Jalal Toufic Resume - Kadir Has Üniversitesi

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http://www.museion.it/Museion_Journal/deutsch/Ausgabe_05/ — “Seppelliscimi Da Morto,” trans. Jennifer Scappettone, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 5, April 2008: http://www.museion.it/Museion_Journal/italiano/numero_05/ — “To Think or Not to Think,” MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 4, March 2008: http://www.museion.it/Museion_Journal/english/Issue_04/ — “Denken Oder Nicht Denken,” trans. Nicola Behrman, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 4, March 2008: http://www.museion.it/Museion_Journal/deutsch/Ausgabe_04/ — “Pensare O Non Pensare,” trans. Giorgio Maragliano, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 4, March 2008: http://www.museion.it/Museion_Journal/italiano/numero_04/ — Ishrabha… ti‘sha’ha!; Or, Drink Her, You’ll Love It Ardently!, http://todayeveryday.lightmachine.info/, added 20 February 2008. — “Realistic Magic; or, I Never Cared about Magical Realism,” MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 3, February 2008: http://www.museion.it/Museion_Journal/english/Issue_03/ — “Realistische Magie Oder: Magischer Realismus Hat Mich Nie Interessiert,” trans. Nicola Behrman, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 3, February 2008: http://www.museion.it/Museion_Journal/deutsch/Ausgabe_03/ — “Magia Realistica, Ovvero Il Realismo Magico Non Mi Ha Mai Interessato,” trans. Giorgio Maragliano, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 3, February 2008: http://www.museion.it/Museion_Journal/italiano/numero_03/ — “A Hitherto Unrecognized Sublime Photographer: The Universe,” from Forthcoming (Berkeley, CA: Atelos, 2000), pp. 226-239: http://www.slashseconds.org/issues/002/003/articles/jtoufic/index.php — “Dying Before Dying; or, Living to Tell the Tale,” MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 1, Novembre 2007: http://www.museion.it/Museion_Journal/english/Issue_01/pdf/Museion_Journal_01_EN G.pdf — “Morire Prima Di Morire; O Vivere Per Raccontare La Storia,” trans. Giorgio Maragliano, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 1, Novembre 2007: http://www.museion.it/Museion_Journal/italiano/numero_01/pdf/Museion_Journal_01_I T.pdf — “Sterben Vor Dem Sterben Oder Weiterleben, Um Zeugnis Zu Geben,” trans. Wolfgang Astelbauer, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 1, Novembre 2007: http://www.museion.it/Museion_Journal/deutsch/Ausgabe_01/pdf/Museion_Journal_01_ DT.pdf — “Quicker/Slower than Oneself” (excerpt from Distracted, 2 nd edition [Tuumba Press, 2003], pp. 66-70), MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 0, October 2007: http://www.museion.it/Museion_Journal/english/Issue_00/pdf/Museion_Journal_00_EN. pdf — “Più Veloce/Più Lento Di Se Stesso,” trans. Giorgio Maragliano, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 0, October 2007: http://www.museion.it/Museion_Journal/italiano/numero_00/pdf/Museion_Journal_00_I T.pdf — “Schneller/Langsamer Als Man Selbst,” trans. Wolfgang Astelbauer, MUSEION Museum of Modern and Contemporary Art, Bozen/Bolzano, Italy, issue 0, October 2007:
http://www.museion.it/Museion_Journal/deutsch/Ausgabe_00/pdf/Museion_Journal_00_ DT.pdf — “Black Holes Radiate Lovingly,” Lina Saneh Body Studio, 30 May 2007, http://www.linasaneh-body-p-arts.com/images/blackholes.pdf http://www.callforbodypartsignature.blogspot.com/ — “Composites,” from (Vampires): An Uneasy Essay on the Undead in Film, revised and expanded edition (Sausalito, CA: The Post-Apollo Press, 2003), pp. 172-174. http://www.slashseconds.org/issues/002/001/articles/02_jtoufic/index.php — “I Am the Martyr Sanâ’ Yûsif Muhaydlî,” from (Vampires): An Uneasy Essay on the Undead in Film, revised and expanded edition (Sausalito, CA: The Post-Apollo Press, 2003), pp. 161- 172. http://www.slashseconds.org/issues/002/001/articles/03_jtoufic2/index.php — “Monstrous Units Over the Plateau,” http://www.rova.org/foodforthought/toufic.html — “‘Âshûrâ’; or, Torturous Memory as a Condition of Possibility of an Unconditional Promise,” http://underfire.eyebeam.org/?q=node/540 — “Forthcoming,” from Forthcoming (Berkeley, CA: Atelos, 2000), pp. 46-75. www.unitednationsplaza.org/readingroom/Jalal%20Toufic,%20Forthcoming.pdf Reviews: — Thom Donovan, review of Undeserving Lebanon, Modern Painters, April 2008, p. 91. — Serhan Ada, “Yaşananları hak etmek,” Radikal newspaper, Turkey, 29/12/2007, http://www.radikal.com.tr/haber.php?haberno=242977 — Boris Groys, “Ritualizing Life: Videos of Jalal Toufic,” Art Journal, Vol. 66, no. 2, Summer 2007 (College Art Association [CAA], USA), pp. 83-84. — Ben Lerner, review of Two or Three Things I’m Dying to Tell You, in First Intensity: A Magazine of New Writing #21, Fall 2006, pp. 227-230. — Kaelen Wilson-Goldie, “The Unease of Jalal Toufic,” The Daily Star, 21 August 2004, p. 12 (http://www.dailystar.com.lb/article.asp?edition_id=10&categ_id=21&article_id=7560). — Leslie Scalapino, “Fiction’s Present without Basis,” Symploke vol. 12, no. 1-2, 2004, pp. 35-52 (http://muse.jhu.edu/journals/symploke/v012/12.1scalapino.html) — Ammiel Alcalay, “Disaster Areas,” Village Voice Literary Supplement, April 2001 (): review of Forthcoming. — Elliott Colla, “The Image of Loss: Jalal Toufic’s Filmic Beirut,” Visual Anthropology, Vol. 10, 1998, pp. 305-317: review of Credits Included: A Video in Red and Green and ‘Âshûrâ’: This Blood Spilled in My Veins. — Allen S. Weiss, Sulfur 42, Spring 1998, p. 169: review note on Over-Sensitivity and (Vampires): An Uneasy Essay on the Undead in Film. — Allen Hibbard, Review of Contemporary Fiction, Spring 1997, pp. 184-185: review of Over- Sensitivity. — “Have To Stick Together,” adapted for performance by Barbara Campbell from a story by Anna Gibbs (and reference to Jalal Toufic, Reading, Rewriting Poe’s “The Oval Portrait” — In Your Dreams, Beirut: Ashkal Alwan, 2006), Performance #497, 1001 Nights Cast: A Durational Performance by Barbara Campbell, http://1001.net.au/Prompt/1451 Other Professional Activities: — Member of the Advisory Group for “Seeing the South,” a national competition for landscape projects in southern Lebanon organized by the United Nations Office of the Personal Representative of the Secretary-General for Southern Lebanon (OPRSG). — UNESCO Digi-arts in the Arab States: First Regional Expert Meeting, Beirut, 15-16 September 2003. — Judge for the 1998 America Awards: Belles-Lettres category. — Jury member for the Golden Gate Awards of the 1995 San Francisco International Film Festival.
Page 1 and 2: Professor Kadir Has University Facu
Page 3 and 4: Writing and Society Research Group
Page 5 and 6: Arab Representations: Beirut/Lebano
Page 7 and 8: — “Realistic Magic; or, I Never
Page 9 and 10: ⎯ “The Withdrawal of Tradition
Page 11: — The Face of the Savior, 2003, p

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