Jalal Toufic Resume - Kadir Has Üniversitesi

⎯ Panalist in the symposium “In Need of the Other Identity,” Malmö University, Sweden, 21
September 2000.
⎯ Guest Lecturer, Department of Theatre and Film Studies, University of Canterbury, New
Zealand, 26 July 2000: “The Withdrawal of Tradition Past a Surpassing Disaster.”
⎯ Panalist in Kahlil Gibran: Horizons of the Painter, Musée Nicolas Sursock, 27 January 2000:
“Kneeling Angel with Mountainous Wings.”
⎯ Visiting Artist, Film Department, California College of Arts and Crafts, 25 March 1999.
⎯ Roundtable discussion with John Baldessari, Dick Hebdige, David Bunn, and Mary Ellen
Solt, in conjunction with the exhibition “Text,” California Institute of the Arts, 15 April
1998.
⎯ Guest Lecturer, Department of Theatre and Film Studies, University of Canterbury, New
Zealand, 2 April 1998: “Radical Closure.”
⎯ Panalist (with Etel Adnan and Ibrahim Muhawi; moderator: Ammiel Alcalay) in “From al-
Mashriq to San Francisco: Arab Writers of the Bay Area,” 7th Annual San Francisco Bay
Area Book Festival, 2 November 1996.
⎯ Critical Arts Forum, California Institute of the Arts, 22 October 1996: “The Withdrawal of
Tradition Past a Surpassing Disaster”.
⎯ Guest Lecturer, Film Department, California College of Arts and Crafts, 16 October 1996:
“Immobilization in Undeath, Trance, and Dance: Landscapes of People.”
⎯ Guest Lecturer, Art Department, University of California at Davis, 20 January 1996:
“Reality as Filmic in Vampire Films.”
⎯ Reading (with Lebanese writer and painter Etel Adnan), New Langton Arts, San Francisco,
2 February 1995.
Lectures in Other Artists’/Filmmakers’/Videomakers’ Classes:
— Guest Lecturer in a Walid Raad class at Cooper Union, New York, 22 November 2004: “The
Withdrawal of Tradition Past a Surpassing Disaster,” and “Ruins.”
— Guest Lecturer in a Sharon Lockhart class at the Art Department, UCLA, 19 May 1997:
“Irruptions of Photographs and Colors in Radical Closures.”
— Guest Lecturer in Trinh T. Minh-ha’s seminar Film, Feminism and the Avant-Garde,
Department of Women’s Studies, University of California at Berkeley, 28 February 1996:
“Maya Deren.”
— Guest Lecturer in Trinh T. Minh-ha’s seminar Film (De)Aesthetics, Department of Women’s
Studies, University of California at Berkeley, 11 and 27 September 1995.
⎯ Visiting Artist (with screening of Credits Included) in a Lynn M. Kirby class, Film
Department, California College of Arts and Crafts, 10 April 1995.
⎯ Guest Lecturer in a Trinh T. Minh-ha class, Department of Women’s Studies, University of
California at Berkeley, 5 April 1995: “Marguerite Duras: Between ‘You have seen nothing in
Hiroshima’ and ‘It would have been a film; it is a film.’”
Interviews:
— “Epilogue” (interview with me by Hans Ulrich Obrist), Global Art Forum: Transcripts: 1, ed.
Maria Finders (Dubai: IMC, 2007), pp. 311-324.
— Graziella Rizcallah, “The Sacrifice of the Promise: An Interview with Jalal Toufic,” No: A
Journal of the Arts, issue 6 (USA, 2007), pp. 293-312.
— Kaelen Wilson-Goldie, “Interview with Jalal Toufic,” in Towards a Foreign Likeness Bent:
Translation, ed. Jerrold Shiroma, Duration Press, 2005,
http://www.durationpress.com/poetics/translation.htm.
— Aaron Kunin, “Interview with Jalal Toufic,” Rain Taxi Online, Fall 2001,
http://www.raintaxi.com/online/2001fall/toufic.shtml
Published Conceptual Film and Video Posters:
— ‘Âshûrâ’: This Blood Spilled in My Veins, 2002; The Passion of Joan of Arc, 2005; and Saving
Face, 2005, published in Go Between, ed. Bregenzer Kunstverein/Magazin 4, Wolfgang Fetz
and Peter Lewis (Frankfurt am Main, Germany: Revolver Books, 2005), pp. 206-213.