02.02.2014 Views

Case Statement - National Council on Public History

Case Statement - National Council on Public History

Case Statement - National Council on Public History

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Anita Lucchesi<br />

January 17, 2013<br />

2013 NCPH Annual Meeting<br />

Working Group: Teaching Digital <strong>History</strong> and New Media<br />

<str<strong>on</strong>g>Case</str<strong>on</strong>g> <str<strong>on</strong>g>Statement</str<strong>on</strong>g><br />

My name is Anita Lucchesi. I am a sec<strong>on</strong>d-year MA candidate in a Comparative <strong>History</strong><br />

Program at the “Universidade Federal do Rio de Janeiro”, a publicly funded university in Rio de<br />

Janeiro-Brazil. I feel that I am in a special situati<strong>on</strong> as a participant of this inspiring discussi<strong>on</strong><br />

we are about to start. I am not a public history formal educator, and I am not a graduate<br />

student from a Digital or <strong>Public</strong> <strong>History</strong> Program. Although I am studying Digital <strong>History</strong> since<br />

2008, and it’s been the main subject to all my articles and researches since then.<br />

My participati<strong>on</strong> in this Working Group is going to be my first chance to talk with and hear<br />

from people that are interested in the same subject as I am. This is due to the fact that,<br />

unfortunately, in Brazil we are still lagging behind in Digital and <strong>Public</strong> <strong>History</strong> (We have no<br />

Graduate Programs <strong>on</strong> it here until now). However, we are beginning to think about the use of<br />

digital technologies for historical research and its introducti<strong>on</strong> in instituti<strong>on</strong>s and universities in<br />

Brazil. I believe that my participati<strong>on</strong> in this group will offer my point of view about what I<br />

have learned from this lack of graduate instructi<strong>on</strong> versus the real experiences and practical<br />

use of Digital <strong>History</strong> and New Media, from which I hope to learn in the whole c<strong>on</strong>ference.<br />

I got into this digital medium (in lacking another term and uncertain in calling it a “field” or a<br />

“method”) since my undergraduate studies by myself, clicking from link to link with no end in<br />

sight after I was presented to the CHNM by Serge Noiret (EUI/IFPH) – to whom I owe my foray<br />

into the theme. In 2011, I c<strong>on</strong>cluded my BA research about using the Internet as a tool for<br />

historians, in which I reflected <strong>on</strong> theoretical and methodological issues for the process of<br />

writing history in a Digital Age. Currently, in my MA thesis, I am comparing the understanding<br />

of what Digital <strong>History</strong> is supposed to be for historians in both the United States and Italy.<br />

To be h<strong>on</strong>est, the reading of the previously sent statements was already an instructive and<br />

thrilling exercise for me. It emphasizes my status as a foreign “freshman” in the group, but also<br />

show me in a clear manner how I might c<strong>on</strong>tribute to our c<strong>on</strong>versati<strong>on</strong> in face of my distinct<br />

background menti<strong>on</strong>ed above. Assuming the perspective of a potential student earnest to<br />

become a public and digital historian, the main goals of training <strong>on</strong> digital history I would<br />

expect from my educators must pass by these unavoidable features:<br />

(1) Educators should prepare their students to grapple with the abundance of the digital<br />

avenue anticipated by Roy Rosenzweig and, thereby, stimulate them to c<strong>on</strong>sider it and<br />

be ready to dribble its dispersibility. I guess it is fundamental to push students to think<br />

about the paradoxical Harald Weinrich’s quote: “Stored, in other words, forgotten”.<br />

(2) Another questi<strong>on</strong> that needs careful handling is the impermanence of the digital in<br />

general. It may require some accurate interpretati<strong>on</strong> skills to deal with dilemmas<br />

brought out to our craft by the fluidity of writing digital history. Differently of historical<br />

printed works, digital projects must be analyzed as a work-in-progress all the time. As

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!