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Case Statement - National Council on Public History

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course I expect that students will think about the possibilities for inquiry and expressi<strong>on</strong><br />

quite differently. Rather than indulging the rhetoric of rupture – that digital history is a<br />

whole new world or changes everything -- we often end up having broadened the<br />

modes of research and communicati<strong>on</strong> from the printed text to a wider variety of media<br />

and think about the relati<strong>on</strong>ship -- even c<strong>on</strong>tinuum -- between digital and analog<br />

sources and methods.<br />

2. Using visual media and understanding digital imaging is absolutely essential for<br />

public historians, who engage the visual to such a great degree. Thus, I teach a bit of<br />

photographic history and visual culture, photography, and Photoshop. I am coming to<br />

think that some form of programming or scripting ability is essential because it gives<br />

students the ability to create their own tools or make much better use of existing tools,<br />

but I have not yet built this into my teaching yet to see how it works.<br />

3. A key framework I use to start students thinking about the changes we are seeing in<br />

digital technology is beginning with the investigati<strong>on</strong> of older periods of media<br />

transformati<strong>on</strong>. I call it, "When Old Media Was New." While students have found<br />

changes in digital technology often bewildering, I emphasize that these epistemological<br />

upheavals are not new. Photographic documentati<strong>on</strong>, the recorded and broadcast<br />

human voice, and the moti<strong>on</strong> picture were all quite decentering and disruptive media<br />

that were eventually incorporated into a broader media landscape and into the work of<br />

historians. Marshall McLuhan’s Understanding Media has been a useful resource for<br />

this and gives students some c<strong>on</strong>ceptual comfort as well as giving them some<br />

background of the media that they will be working with later in the course.<br />

I have also found course blogs to be useful for starting discussi<strong>on</strong>, introducing students<br />

to HTML vs. CSS, and building their understanding of relati<strong>on</strong>al databases. It's been a<br />

useful additi<strong>on</strong> (in all of my teaching now) that I heartily recommend.<br />

I would like to hear a bit from group members <strong>on</strong> their experiences teaching<br />

digital history to undergraduates. Despite some classic digital history projects,<br />

the discipline as a whole has been slow to engage the digital (the AHA's recent<br />

frenzy <strong>on</strong> the digital hardly makes up for this lost time). In part this is because<br />

digital skills are so rarely taught to undergraduates -- the undergraduate<br />

curriculum seems to be a place for educati<strong>on</strong> <strong>on</strong> disciplinary c<strong>on</strong>sensus rather<br />

than experimentati<strong>on</strong>. The debunking of the "digital native" idea has illustrated to<br />

me that history undergrads are fabulously badly served in their educati<strong>on</strong> <strong>on</strong><br />

digital technology -- they d<strong>on</strong>'t pick up high-level, reflective skills by being "native"<br />

to digital culture and the undergraduate curriculum does not make up for this. My<br />

hope and expectati<strong>on</strong> is that digital training at the undergraduate level will<br />

improve graduate students' abilities and will eventually work its way up to the<br />

faculty and researchers, but this is a l<strong>on</strong>g, slow process.

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