Jalal Toufic Resume - Kadir Has Üniversitesi

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⎯ Panalist in the symposium “In Need of the Other Identity,” Malmö University, Sweden, 21 September 2000. ⎯ Guest Lecturer, Department of Theatre and Film Studies, University of Canterbury, New Zealand, 26 July 2000: “The Withdrawal of Tradition Past a Surpassing Disaster.” ⎯ Panalist in Kahlil Gibran: Horizons of the Painter, Musée Nicolas Sursock, 27 January 2000: “Kneeling Angel with Mountainous Wings.” ⎯ Visiting Artist, Film Department, California College of Arts and Crafts, 25 March 1999. ⎯ Roundtable discussion with John Baldessari, Dick Hebdige, David Bunn, and Mary Ellen Solt, in conjunction with the exhibition “Text,” California Institute of the Arts, 15 April 1998. ⎯ Guest Lecturer, Department of Theatre and Film Studies, University of Canterbury, New Zealand, 2 April 1998: “Radical Closure.” ⎯ Panalist (with Etel Adnan and Ibrahim Muhawi; moderator: Ammiel Alcalay) in “From al- Mashriq to San Francisco: Arab Writers of the Bay Area,” 7th Annual San Francisco Bay Area Book Festival, 2 November 1996. ⎯ Critical Arts Forum, California Institute of the Arts, 22 October 1996: “The Withdrawal of Tradition Past a Surpassing Disaster”. ⎯ Guest Lecturer, Film Department, California College of Arts and Crafts, 16 October 1996: “Immobilization in Undeath, Trance, and Dance: Landscapes of People.” ⎯ Guest Lecturer, Art Department, University of California at Davis, 20 January 1996: “Reality as Filmic in Vampire Films.” ⎯ Reading (with Lebanese writer and painter Etel Adnan), New Langton Arts, San Francisco, 2 February 1995. Lectures in Other Artists’/Filmmakers’/Videomakers’ Classes: — Guest Lecturer in a Walid Raad class at Cooper Union, New York, 22 November 2004: “The Withdrawal of Tradition Past a Surpassing Disaster,” and “Ruins.” — Guest Lecturer in a Sharon Lockhart class at the Art Department, UCLA, 19 May 1997: “Irruptions of Photographs and Colors in Radical Closures.” — Guest Lecturer in Trinh T. Minh-ha’s seminar Film, Feminism and the Avant-Garde, Department of Women’s Studies, University of California at Berkeley, 28 February 1996: “Maya Deren.” — Guest Lecturer in Trinh T. Minh-ha’s seminar Film (De)Aesthetics, Department of Women’s Studies, University of California at Berkeley, 11 and 27 September 1995. ⎯ Visiting Artist (with screening of Credits Included) in a Lynn M. Kirby class, Film Department, California College of Arts and Crafts, 10 April 1995. ⎯ Guest Lecturer in a Trinh T. Minh-ha class, Department of Women’s Studies, University of California at Berkeley, 5 April 1995: “Marguerite Duras: Between ‘You have seen nothing in Hiroshima’ and ‘It would have been a film; it is a film.’” Interviews: — “Epilogue” (interview with me by Hans Ulrich Obrist), Global Art Forum: Transcripts: 1, ed. Maria Finders (Dubai: IMC, 2007), pp. 311-324. — Graziella Rizcallah, “The Sacrifice of the Promise: An Interview with Jalal Toufic,” No: A Journal of the Arts, issue 6 (USA, 2007), pp. 293-312. — Kaelen Wilson-Goldie, “Interview with Jalal Toufic,” in Towards a Foreign Likeness Bent: Translation, ed. Jerrold Shiroma, Duration Press, 2005, http://www.durationpress.com/poetics/translation.htm. — Aaron Kunin, “Interview with Jalal Toufic,” Rain Taxi Online, Fall 2001, http://www.raintaxi.com/online/2001fall/toufic.shtml Published Conceptual Film and Video Posters: — ‘Âshûrâ’: This Blood Spilled in My Veins, 2002; The Passion of Joan of Arc, 2005; and Saving Face, 2005, published in Go Between, ed. Bregenzer Kunstverein/Magazin 4, Wolfgang Fetz and Peter Lewis (Frankfurt am Main, Germany: Revolver Books, 2005), pp. 206-213.
— The Face of the Savior, 2003, published in Review of Photographic Memory (Beirut: Arab Image Foundation, 2004), p. 16. — Double Feature, 2003, published in the revised and expanded edition of (Vampires): An Uneasy Essay on the Undead in Film (Post-Apollo Press, 2003), p. 197. — Al-Abd wa yawm, 2001, published in Transit Visa: On Video and Cities, ed. Akram Zaatari and Mahmoud Hojeij, Beirut, 2001, p. 8. — Au Hazard Balthazar, 2000, published in Al-Adâb, January-February 2001, Beirut, Lebanon, p. 51; and in (Vampires): An Uneasy Essay on the Undead in Film, revised and expanded edition (Post-Apollo Press, 2003), p. 166. Translated Works: — “Post-War Lebanese Photography: Between the Withdrawal of Tradition and Unworldly Irruptions,” in “The Middle East and ‘Us,’” ed. Ahn Kyunghwa, BOL 2 (bilingual: English, Korean), Spring 2006, Seoul, South Korea, pp. 181-206. — “Nachkriegsfotografie aus dem Libanon: Zwischen dem Rückzug der Tradition und unweltlichen Einbrüchen,” “Post-War Lebanese Photography: Between the Withdrawal of Tradition and Unworldly Irruptions,” 52 nd International Short Film Festival Oberhausen, 4-9 May 2006 (Festival Catalogue), ed. Birgit Konopatzki and Sabine Häcker (Oberhausen, Germany: Karl Maria Laufen, 2006), bilingual (German, English), pp. 96-102. — “Ruins” and “Ruines”; “Post-War Lebanese Photography: Between the Withdrawal of Tradition and Unworldly Irruptions” and “La Photographie libanaise de l’après-guerre : Entre le retrait de la tradition et les irruptions surnaturelles,” in We Can Make Rain but No One Came to Ask: Documents from The Atlas Group Archive, ed. Michèle Thériault, bilingual (English, French), translations to French by Ghassan Salhab (Montreal, Canada: Leonard & Bina Ellen art gallery, Concordia University, 2006), pp. 7-26 and pp. 73-100 respectively. — Aflâm sharq awsatiyya qabla ’an yartadda ’ilayka tarfuka—fî aqal min wâhid ‘ala arba‘ wa ‘ishrîn minal-thâniya (Middle Eastern Films Before Thy Gaze Returns to Thee—in Less than 1/24 of a Second), trans. Jalal Toufic, Al-Âdâb’s Audio-Visual/-Theoretical Supplement, October- November 2001, Beirut, Lebanon, pp. 88-98. — “Mulâhazât nahwa siyar sînamâ’iyya liba‘d anbiyâ’ al-Qur’ân” (“Notes Towards Cinematic Biographies of some Qur’ânic Prophets”), trans. Fawwaz Traboulsi, Al-Âdâb, January- February 2001, Beirut, Lebanon, pp. 52-63. — Excerpt from Distracted, trans. Éric Giraud and Holly Dye, If 13 (France, 1998), pp. 15-24. My Translations of Others’ work: — Jean Baudrillard, “Total Duplicity of this War,” trans. Jalal Toufic, Discourse 22.1, Winter 2000, pp. 4-9. — Joana Hadjithomas and Khalil Joreige, Tayyib Rah Farjîk Shighlî (OK, I’ll Show You My Work), trans. Jalal Toufic, in Mortals to Death, Discourse 24.1, Winter 2002, pp. 85-98. Online: — “The Writing Is on the Wall,” MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 6, June 2008: http://www.museion.it/Museion_Journal/english/Issue_06/ — “Es Steht Auf Der Mauegeschrieben,” trans. Nicola Behrman, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 6, June 2008: http://www.museion.it/Museion_Journal/deutsch/Ausgabe_06/ — “La Scrittura è Sul Muro,” trans. Giorgio Maragliano, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 6, June 2008: http://www.museion.it/Museion_Journal/italiano/numero_06/ — “Bury Me Dead,” MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 5, April 2008: http://www.museion.it/Museion_Journal/english/Issue_05/ — “Begrabt Mich Tot,” trans. Nicola Behrman, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 5, April 2008:
Page 1 and 2: Professor Kadir Has University Facu
Page 3 and 4: Writing and Society Research Group
Page 5 and 6: Arab Representations: Beirut/Lebano
Page 7 and 8: — “Realistic Magic; or, I Never
Page 9: ⎯ “The Withdrawal of Tradition
Page 13 and 14: http://www.museion.it/Museion_Journ

Jalal Toufic Resume - Kadir Has Üniversitesi

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