Jalal Toufic Resume - Kadir Has Üniversitesi

Writing and Society Research Group of the University of Western Sydney and
Casula Powerhouse Arts Centre, Blacktown Arts Center, Australia, 23 September
2006; “TransPractice and Collaborations” symposium, the Biennale of Sydney
2006, 12 August 2006; Né à Beyrouth film and video festival, Beirut, 29 August
2007; The Centre for Ideas, Victorian College of the Arts, University of
Melbourne, Federation Hall, Australia, 12 March 2008.
— Mother and Son: A Tribute to Alexander Sokurov, mixed media, 2006.
Out of Beirut, curated by Suzanne Cotter, Modern Art Oxford, Oxford, England, 13
May to 16 July 2006.
— ‘Âshûrâ’: This Blood Spilled in My Veins, c-prints, 2005.
The Resilient Landscape, Ivan Dougherty Gallery, College of Fine Arts, University
of New South Wales, Sydney, Australia, 22 November 2007-22 December 2007.
— The Lamentations Series: The Ninth Night and Day, video, 60 minutes, 2005.
Home Works III: A Forum on Cultural Practices, Masrah al-Madina, Beirut, Lebanon,
21 and 23 November 2005; Insa Art Space of Arts Council Korea, Seoul, South
Korea, 16 December 2005; Kunsthalle Fridericianum, Kassel, Germany, 12 April-
14 May 2006; Modern Art Oxford, Oxford, England, 18 and 28 June and 9 July
2006; Venice Biennale, Cyprus Pavilion, 8 June 2007.
— Minor Art: Conceptual Posters and Book Covers (aka Minor Art: Conceptual Film and Video
Posters), 2000-present.
Go Between, the Bregenzer Kunstverein and Magazin 4, Palais Thurn & Taxis and
Magazin 4, Austria, 16 July-4 September 2005; [‘Âshûrâ’: This Blood Spilled in My
Veins, 2004; Eternity and a [Groundhog] Day, 2001; Being There, 2004; The Passion of
Joan of Arc, 2005; A Special Effect Termed “Time”; or, Filming Death at Work, 2005,]
Affiche Museum/Dutch Poster Museum, Netherlands, April 2005; [The Passion of
Joan of Arc, 2005,] Memory Lane, the Biennial Portfolios, curated by René Block,
the 9th International Istanbul Biennial, Goethe-Institut Istanbul, Galeri Dürer, 13
September-30 October 2005, Goethe-Institut Ankara, 8 November-3 December
2005, Goethe-Institut Izmir, 12 December 2005-6 January 2006; Sequence of Tense,
curated by Park Chan-Kyong, Alternative Space Pool, Seoul, South Korea, 16
December 2005-11 January 2006; Filming Death at Work, curated by René Block,
Kunsthalle Fridericianum, Kassel, Germany, 12 April-14 May 2006; Art, Life &
Confusion, curated by René Blöck and Barbara Heinrich, 47th October Salon,
cooperative venture between the Belgrade Cultural Center and the Kunsthalle
Fridericianum Kassel, The Art Gallery, Belgrade, Yugoslavia, 29 September-5
November 2006; Art Now in Lebanon, exhibition curated by Andrée Sfeir and
hosted by Darat al Funun, Amman, Jordan, 4 March-29 May 2008; The Lebanese
Association for Plastic Arts, Ashkal Alwan’s Home Works IV: A Forum on Cultural
Practices, Sfeir Semler Gallery, Beirut, 12 April-31 May 2008.
— http://www.jalaltoufic.com, launched in March 2005.
— A Special Effect Termed “Time”; or, Filming Death at Work, video, 32 minutes, 2005.
Tanit Gallery at Arte Fiera (Art First), BolognaFiere, Italy, 27-31 January 2005;
..né.à Beyrouth festival, Beirut, Lebanon, 23 August 2005; 15 th edition of Festival
Côté Court, Ciné 104, Pantin, France, 31 March-9 April 2006; “Dying To Tell
You: Videos by Jalal Toufic + Walid Raad,” Hallwalls Contemporary Arts Center,
Buffalo, USA, 23 September 2006.
— This Is Not to Say that This Is Not the Case, mixed media, 2004.
Present Absence: Contemporary Art from Lebanon, Galerie Tanit, Munich, 7 May-25
June 2004; Love it or Leave it, the 5th Biennial of Cetinje, curated by René Block,
Kassel, and Natasa Ilic, Zagreb, and realized by the National Museum of
Montenegro in cooperation with Kunsthalle Fridericianum, Kassel, Germany, 20
July-19 September 2004.
— I Am the Martyr Comrade Jamâl Sâtî, mixed media, 2003.