.<br />

C. Perry, <strong>The</strong> Haight-Ashbury<br />

E. Morgan, <strong>The</strong> 60s Experience<br />

D. Chalmers, And <strong>the</strong> Crooked Places Made Straight<br />

9. Did <strong>the</strong> power and status (i.e. rights, treatment, image, etc.) of<br />

Hispanic-Americans change much <strong>in</strong> <strong>the</strong> period 1960 to 1975<br />

approximately?<br />

F. Rosales, Chicano!<br />

L. H. Gann, <strong>The</strong> Hispanics <strong>in</strong> <strong>the</strong> <strong>United</strong> <strong>States</strong><br />

C. Munoz, Youth, Identity, Power<br />

10. Were <strong>the</strong> 1970 Kent State kill<strong>in</strong>gs unnecessary, or did <strong>the</strong> student<br />

protestors br<strong>in</strong>g <strong>the</strong> violence upon <strong>the</strong>mselves?<br />

J. Kelner, <strong>The</strong> Kent State Coverup<br />

J. Eszterhas, Thirteen Seconds<br />

I. F. Stone, <strong>The</strong> Kill<strong>in</strong>gs at Kent<br />

Brief Guide to Essay Preparation<br />

A number of very good essay-writ<strong>in</strong>g manuals are available for purchase<br />

or <strong>in</strong> <strong>the</strong> library (listed below) and students who have any doubts about<br />

<strong>the</strong>ir essay-writ<strong>in</strong>g ability or wish to improve <strong>the</strong>ir skills <strong>in</strong><br />

particular areas are strongly encouraged to ei<strong>the</strong>r consult <strong>the</strong>se<br />

manuals, your TA, or <strong>the</strong> course <strong>in</strong>structor, or to visit <strong>the</strong> Centre for<br />

Student Development’s Writ<strong>in</strong>g Cl<strong>in</strong>ic<br />

(http://csd.mcmaster.ca/academic/writ<strong>in</strong>g_skills.htm).<br />

Here are some useful tips (from York <strong>University</strong>'s Essay Tutor<strong>in</strong>g<br />

Centre) for writ<strong>in</strong>g and revis<strong>in</strong>g drafts of your essay:<br />

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"1. Does your essay fall with<strong>in</strong> <strong>the</strong> terms of <strong>the</strong> assignment. Is t on<br />

topic? Does it answer <strong>the</strong> question? Have you correctly INTERPRETED THE<br />

ASSIGNMENT?<br />

2. Does your essay have a clear and explicitly stated THESIS, that is,<br />

a clearly stated central idea that <strong>the</strong> rest of <strong>the</strong> essay develops and<br />

supports?<br />

3. Is <strong>the</strong>re a broad enough base of <strong>in</strong>formation? Is <strong>the</strong> evidence <strong>in</strong> <strong>the</strong><br />

essay that you have done appropriate and sufficient....<br />

4. Is your essay argumentative? Is <strong>the</strong>re a body of ARGUMENT presented<br />

<strong>in</strong> a way that supports <strong>the</strong> <strong>the</strong>sis? Have you given good reasons for your<br />

<strong>the</strong>sis?<br />

5. Are your arguments supported by appropriate and sufficient EVIDENCE?<br />

6. Does your writ<strong>in</strong>g show a reasonable sense of paragraph structure? Is<br />

<strong>the</strong> topic of each paragraph clear and is that topic clearly related to<br />

prov<strong>in</strong>g <strong>the</strong> <strong>the</strong>sis?<br />

7. Is it clear how <strong>the</strong> evidence supports <strong>the</strong> argument? Are quotations<br />

<strong>in</strong>troduced <strong>in</strong> a way that makes <strong>the</strong>ir function <strong>in</strong> <strong>the</strong> argument clear? Do<br />

you comment on quotations <strong>in</strong> a way which shows <strong>the</strong>ir relevance to <strong>the</strong><br />

<strong>the</strong>sis?<br />

8. Is <strong>the</strong> sentence level grammar correct? For example, do verbs agree<br />

with <strong>the</strong>ir subjects; are tense sequences correct, and do pronouns have<br />

antecedents?<br />

9. Is <strong>the</strong>re coherence from sentence to sentence and a reasonable<br />

transition from paragraph to paragraph?<br />

10. Do you follow appropriate conventions of documentation, footnot<strong>in</strong>g,<br />

and bibliography? (note: for HIS<strong>3J03</strong>, and most humanities courses, <strong>the</strong><br />

appropriate documentation style is cited <strong>in</strong> K. Turabian's A Manual For<br />

Writers of Term Papers, <strong>The</strong>ses, and Dissertations)<br />

11. Could o<strong>the</strong>r aspects of your writ<strong>in</strong>g be improved?"<br />

<strong>The</strong>se are useful questions which students should ask <strong>the</strong>mselves while<br />

prepar<strong>in</strong>g <strong>the</strong>ir essays. In addition, students will want to keep <strong>the</strong><br />

follow<strong>in</strong>g essay-writ<strong>in</strong>g h<strong>in</strong>ts <strong>in</strong> m<strong>in</strong>d, as <strong>the</strong>y will be important<br />

criteria used by <strong>the</strong> TA <strong>in</strong> grad<strong>in</strong>g <strong>the</strong> essay:<br />

Content:<br />

a) <strong>The</strong>sis: make sure to state this clearly and forcefully <strong>in</strong> your<br />

<strong>in</strong>troduction (and re-state it <strong>in</strong> your conclusion), and to repeat it<br />

occasionally <strong>in</strong> <strong>the</strong> body of <strong>the</strong> paper, whenever evidence is presented<br />

<strong>in</strong> support of <strong>the</strong> <strong>the</strong>sis. Remember, an essay is not a simple narrative<br />

of events, such as found <strong>in</strong> general survey textbooks, but a focussed<br />

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argument <strong>in</strong> support of a particular po<strong>in</strong>t of view or <strong>in</strong>terpretation.<br />

b) Evidence: make sure you have sufficient evidence, <strong>in</strong> <strong>the</strong> form of<br />

examples and footnotes/endnotes, to prove your <strong>the</strong>sis. Remember that<br />

you are build<strong>in</strong>g a case, as <strong>in</strong> a court of law, and that your task is to<br />

marshal as much persuasive evidence as possible <strong>in</strong> support of your<br />

position. This does not mean start<strong>in</strong>g with a <strong>the</strong>sis and <strong>the</strong>n search<strong>in</strong>g<br />

for <strong>the</strong> evidence to prove it. It means tak<strong>in</strong>g a position based on prior<br />

extensive research (compell<strong>in</strong>g arguments cannot be based on<br />

<strong>in</strong>sufficient research) and <strong>the</strong>n br<strong>in</strong>g<strong>in</strong>g forward <strong>the</strong> evidence which<br />

helped persuade you to adopt a particular position or <strong>in</strong>terpretation.<br />

Remember, too, that your <strong>the</strong>sis or position need not be "black" or<br />

"white"--nor will it likely be--but should <strong>in</strong> any case be stated<br />

clearly.<br />

c) Relevancy: avoid discuss<strong>in</strong>g irrelevant th<strong>in</strong>gs or spend<strong>in</strong>g too much<br />

time on po<strong>in</strong>ts which only marg<strong>in</strong>ally relate to your <strong>the</strong>sis.<br />

Form / Style:<br />

a) Clarity: it is important that you convey to <strong>the</strong> reader exactly what<br />

it is you are try<strong>in</strong>g to say. This means us<strong>in</strong>g simple, precise language,<br />

properly def<strong>in</strong><strong>in</strong>g terms and concepts, and avoid<strong>in</strong>g ambiguity. Never<br />

assume <strong>the</strong> reader knows what you mean. It is always better to<br />

over-expla<strong>in</strong>, even at <strong>the</strong> risk of be<strong>in</strong>g repetitive, than to leave <strong>the</strong><br />

reader wonder<strong>in</strong>g what it is you mean to say. One last po<strong>in</strong>t, this<br />

regard<strong>in</strong>g quotations: do not rely on quotes to make your salient po<strong>in</strong>ts<br />

for you. Use quotes spar<strong>in</strong>gly, and only to illustrate your po<strong>in</strong>ts.<br />

b) Organization: this, too, is an important aspect of <strong>the</strong> paper. In <strong>the</strong><br />

<strong>in</strong>troduction, a sort of bluepr<strong>in</strong>t for <strong>the</strong> essay, you will be tell<strong>in</strong>g<br />

<strong>the</strong> reader, ei<strong>the</strong>r implicitly (as part of your <strong>the</strong>sis statement), or<br />

explicitly, how your paper will be organized--<strong>in</strong> what order your po<strong>in</strong>ts<br />

/ support<strong>in</strong>g arguments will be discussed. It is up to you to follow<br />

this order of po<strong>in</strong>ts / arguments <strong>in</strong> <strong>the</strong> body of <strong>the</strong> paper. Preferably<br />

<strong>the</strong>se po<strong>in</strong>ts will be organized <strong>in</strong> some logical fashion. Students should<br />

especially avoid mix<strong>in</strong>g a number of different po<strong>in</strong>ts with<strong>in</strong> <strong>the</strong> same<br />

paragraph or, conversely, distribut<strong>in</strong>g <strong>in</strong> various sections of <strong>the</strong> paper<br />

po<strong>in</strong>ts which should be kept toge<strong>the</strong>r, <strong>in</strong> <strong>the</strong> same section or paragraph.<br />

In short, you should deal with one po<strong>in</strong>t at a time. Follow<strong>in</strong>g this<br />

advice will add greater coherence, clarity, and <strong>the</strong>refore force, to<br />

your argument.<br />

c) Concision: say what you have to say <strong>in</strong> as few words as possible,<br />

without sacrific<strong>in</strong>g mean<strong>in</strong>g. This means, for example, avoid<strong>in</strong>g<br />

repetition and long-w<strong>in</strong>ded sentences(see how concisely I said that?).<br />

d) PLAGIARISM: UNDERSTAND WHAT THIS MEANS! As plagiarism is a very<br />

serious academic offence, one which br<strong>in</strong>gs disrepute both to students<br />

and to <strong>the</strong> university itself, and which carries with it serious<br />

penalties, students are strongly encouraged to read <strong>the</strong> university's<br />

policy on plagiarism and to approach <strong>the</strong> <strong>in</strong>structor with any questions<br />

<strong>the</strong>y might have on this subject.<br />

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For those who want more <strong>in</strong>formation on essay preparation, <strong>the</strong> follow<strong>in</strong>g<br />

guides/manuals are highly recommended:<br />

M. Hellstern, et. al., <strong>The</strong> History Student Writer’s Manual<br />

R. Marius, A Short Guide to Writ<strong>in</strong>g About History.<br />

Janet Giltrow, Academic Writ<strong>in</strong>g.<br />

Sheridan Baker, <strong>The</strong> Practical Stylist.<br />

Kate Turabian, Student's Guide For Writ<strong>in</strong>g College Papers<br />

Kate Turabian, A Manual for Writers of Term Papers, <strong>The</strong>ses, and<br />

Dissertations.<br />

William Z<strong>in</strong>sser, On Writ<strong>in</strong>g Well.<br />

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