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Case Statement - National Council on Public History

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<str<strong>on</strong>g>Case</str<strong>on</strong>g> <str<strong>on</strong>g>Statement</str<strong>on</strong>g><br />

NCPH Working Group <strong>on</strong> “Teaching Digital <strong>History</strong> & New Media,” 2013<br />

Anne Mitchell Whisnant, UNC-Chapel Hill<br />

January 21, 2013<br />

I’m participating in this working group at the 2013 NCPH meeting in hopes of<br />

getting help in thinking creatively about how to improve my current Introducti<strong>on</strong> to<br />

<strong>Public</strong> <strong>History</strong> course at the University of North Carolina at Chapel Hill. Since 2009,<br />

I have incorporated significant digital comp<strong>on</strong>ent into this class by having students<br />

work <strong>on</strong> a digital history project for which I have been the scholarly advisor since<br />

2009: Driving Through Time: The Digital Blue Ridge Parkway. This project,<br />

supported initially by funding from a two-year grant from the State Library of North<br />

Carolina under the Library Services and Technology Act and hosted at the UNC-<br />

Chapel Hill Libraries, has digitized and put <strong>on</strong>line hundreds of historic photographs,<br />

maps, documents, newspaper clippings, oral histories, and other materials<br />

pertaining to the history of the Blue Ridge Parkway in North Carolina (1933-<br />

present).<br />

The central project for students in my course has been to develop illustrated<br />

interpretive essays for the collecti<strong>on</strong>, some of which—in the l<strong>on</strong>ger term—have<br />

been edited and published <strong>on</strong> the live Driving Through Time site. Because digital<br />

skills and awarenesses are now vital to all historians, I have urged them to employ<br />

digital tools at every stage of their work—from research materials management<br />

(Zotero), to development of interpretive visualizati<strong>on</strong>s (Google Earth), to final<br />

presentati<strong>on</strong> of their essays (WordPress). They have also c<strong>on</strong>ducted site usability<br />

reviews and have also, <strong>on</strong> two occasi<strong>on</strong>s, mined our raw digitized materials to<br />

create descriptive metadata to be entered into the site’s Django-enabled back-end<br />

database or (later) in a Google Doc form that, in turn, was used by the site planning<br />

team to work <strong>on</strong> the live site. The course is designed so that students see and<br />

experience how digital tools are now braided into all stages of historical<br />

scholarship: from research to final presentati<strong>on</strong> and use.<br />

Yet, sometimes, squeezing digital history into a course that has other primary goals<br />

(namely, introducing them to the field of public history more generally) makes the<br />

students (and me) feel as though we are doing two courses at <strong>on</strong>ce, especially as the<br />

technical aspects of working with metadata, Zotero, Google Earth, and WordPress<br />

can quickly become overwhelming. Many of the students are surprisingly lacking in<br />

proficiency and self-sufficiency in using their computers. Many do not read<br />

instructi<strong>on</strong>s carefully. Even though this is a senior- and graduate-level course, I find<br />

I cannot assume even a basic level of technical capability <strong>on</strong> the part of most of my<br />

students.<br />

Additi<strong>on</strong>ally, I struggle with bringing the students sufficiently up to speed <strong>on</strong> the<br />

c<strong>on</strong>tent (Blue Ridge Parkway history) and, frankly, <strong>on</strong> the basics of doing quality<br />

historical research (with digital and analog sources) and interpretati<strong>on</strong>, and often<br />

end up frustrated with the poor quality of the final essays—which also, rarely go

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